AVALON U5 MONO INSTRUMENT and DI PREAMPLIFIER

805.00 incl. GR VAT

Available on backorder

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The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand. U5 […]

 

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The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable
gain preamp and filter. The high input impedance accepts a wide variety of signal levels
and instruments from acoustic guitars to high-output active bass guitars and keyboards.
The U5 direct box is loaded with sonic character and user features professionals demand.

U5 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Variable gain preamp to +30dB.
Dual microphone and line outputs
Hi-Z   3,000,000 ohm input impedance
Very low noise -100dB
High headroom +30dB
Six tone bank selections.
DC coupled Class A output for superior bass
High cut switch eliminates noise
LED active signal indicator
Headphone monitor output jack
Low distortion less than 0.5% THD and IMD
High level 400 watt speaker input
Active to thru selector – ground isolation switch
100% discrete power supplies for audio path
Internal toroidal power supply for low noise
Long lasting, stainless steel hardware
 
SONIC EXCELLENCE
The Avalon U5 Pure Class A instrument DI & preamplifier is the most powerful direct box
available today.  Designed to optimize absolute signal integrity and musical performance,
the U5 includes many features and sonic excellence unequaled by lesser designs. The
U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers
and low output pickups. 
Features include state-of-the-art, high input impedance input stage for zero load effect on
sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical
user features and rugged hardware designed to deliver true high performance audio for many
years. 
DESIGNED FOR DEEP & CONTROLLED BASS
Avalon U5 DI-preamps have been in use around the world since 1995. They have found their way
into the world’s leading musicians rigs and recording sessions and been featured on thousands
of the best selling (and sounding) albums and live performances.
MINIMUM SIGNAL PATH DESIGN
The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high
level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ
curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch
eliminates unwanted acoustic pickup and high frequency noise, while a  headphone monitor amp
has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low
level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing.
The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized
signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth
loop or AC buzz problems with complete safety.

U5 SPECIFICATIONS
Circuit Topology:  100% discrete, high-voltage Class A 
Gain:  Switched 3dB steps, maximum gain +30dB 
Input Impedance:  3 ,000,000 ohm unbalanced (single ended) 
Maximum Input Level  +24dBu unbalanced, 400w speaker input 
Output Connectors (2):  XLR type, pin 2 hot electronic balanced 
Maximum Output Level (Class A):  +30dBu DC coupled, balanced 600 ohms (mic and line out) 
Headphone Output:  0.5w into 600 ohms 
Noise 20kHz Unweighted:  -100dBu minimum gain position 
Distortion THD, IMD:  0.1% at +10dB 
Frequency Response, -/+0.5dB:  5Hz to 100kHz 
Frequency Response, -3dB:  1Hz to 500kHz (input band limited) 
High Cut Filter:  -3dB at 8kHz minimum phase design 
Tone Selector:  Six position rotary switch, all passive filters 
AC Power:  Internal toroidal AC supply 
Dimensions:  8.5 x 3.5 x 12 in (216 x 88 x 305mm) 
Weight-Packed:  12lbs (5.4kg) 
Rack mount kit (1) RM-1:  Single U5 19 inch rack mount kit (holds one half rack unit) 
Rack mount kit (2) RM-2:  Dual U5 19 inch rack mount kit (holds two half rack units) 

