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Axel Compact telephone hybrid BoxTel MKII
AXEL Compact telephone hybrid. Management of 1 wired PSTN / POTS line, electronically balanced input and output on XLR connector
Product Discription:
BoxTel MKII is an analogue telephone hybrid, designed to interface a telephone line with audio equipments. BoxTel MKII manages 1
POTS/PSTN line, whereas BoxTel GSM manages 1 GSM line to establish telephone connections where wired lines are not present.
A powerful internal microcontroller completely manages both BoxTel MKII and BoxTel GSM, allowing the configuration of the operating modes
via software. The internal microcontroller provides further functions such as adjustment of the line impedance according to the region,
visualization of the Send/Receive audio levels on the front leds, line detecting presence of a telephone line, buzzer with adjustable level,
AutoHook - automatic line hooking and answering after a certain number of rings. While BoxTel MKII is operative, its possible to exclude or
keep connected in parallel an external telephone set (Tel.Set).
The backlit Hook/Ring button on the front panel allows a quick management of the phone calls; each time a telephone call is incoming the
BoxTels Hook/Ring button starts to flash, by pressing it the operator answer the phone call. BoxTel MKII has the Line Detecting function,
which makes the Hook/Ring button switch on in presence of a telephone line.
BoxTel MKII and BoxTel GSM are devices equipped with an internal power supply enabling great audio performance: two separate
Send/Receive front potentiometers manage the audio level, with a total range of +/- 15dB. The input sensitivity is set at 0dBu while the
maximum output level is greater than +20 dBu.
The audio connections are separated for Send/Receive and are available over XLR electronically balanced connectors. A RJ11C connector
allows the telephone line connection (Tel.Line) and one more RJ11C connector performs the connection to an external telephone set (Tel.Set).
A GPIO port with optocouplers and open collector is provided to establish remote connections between BoxTel MKII and BoxTel GSM and
mixing console. It is possible to connect directly the Telco module of an Oxygen4, Oxygen5 and Oxygen7 console with BoxTel MKII/BoxTel GSM
by using a simlpe Pin-to-Pin cable. Internal universal power supply 90-264Vac/47-63Hz to operate worldwide.
Thanks to all of their features, BoxTel MKII and BoxTel GSM represent the telephone hybrids with the best quality/price ratio available on the
marketplace. BoxTel MKII and BoxTel GSM occupy ½ rack unit - LxHxD 22x5x13cm.
HIGHLIGHTS:
- Compact telephone hybrid
- 1 POTS/PSTN or GSM DualBand telephone line
- Send/Receive audio levels control and visualization
- Backlit Hook/Ring button
- Software configuration
- Phone call auto-answer feature
- International selection of the line impedance
- Remote control
- Potentiometer levels and front panel control
- Analogue Send/Receive balanced over XLR
- 1 USB port
- GPIO to remotely control Telco N-1 modules
Technical Facts:
- Dimension LxHxD 22x5x13cm
- AC Rate 230Vac / 110Vac 50 Hz / 60 Hz 30VA
- Type of power supply Switching power supply, worldwide
- Weight ≈ 2500 gr
- Operating Temperature -5°C / +50°CANALOG INPUT MODULE (send)
- Connectors: XLR, female - Electronically balanced
- Operative Nominal Level: 0 dBu
- Line Impedance 10 kΩ (Electronically balanced selectable) EMIsuppressed
- Distortion: less than 0.01% TDH+NOISE (0.0dBu 1Khz)
- Input Modes: MonoANALOG OUTPUT MODULE
(receive)
- Connectors XLR, male - Electronically balanced
- Output Level 0dBu +4dBu +6dBu Max +20dBu
- Load Impendance 600 Ω
- Distorsion Less than 0.01% TDH+NOISE (0.0dBu @ 1Khz)
- Output Modes: MonoTELEPHONE MODULE PSTN / POTS
- Connectors LINE RJ 11C 6/4 socket
- Connectors SET RJ 11C 6/4 socket
- Bandwidth telephone line 100Hz 5kHz, -3dB @ 1 kHz
- Telephone line compliance ETSI TBR21, FCC Part68
- Isolation 3 kVREMOTE INTERFACE
- Digital Inputs GP In 2x GP In opto coupled. Only 1 is used as Hook
- Digital Outputs GP Out 2x GP Out Open Collector opto isolated. Only GPOut 1 is used as RingTechnical Specification about BoxTel MKII GSM (Additional )
- TELEPHONE MODULE GSM Module
- Standard DualBand GSM 900/1800 Mhz Phase 2+
- Frequency GSM 900: (Tx) 890 915 Mhz / (Rx) 935 960 Mhz
- GSM 1800: (Tx) 1710 1785 Mhz / (Rx) 1805 1880 Mhz
- Sensitivity -104 dB
- Channel bandwidth 200 kHz
- Maximum consumption 0.25 W / 0.5W
- Stand-by consumption
- Sensitivity -104 dB
- Dial tone frequency 450 Mhz Standard
- Environment noise
- Transmitting Power
- External Antenna 2.5 dBi omnidirectional with 1mt standard cable
- External power supply unit Input: 100-240 Vac Output: 12 V 500 mA
- External Antenna connector SMA
- Total rechargeable battery time 6 h
- PSTN / POTS connector RJ 11C 6/4 socket
- Operating temperature 0°C ≈ +45°C
- EN COMPLIANCY for GSM Modul EN 60950-1
- EN 301 489-1/-7
- EN 301 511
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Innovation
The ARX AFTERBURNER? is a unique Multi Mode compressor/limiter
designed for use in any professional audio dynamics control application.
