| Content |
Omni-directional test and measurement microphone for RTA and software systems.
The TM1 is a 6 mm pre-polarized condenser microphone used for test and measurement applications. The TM1 is known for its linearity, accurate response, consistency, ease of use and affordability.
Equipped with a uniformly controlled omnidirectional polar pattern, the TM1 is designed to capture acoustic measurements for room analysis software programs, real time analyzers and other sound control devices. With a flat frequency range of 20 Hz – 25 kHz, the TM1 is an excellent tool for sound engineers, sound companies and recording enthusiasts.
The TM1 is designed, machined, assembled and tested by Audix in the USA.
Model Variation: TM1 PLUS - includes calibration data file and sensitivity, threaded acoustic windscreen, and CA4231 machined calibration adapter *
*Bruel & Kjaer® 4231 sound level calibrator or equivalent
| Transducer | Pre-polarized Condenser | | Polar Pattern | Omnidirectional | | Frequency Response | 20Hz to 25kHz (+/- 2dB) | | Dynamic Range (Typical) | 112dB | | Signal-to-Noise Ratio | 66dB | | EIN | 28dB A-weighted | | Maximum Input Sound Level | 130dB with distortion | | Power Requirements | 18 - 52V Phantom | | Output Impedance | 200 ohms | | Output Connectors | 3-pin XLR | | Sensitivity | 6.5mV / Pa @ 1k | | Housing | 4 Piece Precision Machined Brass | | Dimensions | Length 5.9" (150mm) |
|
The UNlDYNE? III Model 545SD is a dual-impedance, unidrectional, dynamic microphone. Shipped connected for low-impedance operation, it features a silent magnetic reed on/off switch.
The 545SD is a favorite for instrument pickup and recording, and can be used on lecterns for public address systems such as those used in political conventions and legislatures, convention halls, hotels, public auditoriums, stadiums, schools, and churches.
- Exceptionally uniform cardioid pattern minimizes feedback in PA applications
- Selectable dual-impedance operation
- Silent magnetic reed on/off switch with lock-on option
- Cardioid dynamic
- Frequency response: 50 to 15,000 Hz.
|
In the tradition of the SM58?, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.
The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.
- Smooth, extended frequency response for outstanding sound for professional live vocal use
- Consistent supercardioid pattern provides the best gain-before-feedback among dynamic microphones
- Pneumatic shock mount reduces handling noise
- Frequency response: 50 to 16,000 Hz
-
Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
-
Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
-
Neodymium magnet for high signal–to–noise output
-
Hardened steel mesh grille that resists wear and abuse
-
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
-
Minimally effected by varying load impedance
-
Legendary Shure quality and reliability
| Transducer |
(Moving Coil, with Neodymium Magnet) Dynamic |
| Polar Pattern |
Supercardioid |
| Frequency Response |
50 Hz - 16 kHz |
| Maximum Input Sound Level |
not specified by manufacturer |
| Power Requirements |
None Dynamic, Requires No Phantom or Battery Power |
| Output Impedance |
150 Ohms (290 Ohms Actual) |
| Output Connectors |
XLR-3 Type |
| Dimensions |
6.375 x 2" (162 x 51mm) LxDiameter |
| Weight |
9.92 oz. (278 g) |
|
The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments. | M2230
Certified class 1 measurement microphone according to IEC 61672 with metal diaphragm.
NTi Audio #: 600 040 050 |
NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
|
Reviews
There are no reviews yet.