Weight 5.40 kg

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Quick Comparison

AVALON U5 MONO INSTRUMENT and DI PREAMPLIFIER removeFOCUSRITE ISA ONE Microphone Pre-amplifier removeDAP AUDIO D1530 PRE-101 Phono RIAA equalized pre-amp removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removeGOLDEN AGE PRE73 MK2 WITH CARNHILL MOD 3 Microphone preamp removeDAP AUDIO D1535 ASC-202 2 Way Stereo Converter remove
NameAVALON U5 MONO INSTRUMENT and DI PREAMPLIFIER removeFOCUSRITE ISA ONE Microphone Pre-amplifier removeDAP AUDIO D1530 PRE-101 Phono RIAA equalized pre-amp removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removeGOLDEN AGE PRE73 MK2 WITH CARNHILL MOD 3 Microphone preamp removeDAP AUDIO D1535 ASC-202 2 Way Stereo Converter remove
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SKUU 5ISA ONED1530E-PREPRE-73 MK2 CARNHILLD1535
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Price 805.00 incl. GR VAT 757.00 incl. GR VAT 49.35 incl. GR VAT 162.49 incl. GR VAT631.09 incl. GR VAT 66.95 incl. GR VAT
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Available on backorder

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Description
Content

The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable
gain preamp and filter. The high input impedance accepts a wide variety of signal levels
and instruments from acoustic guitars to high-output active bass guitars and keyboards.
The U5 direct box is loaded with sonic character and user features professionals demand.

U5 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Variable gain preamp to +30dB.
Dual microphone and line outputs
Hi-Z   3,000,000 ohm input impedance
Very low noise -100dB
High headroom +30dB
Six tone bank selections.
DC coupled Class A output for superior bass
High cut switch eliminates noise
LED active signal indicator
Headphone monitor output jack
Low distortion less than 0.5% THD and IMD
High level 400 watt speaker input
Active to thru selector - ground isolation switch
100% discrete power supplies for audio path
Internal toroidal power supply for low noise
Long lasting, stainless steel hardware
 
SONIC EXCELLENCE
The Avalon U5 Pure Class A instrument DI & preamplifier is the most powerful direct box
available today.  Designed to optimize absolute signal integrity and musical performance,
the U5 includes many features and sonic excellence unequaled by lesser designs. The
U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers
and low output pickups. 
Features include state-of-the-art, high input impedance input stage for zero load effect on
sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical
user features and rugged hardware designed to deliver true high performance audio for many
years. 
DESIGNED FOR DEEP & CONTROLLED BASS
Avalon U5 DI-preamps have been in use around the world since 1995. They have found their way
into the world's leading musicians rigs and recording sessions and been featured on thousands
of the best selling (and sounding) albums and live performances.
MINIMUM SIGNAL PATH DESIGN
The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high
level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ
curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch
eliminates unwanted acoustic pickup and high frequency noise, while a  headphone monitor amp
has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low
level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing.
The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized
signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth
loop or AC buzz problems with complete safety.

U5 SPECIFICATIONS
Circuit Topology:  100% discrete, high-voltage Class A 
Gain:  Switched 3dB steps, maximum gain +30dB 
Input Impedance:  3 ,000,000 ohm unbalanced (single ended) 
Maximum Input Level  +24dBu unbalanced, 400w speaker input 
Output Connectors (2):  XLR type, pin 2 hot electronic balanced 
Maximum Output Level (Class A):  +30dBu DC coupled, balanced 600 ohms (mic and line out) 
Headphone Output:  0.5w into 600 ohms 
Noise 20kHz Unweighted:  -100dBu minimum gain position 
Distortion THD, IMD:  0.1% at +10dB 
Frequency Response, -/+0.5dB:  5Hz to 100kHz 
Frequency Response, -3dB:  1Hz to 500kHz (input band limited) 
High Cut Filter:  -3dB at 8kHz minimum phase design 
Tone Selector:  Six position rotary switch, all passive filters 
AC Power:  Internal toroidal AC supply 
Dimensions:  8.5 x 3.5 x 12 in (216 x 88 x 305mm) 
Weight-Packed:  12lbs (5.4kg) 
Rack mount kit (1) RM-1:  Single U5 19 inch rack mount kit (holds one half rack unit) 
Rack mount kit (2) RM-2:  Dual U5 19 inch rack mount kit (holds two half rack units) 

