| Content | The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level.
Switch the Presence Filter and Change the Sound
The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy.
Place It and You Won’t Ever Replace It
Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds.
Features:
Condenser boundary microphone for acoustic instruments
Frequency response for kick drums, piano and bass-heavy instruments
Integrated preamplifier for outstanding signal integrity
Half-cardioid polar pattern minimizes background noise and feedback
Switchable filters for stronger lows and high-frequency attack
Extremely high signal output which lets the sound cut through
Requires no external mounting
Impact-resistant carrying case included
Rugged, reliable metal construction
3-Year Warranty Program
Designed and engineered in Germany
Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g |
The half-cardioid e 901 is the perfect condenser microphone for kick drum. It is highly robust and step-resistant. It benefits from an integrated preamp.
Pick-up pattern : half-cardioid
Frequency response : 20...20 000 Hz
Sensitivity in free field, no load : (1kHz) 0,5 mV/Pa
Max. Sound pressure level (aktiv) : 154 dB / SPL
Phantom powering : 48 V / 1,1 mA
Nominal impedance :
Min. terminating impedance : 1000 Ohm
Dimensions : 126,5 x 105 x 26,5 mm
Weight : ca. 550 g
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A wide range condenser microphone with a cardioid polar pattern, the ultra-smart U891RCx is equipped with local or remote switching options. For flexible control in conference and boardroom installations, the unit's external contact closure ability allows a user to trigger an external device - a camera, for instance - from a switch on the microphone. Another ease-of-use feature: the microphone's electronic on-off switch can be set to three operating modes: touch-on/touch-off, press to talk, and press to mute. The mic is also equipped an 80 Hz low-cut UniSteep® filter to reduce pickup of low-frequency ambient noise. Its red LED status indicator can be controlled remotely. UniGuard® innovations offer unsurpassed immunity from radio frequency interference; interchangeable elements are available in cardioid, hypercardioid and omnidirectional polar patterns; a unique rotating PivotPoint® connector changes the cable exit point - no tools required. It requires 11 to 52V DC phantom power, which operates the microphone and switch circuitry.
- Designed for surface-mount applications such as high-quality sound reinforcement, conferencing, distance learning and other demanding sound pickup situations
- Ultra-quiet electronic switch can be set to any of three operating modes: "touch-on/touch-off," "touch-to-talk" and "touch-to-mute“
- External contact closure capability permits control of remote devices from microphone switch
- External LED control allows for accurate depiction of the live status of the microphone
- PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone
- Small-diameter UniPoint® capsule near boundary eliminates phase distortion and delivers clear, high-output performance
- UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
- Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone
- Low-profile design with low-reflectance black finish for minimum visibility
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
- Frequency Response: 30-20,000 Hz
- Low Frequency Roll Off: 80 Hz, 18 dB/octave
- Open Circuit Sensitivity: 34 dB (19.9 mV) re 1V at 1 Pa
- Impedance: 200 ohms
- Maximum Input Sound Level: 130 dB SPL, 1 kHz at 1% T.H.D.
- Dynamic Range: 104 dB, 1 kHz at Max SPL
- Signal to Noise Ratio: 68 dB, 1 kHz at 1 Pa
- Phantom Power Requirements: 11-52V DC, 4 mA typical
- Weight: 266g
- Dimensions: 108.0mm long, 84.0mm maximum width, 23.0mm height
- Output Connector: TB5M-type
- Cable: 7.6m long, 3.2mm diameter, 5-conductor shielded cable (2 conductors under shield; 3 control wires outside shield); TA5F-type connector at microphone end, output end stripped and tinned for connection to electronic device
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C 547 BL
"Non-crush" case
Inconspicuous
Hypercardioid polar pattern
Easy to repaint
Hypercardioid, studio-quality boundary microphone with rugged, "non-crush" case and
switchable bass-cut filter for reducing footfall noise, ideal for tough on-stage assignments.
Other benefits include optimum acoustic properties, high directivity, and neutral sound.
Having the same frequency response, the C 547 BL can be combined with the CK 47 with
excellent results.
Primarily designed for use in places of worship, theaters, and conferencing, the C 547 BL
is also a good choice for miking kick drums and other instruments.
SPECIFICATIONS:
Polar pattern hypercardioid
Frequency range 30 to 18,000 Hz
Sensitivity 8.5 mV/Pa (-42 dBV)
Max. SPL 133 dB (for 1% THD)
Equivalent noise level 22 dB-A
Signal/noise ratio (A-weighted) 72 dB
Bass filter 12 dB/octave at 150 Hz
Impedance 400 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
With its half-space unidirectional polar pattern, low-profile design, and outstanding sound quality, the PRO44 is ideal for conference tables, podiums, lecterns and other installed-sound uses. This versatile boundary mic\'s self-contained electronics eliminate the need for external power modules. The PRO44 is equipped with a wide-range condenser element with low-mass diaphragm for superior performance.
Low profile for minimum visibility
Wide-range condenser element with low-mass diaphragm for superior performance
Self-contained electronics eliminate need for external power modules
Rugged design and construction
25\' (7.6 m) detachable cable (TA3F to XLRM-type)
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
Frequency Response: 70-16,000 Hz
Open Circuit Sensitivity: -25 dB (56.2 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 114 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 86 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 66 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 9-52V, 2 mA typical
Weight: 2.4 oz (67 g)
Dimensions: 2.87" (73.0 mm) maximum width, 3.56" (90.5 mm) maximum length, 0.59" (15.0 mm) height
Output Connector: TB3M-type
Cable: 25\' (7.6 m) long, with TA3F and XLRM-type connectors |
Boundary-layer Microphone
The LD Systems BM1 is an electret condenser microphone with a hemispherical directional characteristic.
For micing upright and grand pianos on stage or in the studio. Additional applications in the area of conference technology, transmission of roundtable discussions and theatrical performances.
Product type
Microphones
Type
Installations
Frequency response
50 - 20000 Hz
Directivity
half ball
Nominal impedance
250 Ohm(s)
Max. SPL (1% THD @ 1kHz)
135 dB
Phantom power requierements
48 V
Microphone input
XLR (3-pin)
Width
27 mm
Height
74.5 mm
Diameter
93.5 mm
Accessories (included)
cables (Mini-XLR / XLR, 6 m)
Weight
0,345 kg
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