AUDIX f6 Instrument Microphone

139.53 incl. GR VAT

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The f6 is designed for instruments requiring bass reproduction in live and studio applications. The f6’s hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage. The f6 has low impedance and balanced output providing interference-free performance. Specifications Type Dynamic Polar Pattern Hypercardioid Frequency Response 40 Hz – 16 […]

 

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The f6 is designed for instruments requiring bass reproduction in live and studio applications. The f6’s hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage.

The f6 has low impedance and balanced output providing interference-free performance.

Specifications

Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 40 Hz – 16 kHz
Impedance 580 Ohms
Sensitivity 1.2 mV / Pa @ 80 Hz

 

 

Weight 1.00 kg

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Quick Comparison

AUDIX f6 Instrument Microphone removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz remove
NameAUDIX f6 Instrument Microphone removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz remove
Imagebeyerdynamaic m 88 tg dynamic hyperdioid microphone
SKUf6M-88 TG001808BETA 56AKSM141SLBETA 52A
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Price 139.53 incl. GR VAT 419.99 incl. GR VAT 110.00 incl. GR VAT 196.80 incl. GR VAT 515.99 incl. GR VAT 231.36 incl. GR VAT
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Description
  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for stage and studio
  • Unbelievably rich sound
  • Made in germany
Content

The f6 is designed for instruments requiring bass reproduction in live and studio applications. The f6's hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage.

The f6 has low impedance and balanced output providing interference-free performance.

Specifications
Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 40 Hz - 16 kHz
Impedance 580 Ohms
Sensitivity 1.2 mV / Pa @ 80 Hz

 

 

Technical Data

Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin

Made in Germany

Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.

 
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!  
Flexible tool iN The studio

The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.

Audio Frequency Response    20 Hz - 10,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    150 Ω
Mic Type    Instrumental
Open Circuit Voltage    0.63 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Shipping Weight    23.7 oz (672 g)
Wired/Wireless    Wired
Weight Net    12.84 oz (364 g)

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum. The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Features
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
Type Dynamic (moving coil)
Frequency Response 20 to 10,000 Hz
Polar Pattern Supercardioid, rotationally symmetrical about microphone axis
Output Level Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL
Weight1.00 kg0.600 kg0.35 kg0.80 kg0.50 kg0.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.600 kg
Weight 0.35 kg
Weight 0.80 kg
Weight 0.50 kg
Weight 0.80 kg