Multiple Modes
The Afterburner can be set up and used in three different ways:
In Two channel mode, it performs as two independent compressor/limiters,
with 'industry standard' variable Threshold, Ratio and Output gain. In stereo
mode, our New Adaptive Stereo Link circuitry provides increased stereo
imaging accuracy when linking both channels as a stereo pair. A single front
panel switch puts the Afterburner into its alternative Mono mode, setting it up
as a Single channel, Dual Band compressor/limiter, with separate dynamics
control of both Low and High frequencies, opening up a whole new range of
gain control techniques.
Enhance Switch
In any mode, the Afterburner features an 'Enhance' switch, which provides
frequency restoration to preserve the spectral balance of the audio signal,
compensating for the sagging Low and High frequency response of compressed
program material. Think of it as a 'smart' loudness control.
Features
Switchable Modes - Stereo; Dual Channel Single band; or Single Channel
Dual Band (Low and High)
Low and High frequency compression in Single Channel mode
'Enhance' switch restores spectral balance of compressed signal
New Hard/Soft knee compression switch
New Adaptive Stereo Link circuit for accurate stereo imaging
New Above/Below Threshold LEDs enable at-a-glance compression
confirmation
Balanced XLR and Jack Inputs and Outputs
Sidechain Insert points
Intuitive user-friendly layout
Flawless performance
New Above/Below Threshold LEDs enable at-a-glance compression confirmation
New Hard or Soft knee compression option
New LED metering provides accurate Level status, with separate Gain Reduction
metering in easy to read 'wide scale' meters. There is also comprehensive LED
indication of all operating functions and status in any mode.
Balanced Inputs and Outputs
On the rear panel, each channel has true differential Balanced inputs and outputs,
on both XLR and TRS jack connectors. As well, each channel has a TRS jack
Sidechain access insert point, for applications such as De-essing (when used with
an external equalizer such as the ARX Multi Q or EQ 260).Other features include a
true Hardwire bypass switch for each channel, and passive RFI filters on the inputs.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
the unit via a removable power lead and standard 3 pin IEC connector, with built-in
fuse and voltage change switch.
With its smooth compression, intuitive user friendly layout, high density precision
circuitry, and extensive user-variable operating parameters, the unique ARX Afterburner
is equally at home in Studio, Installation, Broadcast and Sound Reinforcement
environments. It can provide great sounding dynamics control effects that are not
available with any other device.
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 22 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise ratio -93 dB Unweighted, -99 dB 'A' weighted
Distortion .02% THD @ 0dB,1KHz
Dynamic Range 115 dB
Sidechain Insert Impedance 10 Kohm
Filter Section
Filter Type Phase corrected 6dB/octave
Summed Filter Response ±0.2dB through crossover region
Dividing Frequency 250 Hz
Enhance Section
Low Enhance 50 Hz, High Enhance 10 KHz
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input/OutputConnector type XLR, Balanced Jack
Sidechain Insert Connector TRS Jack
Front Panel Controls
Hardwire bypass IN/OUT switch
Threshold, Ratio and Output Gain controls
Above/Below Threshold LEDs
12 segment LED Output Level display
Numbered marker panel for labelling compressor assigns
7 segment LED Gain Reduction display
Enhance switch and status LED
Adaptive Stereo link switch and status LED
Dual/Single channel mode switch and status LEDs
Rear Panel Connectors
Balanced Inputs and Outputs, on both XLR and TRS jack
connectors. In Single channel (Mono) mode, use Channel
1 Inputs and Outputs only
Sidechain Insert TRS connector on each channel
AC input connector, with voltage switch and fuse.
| Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
| Input Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Input Impedance |
>50kΩ balanced, >25kΩ unbalanced |
| Max Input |
>+24dBu, Balanced or Unbalanced |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
| Sidechain Max Input Level |
>+20dBu (tip/input); >+20dBu (ring/output) |
| Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Output Impedance |
120Ω balanced, >60Ω unbalanced |
| Max Output |
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) |
| Frequency Response |
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain |
| Noise |
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Interactive Reference-Class 2-Channel Expander/Gate/Compressor/ Peak Limiter with
Integrated De-Esser, Dynamic Enhancer, Tube Simulation and Low Contour Filter
Whether you?re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600
gives you total dynamic control. It includes all of the features you would expect from
a reference class compressor?plus a voice-adaptive de-esser, a new dynamic
enhancer, authentic tube emulation and much more. These are some of the indispensable
tools for producing clean, consistent audio with virtually no loss in signal quality.
Features:
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry
combines the advantages of hard-knee and soft-knee characteristics
Integrated de-esser with switchable male/female voice recognition removes excessive
sibilance from your vocal tracks
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible
noise suppression
Switchable tube simulation for the extra warmth and transparency of classic
tube circuitry
Automatically or manually adjustable attack and release times
Switchable low contour filter prevents "pumping" due to low-frequency
dominated compression
Stereo couple function with independent output level settings
Switchable side chain input with side chain monitor function
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 12-segment LED meters for input/output levels and gain reduction
Dedicated "traffic light" threshold and de-esser level displays
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Relay-controlled hard bypass switch with auto bypass function in case
of power failure
Manufactured under ISO9000 certified management system
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VIRTUALIZER 3D FX2000
High-Performance 3D Multi-Engine Effects Processor
71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
Awesome modulation, dynamic, psychoacoustic and EQ algorithms
Authentic amp simulation, distortion and special effects
11 effect combinations with selectable serial / parallel configuration
Up to 7 adjustable parameters plus 2-band EQ per effect
24-bit A/D and D/A converters with 64/128-times oversampling
True stereo processing for realistic channel separation in stereo image
100 factory presets plus 100 user memory locations
Extensive MIDI implementation
Accurate LED level meters for perfect level setting and optimum performance
Servo-balanced XLR and ¼'' TRS inputs and outputs
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Reverbs & Delays
Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.
Reverbs include:
CATHEDRAL
GOLD PLATE
SMALL HALL
ROOM
STUDIO
CONCERT
STUDIO
STAGE
SPRING REVERB
AMBIENCE
EARLY REFLECTIONS
Specialty reverbs include:
REVERB – reverb is synthetically turned off after a predetermined amount of time
REVERSE REVERB – reverb envelope is reversed—it slowly gets louder
Delays include:
STEREO DELAY – delay is processed across the entire stereo image
TAPE ECHO – simulates classic tape echo devices, pre-dating the advent of digital delays
PING PONG – delay signal is "bounced” from left to right at an adjustable tempo
Much More than Just Reverb and Delay
The FX2000 has some of the best-sounding reverb and delay programs, but thatʼs not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation.
