AVANTONE MIXCUBES ACTIVE STUDIO MONITORS BLACK -PAIR-

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Avantone Active MixCubes Powered Full-Range Mini Reference Monitors The Avantone MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years. Application Active Recording / Mixdown Monitors Engineering Objective The Avantone Active Mixcubes are designed to be […]

 

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Avantone Active MixCubes Powered Full-Range Mini Reference Monitors

The Avantone MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.

Application
Active Recording / Mixdown Monitors

Engineering Objective
The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.
The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.

Performance Objective
Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.

Cabinet Design
The original 5C Sound CubesTM were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2“) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8“-27 mic stand mount into the base.

Driver Design
The originals were a basic 5″ stamped frame design. We designed a proprietary 5.25″ die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.

Amplifier Design
We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.

Specifications

System Type
Active (Self-powered) shielded full-range stereo pair  

Frequency Response
90Hz – 17,000Hz (useful musical range)

>Driver Impedance
Nominal 8 ohms

Max SPL
104db @ 1 meter = 1%THD (PINK NOISE)

Amplifier Type
Class A/B

Amplifier Power
60 watts RMS@ .005% THD (1KHz)

Amp Frequency Response
22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB)

Noise
S/N -113 dB

Sensitivity
0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL

Driver
Proprietary design 5.25″ cast aluminum frame / paper cone / shielded

Cabinet
sealed / 18mm MDF / Dacron acoustical stuffing

Inputs
XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced

Weight
7 lb 5 oz (per speaker)

Dimensions
165mm x 165mm x 165mm (6 1/2″ x 6 1/2″ x 6 1/2″ in)

Weight 8.00 kg

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Quick Comparison

AVANTONE MIXCUBES ACTIVE STUDIO MONITORS BLACK -PAIR- removeBEHRINGER B1030A Active studio monito -Unit- removeRCF MYTHO 8 ACTIVE TWO-WAY 8" DSP MONITORING SYSTEM removeFOCAL CMS-50 ACTIVE STUDIO MONITOR 2-WAY HF 50W LF 80W removeJBL LSR 6325P COMPACT STUDIO REFERENCE MONITOR removeFOCAL Twin6 Be ACTIVE STUDIO MONITOR 3-way Near-field Shielded remove
NameAVANTONE MIXCUBES ACTIVE STUDIO MONITORS BLACK -PAIR- removeBEHRINGER B1030A Active studio monito -Unit- removeRCF MYTHO 8 ACTIVE TWO-WAY 8" DSP MONITORING SYSTEM removeFOCAL CMS-50 ACTIVE STUDIO MONITOR 2-WAY HF 50W LF 80W removeJBL LSR 6325P COMPACT STUDIO REFERENCE MONITOR removeFOCAL Twin6 Be ACTIVE STUDIO MONITOR 3-way Near-field Shielded remove
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SKUMIXCUBES ACTIVE BLACKE005223MYTHO8CMS 50LSR 6325PTwin6 Be
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Description
Content

Avantone Active MixCubes Powered Full-Range Mini Reference Monitors

The Avantone MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.

Application
Active Recording / Mixdown Monitors

Engineering Objective
The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.
The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.

Performance Objective
Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.

Cabinet Design
The original 5C Sound CubesTM were made of ½" particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2“) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss "RETRO-CREAM" finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8“-27 mic stand mount into the base.

Driver Design
The originals were a basic 5" stamped frame design. We designed a proprietary 5.25" die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.

Amplifier Design
We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates "overkill" concepts in component selection as well as safety. The result is a "no-compromise" amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.

Specifications

System Type
Active (Self-powered) shielded full-range stereo pair  

Frequency Response
90Hz - 17,000Hz (useful musical range)

>Driver Impedance
Nominal 8 ohms

Max SPL
104db @ 1 meter = 1%THD (PINK NOISE)

Amplifier Type
Class A/B

Amplifier Power
60 watts RMS@ .005% THD (1KHz)

Amp Frequency Response
22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB)

Noise
S/N -113 dB

Sensitivity
0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL

Driver
Proprietary design 5.25" cast aluminum frame / paper cone / shielded

Cabinet
sealed / 18mm MDF / Dacron acoustical stuffing

Inputs
XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced

Weight
7 lb 5 oz (per speaker)

Dimensions
165mm x 165mm x 165mm (6 1/2" x 6 1/2" x 6 1/2" in)

High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer

  • Ultra-linear studio monitor with true active design
  • Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
  • Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
  • Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
  • Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
  • High-precision crossover network with 4th order Linkwitz-Riley filters
  • Adjustable to a wide range of acoustic conditions
  • Separately controlled limiter for low and high frequency overload protection
  • Magnetic shielding allows placement near computer monitors
  • “Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
 
Woofer:8" neo, ICC technology 
INPUT/OUTPUT SECTION
Input connectors:combo XLR/Jack 
Input sensitivity:-6/+6 dBu 
PROCESSOR SECTION
Crossover frequencies:1800 Hz 
Protections:thermal, excurs., rms 
Limiter:soft limiter 
Controls:bass tilt, roll-off, treeble tilt, desktop, DSP controlled 
AMPLIFIER SPECIFICATIONS
High frequencies:100 Watts 
Low frequencies:200 Watts 
Cooling:convection 
Connections:vde 
CABINET
Cabinet Material:die cast aluminum 
Hardware:orientation adjustable stand 
PHYSICAL SPECIFICATIONS
Height:430/17 mm/inch 
Width:310/12.2 mm/inch 
Depth:300/11.8 mm/inch 
Net Weight:16.150/35.60 Kg/Lbs