ISA OneClassic Single-channel Microphone Pre-amplifier with Independent D.I. Key Features ISA Series Transformer-based Pre-amplifier Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone pre-amplifier at its lowest cost to date. Flexible Independent D.I. Channel ISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional ADC. Switchable Impedance Choose one of four carefully selected input impedances, including the original ISA 110 setting, to suit any microphone. Optional Stereo 192kHz ADC This optional card embodies cutting-edge conversion technology, incorporating Focusrite analogue circuitry to deliver the best A-D performance in its class (Dynamic range of 119dB). Rugged Custom Flight Case Built to protect your ISA One from the rigors of the road. Rugged plywood construction with a solid polypropylene exterior and reinforced corners. Headphone Output with Volume Control ISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit. Dedicated Insert Point Allows you to place extra processing between the pre-amplifi er or D.I. and the optional converter, such as an EQ or compressor. Specifications Analogue Channel Inputs
  • XLR Mic input
  • One XLR and one TRS line input
  • XLR Instrument input TRS Jack
  • External ADC input TRS Jack
  • TRS jack return
Analogue Channel Outputs
  • TRS jack send
  • XLR balanced line output
  • XLR DI output
  • TS jack DI through
Analogue Channel Additional I/O
  • TRS Jack cue mix left input
  • TRS Jack cue mix right input
  • 1/4” TRS Jack headphones output
Mic Input Response
Gain range 0dB to 60dB in 10dB steps + 20 dB of variable gain
Input Impedance Switched Impedance setting Equivalent Input Impedance at 1kHz Low = 600 Ohms ISA110 = 1400 Ohms Med = 2400 Ohms High = 6800 Ohms
EIN (Equivalent Input Noise) -126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz/22kHz band-pass filter
Noise Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu
Signal-to-Noise Ratio 106 dB relative to max headroom (9dBu)
Total Harmonic Distortion + Noise Measured at medium gain (30dB) with a 1kHz -20dBu input signal and with a 22Hz/22kHz band-pass filter
Frequency Response At minimum gain (0 dB) -0.5dB down at 10Hz and -3dB down at 125kHz
At maximum gain (60dB) -3dB down at 16Hz and -3dB down 118kHz
CMRR (Common Mode Rejection Ratio) 98dB (Channel 1, 1kHz, maximum gain with +24 dBu input)
Crosstalk Channel to Channel With 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA
Line Input Response
Gain range -20dB to +10dB in 10dB steps + 20 dB of variable gain
Input Impedance 10 kΩ from 10 Hz to 200 kHz
Noise Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter -96 dBu
Signal-to-Noise Ratio Measured with a 22 Hz-22 kHz band pass filter 120 dB relative to max headroom (24 dBu) 118dB relative to 0dBFS (+22dBu)
Total Harmonic Distortion + Noise Measured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter 0.0001%
Frequency Response At unity gain (0 dB) -0.3dB down at 10Hz and -3dB down at 200kHz
Instrument Input Response
Gain range 10dB to 40dB continuously variable
Input Impedance High = greater than 1M Low =greater than 300k
Noise Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB): -92 dBu Maximum gain (+40dB): -62dBu
THD At minimum gain (+10)
Frequency Response At minimum gain (+10 dB) -10dB input: 10Hz-100kHz +/- 0.6dB
At maximum gain (+40 dB) -40dB input: -2.5dB down at 10Hz and 0dB at 100kHz
Meters
Moving Coil (MC) Meter factory calibrated to 0VU = +4dBu with 1kHz sinewave. With the VU Cal button pressed the meter can be adjusted on the rear panel to allow 0VU to equal +10dBu to +26dBu with the centre detent being equal to +22dBu.
Peak LED Meters Calibrated in the detent position for 0dBFS = +22dBu, calibration is adjustable on the rear panel to allow 0dBFS to equal +10dBu to +26dBu
Routing for MC and Peak1 meter is after the HPF, pre insert send or switched post insert return. Peak2 is always pre ADC channel 2, which can be fed by external input or Instrument input.
LED Levels As follows, when peak calibration is set to center detent on the rear panel. (This is when using the internal ADC). 0 = +22dBu -2 = +20dBu -6 = +16dBu -12 = +10dBu -18 = +4dBu -42 = -20dBu
Frequency Response At minimum gain (+10 dB) -10dB input: 10Hz-100kHz +/- 0.6dB
At maximum gain (+40 dB) -40dB input: -2.5dB down at 10Hz and 0dB at 100kHz
High-Pass Filter
Roll-Off 18 dB per octave (3 pole filter)
Frequency Fixed 75Hz measured at the 3dB down point
Weight and Dimensions
W x D x H 220mm (W) x 104mm (H) x 254 - 290mm (D - top to bottom) 8.66" (W) x 4.1" (H) x 10" - 11.4" (D - top to bottom)
Weight 3.9 kg 8.6 lbs
• Solid housing • RIAA Equalization • High quality components The PRE-101 is a phono pre-amp with RIAA equalization. The tiny signal of magnetic pick-ups is amplified to fit the line-level inputs of mixers or USB sound-cards. Specifications Frequency Response: 20Hz-20KHz RIAA Inputs: RCA Outputs: RCA Input sensitivity: 3mV for 1000 mV output Input Impedance: 47 kOhm Nominal Output Voltage: 0 dBV Max Output voltage: +16 dBu Output impedance: 100-600 Ohms Power supply: 18V AC (adapter included) Dimensions: 40 x 113 x 80 mm (HxWxD) Weight: 0,35 Kg

