Avantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case

212.03 incl. GR VAT

Available on backorder

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The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost! The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, […]

 

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The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

Weight 0.60 kg

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Quick Comparison

Avantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeBEHRINGER B-5 Sputtered Diaphragm Studio Condenser Microphone removeAvantone AV-CK7 Condenser FET mic, inc shock mount, wooden mic box and metal case removeRODE NTK TUBE CONDENSER STUDIO MICROPHONE removeSHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz removeNEUMANN M-149 TUBE Condenser Tube Microphone remove
NameAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeBEHRINGER B-5 Sputtered Diaphragm Studio Condenser Microphone removeAvantone AV-CK7 Condenser FET mic, inc shock mount, wooden mic box and metal case removeRODE NTK TUBE CONDENSER STUDIO MICROPHONE removeSHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz removeNEUMANN M-149 TUBE Condenser Tube Microphone remove
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SKUAV-CK6E005243AV-CK7H11RD00012KSM44SLH11NE00011
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Price212.03 incl. GR VAT 80.00 incl. GR VAT332.19 incl. GR VAT 599.00 incl. GR VAT 938.00 incl. GR VAT 4,789.00 incl. GR VAT
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Description
Content

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone



The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.

 

Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included

 

 

 

Manual Download

The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.

Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.

The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.

Applications.

studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic

Specifications

Type: True Condenser
Polar Pattern(s): Cardioid , Omni , Figure 8
Capsule: Dual-sided 35mm center-terminated gold-sputter Mylar (6 micron)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance:

Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.

Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter

Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)

Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount

KSM44A Multi-Pattern Dual Diaphragm Microphone Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).

Features

  • Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides  transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.  
  • Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
  • Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
  • Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
  • Premium electronic components and gold-plated internal and external connectors
  • Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
  • Integrated three-stage "pop” protection grille reduces plosives and other breath noise

    Type Condenser (externally biased)
    Frequency Response 20 to 20,000 Hz
    Polar Pattern Cardioid, Omnidirectional, Bidirectional
    lmpedance 50 ohms
    Phantom power required? 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum


Acoustical operating principlePressure gradient transducer
Directional patternOmnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm34/47/62 mV/Pa*
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-328/25/23 dB*
Equivalent SPL DIN/IEC 65116/13/11 dB-A*
S/N ratio CCIR 468-366/69/71 dB*
S/N ratio DIN/IEC 65178/81/83 dB*
Typical SPL (tube characteristic)K
Maximum output voltage18 dBu
Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for 101 (121) dB
PoweringPower supply N 149
Matching connectorsMicrophone DIN 8F, Power supply XLR 3F
Weight730 g
Diameter70 mm
Length201 mm
* Omnidirectional / cardioid / figure-8
Weight0.60 kg0.40 kg0.70 kg2.00 kg1.00 kg0.73 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.60 kg
Weight 0.40 kg
Weight 0.70 kg
Weight 2.00 kg
Weight 1.00 kg
Weight 0.73 kg