 

The CMS 50 is the most compact monitoring loudspeaker of all the Focal Professional range. Its design permits listening from 50cm away, while still keeping the possibility of the monitors at a great distance from one another without damaging the soundstage. The 5” mid-woofer reaches down to 55Hz, while offering a controlled bass and a totally linear midrange. The midrange register of the CMS 50 has unequalled neutrality in its price range. The Al-Mg inverted dome tweeter offers outstanding dynamics and a degree of definition in the treble that allow precise measurement of reverb and other effects which are normally very difficult to assess.

 

Specifications
Frequency response (+/-3dB) : 55Hz - 28kHz
Maximum SPL : 107dB SPL (peak @ 1m)

Input :

Balanced 20 kOhms / Unbalanced 47 kOhms
Connector XLR / RCA

HF amplifier stage : 50W RMS, class AB
LF amplifier stage : 80W RMS, class AB

Electric supply :

Mains voltage: 220 - 230V (1.6A fuse rating)
120V (3.5A fuse rating)
100V (4A fuse rating)
IEC inlet and detachable power cord

Adjustment :

- Adjustable sensitivity, +4dBu / 0 / -10dBV
- Adjustable volume, -66dB / 0dB
- Adjustable high-pass filter, idle / 45 / 60 / 90Hz (12dB/oct.)
- Adjustable LF Shelving, 0 / -4 / -2 / +2dB
- Adjustable HF Shelving, 0 / -4 / -2 / +2dB
- Parametric filter (160Hz), adjustable, 0 / -2 / -4 / -6dB
- Power ON/OFF switch, mains voltage selector
- STANDBY/ON switch

Indicators :

Power ON / OFF LED
Standby / ON LED
Audio Clip LED

Woofer : 5" Focal drive unit, Polyglass cone
Tweeter : Aluminum/Magnesium inverted dome Focal tweeter
Shielding : Integral by cancellation magnet
Construction : Reinforced and damped Aluminum cabinet

Finish :

Black powder cabinet

Dimensions with spikes : 289.5 x 190 x 201mm (11.4" x 7.5" x 7.9“)
Dimensions with table stand : 299.5 x 190 x 201mm (11.8" x 7.5" x 7.9“)
Net weight : 7.7kg - (17lb)

 

The compact LSR6325P-1 provides exceptional performance for use in applications
where accuracy is a must, but space is limited. With a 5.25 in. high-excursion woofer,
a damped titanium composite tweeter, and 150 Watts of amplification, it outperforms
many larger systems. When used with the LSR6312SP Subwoofer, the LSR6325P-1
is the heart of an exceptionally accurate yet space efficient full-range system.

Features:
High-performance bi-amplified design with patented JBL transducer technology.
Front panel volume and power controls.
Integrated mounting points for horizontal and vertical suspension.
Titanium composite high frequency device with elliptical oblate spheroidal waveguide.
Shielded for use next to video monitors.
Built in high-pass filtering for use with optional subwoofer.
User selectable workstation boundary compensation.
Powered monitors with 5.25" woofers and 1" titanium composite dome tweeters
100 watts power for low frequencies, 50 watts for highs
Cast aluminum enclosure for structural rigidity and light weight
Magnetically shielded for interference-free use near CRTs and other electronic gear
Linear Spatial Reference technology ensures even frequency response at the mix position
 

The Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.
The excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5" woofers works in large band (midrange – bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a perfect mirror configuration with its mate. The Twin6 Be can be installed vertically or horizontally to respond to the space requirements of each studio.

 

Specifications
Frequency response : 40Hz - 40kHz
Maximum SPL : 115dB SPL (peak @ 1m)

Input :

Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV

Bass/mid-range : 2x150W rms, BASH® technology
Treble : 100W rms, AB class

Electric supply :

Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire

Visualization and control :

Input sensitivity selector
Mid-range speaker selector (right/left)
Adjustable tweeter and woofer levels by potentiometer
Power on/off
Voltage selector

warning light : Power on LED

Electric supply :

Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire

Woofer : 2x6W4370B Focal "W" composite sandwich cone 6-1/2" (16.5cm) speaker
Tweeter : TB871, Focal inverted dome tweeter in Beryllium
transducer shielding : Integral through cancellation magnets or by magnet design
Box : 7-1/2" (19mm) MDF panels

Finish :

Dark red natural veneering side panels, black body

Dimensions (HxWxD) : 9-13/16 x 19-11/16 x 13-3/8 " (250x500x340mm)
Weight : 30.8lb (14kg)

 

Weight8.00 kg7.00 kg20.00 kg7.70 kg8.00 kg14.00 kgDimensionsN/AN/AN/AN/AN/AN/AAdditional information
Weight 8.00 kg
Weight 7.00 kg
Weight 20.00 kg
Weight 7.70 kg
Weight 8.00 kg
Weight 14.00 kg