Modulation and Pitch Shifter FX:
STEREO FLANGER (originally generated by playing back two synchronized "reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels)
VINTAGE FLANGER simulates a guitar fl anger stomp box
JET STREAM FLANGER sounds like a classic analog flanger
STEREO CHORUS (combines a slightly detuned signal with the original)
ANALOG CHORUS simulates a guitar chorus stomp box
VINTAGE CHORUS imitates a classic analog studio chorus
ULTRA CHORUS creates the sound of an eight person chorus
STEREO PHASER (combines a second, phaseshifted signal to the original)
VINTAGE PHASER represents a guitar phaser stomp box
DUAL PHASER processes the left and right channels separately
ROTARY (simulation of the rotating speakers typically used on an organ) – Slow or Fast
PITCH SHIFTER (changes the pitch of the original signal) – can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
VIBRATO – the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
TREMOLO (common vintage guitar amplifier effect) – a fast or slow periodic variation in volume
AUTO PANNING – signal is automatically sent from one side of the stereo image to the other, either once or multiple times
Dynamic FX:
COMPRESSOR – reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
EXPANDER – effectively broadens the dynamic range of source signals while reducing background noise
GATED REVERB – helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals
ANA. KOMPR/LIM. — similar to COMPRESSOR but with Limiting functionality
ULTRAMIZER – analyses incoming signal and automatically applies compression across two independent frequency bands
DENOISER – eliminates or reduces noise and other interference
DE-ESSER – reduces or removes sibilance (Ssss sound) from signal
WAVE DESIGNER – allows you to influence the envelope by adjusting Attack and Release of the signal
Psychoacoustic FX:
EXCITER – adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
ENHANCER – functions much like a dynamic pitch equalizer
ULTRA BASS – sub-harmonic processor combined with bass exciter and limiter
STEREO IMAGER – divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image
ULTRA WIDE – creates a broader stereo image
BINAURALIZER – also creates a broader stereo image and compensates for crosstalk between both speakers
Filter/EQ FX:
AUTO FILTER – influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite
LFO FILTER - Controls the rate of oscillation effects
PARAMETRIC EQ – allows you to control the bandwidth, frequency and amplitude of a signal
GRAPHIC EQ – the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined
Distortion FX and Amp Simulations
The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.
Special FX:
VINYLIZER – adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
SAMPLER – allows you to record and playback up to five (5) seconds of program material
VOCODER – allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar "talking synthesizer” effect
VOICE CANCELER – removes mono vocal parts from stereo recordings for "instant Karaoke”
RESONATOR – simulates and oscillating system that amplifies a specific frequency
Our FX Combinations Go to 11
Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.
FX Combinations include:
Chorus & Reverb
Flanger & Reverb
Leslie & Reverb
Pitch & Reverb
Delay & Reverb
Tremolo & Reverb
Phaser & Reverb
Chorus & Delay
Flanger & Delay
Pitch & Delay
Tremolo & Delay
Enhanced User Editability
Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
Value
With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor— both in the studio and on the road.
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Features
Unique High Density design puts SIX gates in
minimum rack space
Intuitive, 'user friendly' layout
Balanced Inputs and Outputs
Fast, low noise opto-coupler circuitry
Sidechain/Key Input points on each channel
Hardwire Bypass switch on each gate
Flawless performance in any audio environment
The sheer amount of effects and signal processors required for today's
standards of audio production puts a great strain on the available space
in equipment racks, both in the studio and on the road.
So, in order to give engineers more control in less space, we've created
the ARX Sixgate; Six full function noise gates neatly housed in a compact,
all steel 1 RU package, without sacrificing features or quality.
Why Six gates?
Research shows that the majority of noise gates get used on drum kits,
which means using typically 5 to 6 gate channels. Compare this to the
two or maybe 4 channels that most other units have, and you'll see the
reason for the Sixgate's success.And, by using a minimalist approach to
drum gates, the ARX Sixgate has enough gates left over for backing vocals
and other instruments.
Industry Standard controls
Front panel controls for each gate consist of the 'Industry Standard' controls
for Release, Depth and Threshold, plus Red and Green LED displays to indicate
Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
In addition to this, each gate has a blank panel to write on for easy confirmation
of gate assigns. No more pieces of masking tape stuck everywhere!
Ultra Low Noise
Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
circuitry with program dependent Attack time, which tracks the incoming signal to
automatically determine optimum gate response.
Balanced Inputs and Outputs
The rear panel features true differential Balanced Inputs and Outputs for each gate,
on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
Sidechain access insert points which can be used either for gate control by an external
signal, or for frequency sensitive gating (when used in conjuction with an external
equalizer such as the ARX EQ260).
Universal AC Power
AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
switch.
The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance
Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise Ratio
Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
'A' weighted
Distortion 0 .01% THD @ 0dB,1KHz
Dynamic Range 125 dB
Attack Time Program dependent using high-speed
opto-couplers
Release Time User variable
Input and Output Connector type Balanced Jack
Sidechain Insert Connector TipRingSleeve Jack
Sidechain Insert Impedance 10 Kohm
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm
Front Panel Controls
Individual Release, Depth and Threshold controls
Hardwire bypass IN/OUT switch
Open/Closed gate status LED
Marker panel for labelling gate assigns
Rear Panel
Balanced Inputs and Outputs, on Balanced jack
connectors
Sidechain Insert/Key Input TipRingSleeve jack on
each channel
AC input connector, with voltage switch and fuse
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