Features
Superlative sound
Studio quality mic preamp
Total control - Input Gain, EQ contour, Output Gain,
Overload indicator
Multiple output connectors
XLR/jack combo input 
Switchable 48 V DC Phantom Power for condenser Mics
Compact, computer friendly package
Needs no external power supply
 
ARX is proud to introduce the e-pre - the ultimate microphone pre-amp for
hard disk recording, designed by audio professionals, not computer engineers.
The all-new e-pre is so much a part of your system that it fits right into a spare
5?" slot in your computer case! It's the perfect tool for all your day-to-day
recording requirements. No equipment racks to plug in, no masses of cabling to
connect - the e-pre is ready and waiting when you need it.
The e-pre is a studio quality microphone pre-amp using the same internal components
as high end mixing consoles, built into a compact, computer friendly package.
It has controls for:
Input Gain - fully variable from 10dB through to 60dB to suit all types of microphones,
plus switchable 48 V Phantom Power to enable condenser microphones to deliver
their best.
A Contour control for EQ sweetening, providing fast, easy access to a whole range
of useful EQ curves
Output level control - fully variable to match the e-pre's output to the input of the sound
card. From -10dB consumer cards through to +4dB for professional sound cards, the
e-pre can handle it.
Multiple output connectors match up with any kind of sound card, including mini jacks,
standard jack, RCA (phono) plugs, and even a connector to link to the internal CD ROM
audio input of your sound card (if fitted).
We've even fitted a 12 VDC input connector on the rear to enable the e-pre to run from an
external power supply if required (eg for use with notebook computers or stand-alone use).

Any way you look at it, the e-pre by ARX is the total professional microphone pre-amp for
all your hard disk recording needs

e-pre Benefits
Professional Balanced XLR mic input
True 48v phantom power
Runs into the Line input of ANY sound card - uses the card you've already paid for
High headroom = clean recordings
Smart EQ
Compatible with non-computer audio equipment
Professional performance and specs in a user friendly package
 

