AUDIX Fireball Special mic for harp and hiphop vocals

169.52 incl. GR VAT

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Ultra-small, high performance dynamic harmonica microphone. The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications. The FireBall™ mic has a smooth, uniform frequency response of […]

 

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Ultra-small, high performance dynamic harmonica microphone.

The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

The FireBall™ mic has a smooth, uniform frequency response of 50 Hz – 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.

Because the FireBall™ is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k)  is required.

Designed, machined, assembled and test by Audix in the USA.

Type Dynamic
Polar Pattern Cardioid
Frequency Response 50Hz – 16kHz
Impedance 280 ohms
Sensitivity 1.5 mV/Pa @1k
Weight 2.00 kg

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Quick Comparison

AUDIX Fireball Special mic for harp and hiphop vocals removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeNPG CB-410 Instrument Microphone 48V removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeShure DMK57-52 - Drum Mic Kit remove
NameAUDIX Fireball Special mic for harp and hiphop vocals removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeNPG CB-410 Instrument Microphone 48V removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeShure DMK57-52 - Drum Mic Kit remove
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SKUFireballH10SE00102CB-410H10SE00105BETA 56ADMK57-52
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Price 169.52 incl. GR VAT 185.00 incl. GR VAT 47.11 incl. GR VAT 189.00 incl. GR VAT 196.80 incl. GR VAT 627.00 incl. GR VAT
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Description
Content

Ultra-small, high performance dynamic harmonica microphone.

The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

The FireBall™ mic has a smooth, uniform frequency response of 50 Hz - 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.

Because the FireBall™ is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k)  is required.

Designed, machined, assembled and test by Audix in the USA.

Type Dynamic
Polar Pattern Cardioid
Frequency Response 50Hz - 16kHz
Impedance 280 ohms
Sensitivity 1.5 mV/Pa @1k


The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 


Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string  musical instruments

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g 

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
  • Weight2.00 kg0.44 kg1.00 kg0.32 kg0.80 kg2.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 2.00 kg
    Weight 0.44 kg
    Weight 1.00 kg
    Weight 0.32 kg
    Weight 0.80 kg
    Weight 2.00 kg