T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance
Mic 2 K Ohms Balanced; XLR type Pin 1 Audio Ground, Pin 2 +, Pin 3-
Line 25 K Ohms Balanced, ?" TRS jack Tip +, Ring , Sleeve Audio Ground
Phantom Power Voltage Switchable +48 V DC on XLR Pins 2 and 3
Max Input Level Mic +15 dB, Line +20 dB
Input Gain 10 dB Minimum, variable to 60 dB Maximum
Output Level -10 dB variable through 0 dB to +4 dB
Overload Indicator Measured at all Gain points throughout the circuitry
Output Noise -90 dB Unweighted, -97 dB 'A' weighted
(Measured with Gain nominal 20 dB, Output level -10 dB)
Frequency Response 20 - 20 KHz ± 0.25 dB
Distortion
100 Hz 0.0085%
1 KHz 0.008%
10 KHz 0.0083%
(Measured with Mic Gain 20 dB, Output 0 dB)
Power Requirements 12 V DC from either computer supply or external supply
(external power supply not included in e-pre package)
Size 148mmW x 42mmH x 150mm D (5?“W x 1?H x 6“D)
Weight Under 1 Kilo (2.2 lbs)
 

The PRE-73 Mk2 is the first one-channel low-cost preamp on the market that is using a fully discrete signal path with three separate transformers for the balanced mic input, the line input and the output.

The circuit is very similar to the classical preamp section of the Neve 1073 pre/eq module with a corresponding sound character that is warm, punchy, sweet and musical.
This classical sound has been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.

The PRE-73 Mk2 has a maximum gain of 80 dB on the mic input and the gain range on the Line input is -20 to + 10 dB. There is also a high-impedance instrument input.

The PRE-73 Mk2 is perfect for almost any signal source, no matter if it's a microphone with a high or low sensitivity (like a passive ribbon mic), a syntheziser or sound module or an electric guitar or bass.

The input impedance of the microphone input can be switched between 300 and 1200 ohms, which makes it possible to affect the tone of most microphones. There is also phase switch and an simple 4-step LED signal level meter.

The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage for more character and then lower the signal to a suitable level before the output stage.

The Mk2 update consists of:
- An unbalanced insert jack (nominal level about 18 dBu) added on the back panel for inserting units like the coming GAP EQ-73, a three band eq.
-  LED meter levels adjusted.
- 600 Ohm termination resistor and jumper added to power supply board (accessible from the inside of the unit).
- Revised Gain switch, turning the know clockwise now increase the gain.
- Reduced noise at high gains by a change to the power supply grounding scheme.

• Road proof housing • High quality components • Professional balanced XLR outputs • Level control The ASC-202 converts consumer level stereo RCA signals to balanced XLR professional line level, and back. One side of the unit, has two XLR inputs and stereo RCA outputs. The other side has stereo RCA inputs and two XLR outputs. Each side has stereo level controls. A possible application of the SC-13 is to use it as a level control in balanced audio lines. The DAP Pro Audio Solutions are a complete line-up of audio tools for the professional musician or audio engineer. It is a series of audio modifying tools like mini-mixers, pre-amps and converters available in active or passive models. All audio solutions are designed to meet the highest stage and audio demands and feature a metal road proof housing with rubber feet and easy accessible controls. The units also have a small footprint which make them ideal to be used and placed in any environment where space is critical. Specifications Frequency Response: 20Hz-20KHz Inputs: XLR/Jack Combo, RCA Outputs: XLR male, RCA Input sensitivity RCA in: -10 dBv Input Impedance RCA in: 10 kOhm Input sensitivity XLR/Jack in: +4 dBu Input Impedance XLR/Jack in: 20 kOhm Output voltage RCA Out: -10 dBV Output Impedance XLR Out: 100 Ohm Output voltage XLR Out: +4 dBu Output Impedance XLR Out: 200 Ohm Power supply: 18V AC (adapter included) Dimensions: 53 x 158 x 135 mm (HxWxD) Weight: 0,65 Kg
Weight5.40 kg4.00 kg0.35 kg1.00 kg3.60 kg0.65 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 5.40 kg
Weight 4.00 kg
Weight 0.35 kg
Weight 1.00 kg
Weight 3.60 kg
Weight 0.65 kg