| Content | Behringer CX-2310 2-Way Stereo/3-Way Mono Frequency Crossover with Subwoofer Out
Like the CX3400, the CX2310 offers absolute precision, state-of-the-art circuitry, professional components, ultra low-noise op amps, fully balanced in and outputs and intuitive operation. In addition to full-fledged 2-way stereo/3-way mono operation, the CX2310 features a separately adjustable subwoofer output, giving you an extra low-frequency band.
SUPER-X PRO CX2310 V2
The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz. By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class!
Sound Quality
When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless!
What’s a Crossover?
Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!)
That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.
Divide and Conquer
The CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs. In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional. For your convenience, the CX2310’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.
Extraordinary Value
The high-precision CX2310 is the super-effective and affordable way to optimize the performance of your sound system – and protect your valuable loudspeaker investment at the same time! Stop by your authorized Behringer dealer, or get your SUPER-X PRO CX2310 online today!
- 2-way Stereo, 3-way Mono
- Linkwitz-Riley
- 24 dB/Octave
- Low, High
- Low, Mid, High
- 2 x XLR
- 2 x XLR (low/mid), 2 x XLR (high), 1 x XLR (sub out)
- 1U
- 1.7"/ 4.30 cm
- 5.8" / 14.73 cm
- 19"/ 48.26 cm
- 3.5 lbs./ 1.7 KG
| Behringer DCX2496 Overview
The DCX2496 ULTRADRIVE PRO from Behringer is a digital loudspeaker management system, that provides excellent audio quality, along with a comprehensive feature list. It allows for precise set-up of multiple loudspeaker arrays, suitable for live sound, fixed installations that require control of loudspeaker systems, and other contractor-installed applications.
Each of the three-inputs and six-outputs have fixed processing blocks, including gain, delay, EQ and dynamic EQ on the input channels, and gain, crossover, EQs, limiter and delays on the output side. One of the inputs can accept a stereo AES/EBU digital signal. An integrated sample rate converter assists in accepting various sample rates. Additionally, an internal input-sum signal is easily set-up.
Four different mono and stereo output operating modes are available, all with individual crossover filter types with selectable roll-off characteristics. Input and output delays allow for time adjusting signals to compensate for ambient temperature changes or for adjusting arrival time differences for individual speaker clusters. EQs can be used for both musical enhancement or for level-dependent equalization. Brick-wall limiters guarantee speaker protection.
Remote control of one or several units can be accomplished utilizing downloadable software for a Windows based computer. Set-ups can be saved to the software, or to an optional PCMCIA card for the ultimate in portability. Servo-balanced, gold-plated XLR connectors for all inputs and outputs guarantee excellent connectivity.
- Three-input, six-output loudspeaker management system
- Four different mono- and stereo-output operating modes
- Individual crossover filter types including Butterworth, Bessel and Linkwitz-Riley, with selectable roll-off characteristics from 6dB to 48dB per octave
- Choice of high-, band- and low-pass filters for each input and output
- Dynamic EQ for level-dependent equalization and parametric EQ selectable for each channel
- “Zero" attack limiters on all output channels for optimal signal protection
- Automatic or manual-adjustable delays for all inputs and outputs allow for adjustment due to room temperature, phase and arrival time differences
- Link option via RS-485 network interface allows for linking multiple units for larger installation requirements
- Downloadable software enables single- or multiple-unit remote control utilizing a Windows based computer
- Sixty user-defined internal presets can bestored via software or on a PCMCIA card
- Internal universal power supply allows the unit to operate virtually anywhere
| Frequency Response |
10Hz to 35kHz, -1dB |
| Dynamic Range |
109dB |
| Input Connections |
3 x XLR |
| Output Connections |
6 x XLR |
| Input Impedance |
20kΩ @ 1kHz |
| Output Impedance |
160Ω @ 1kHz |
| Maximum Input Level |
+22dBu |
| Maximum Output Level |
+22dBu |
| Sample Rate |
32kHz to 96kHz |
| RTA Mic Phantom Voltage |
+15V |
| Crosstalk (Main Outputs) |
-100dB @ 10dBu In |
| THD & Noise |
0.007% @ 0dBu In |
| Dimensions |
19" x 8.5 x 1.75" (483 x 217 x 45mm) |
| Weight |
6.6 lbs (3 kg) |
| The DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx's proprietary AutoEQTM and AFSTM algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.
Available Input Processing
- dbx Compression
- AFSTM (Advanced Feedback Suppression)
- Graphic EQ
- 8-Band Parametric EQ (adjusted when using the AutoEQ)
- Subharmonic Synthesis
Available Output Processing
- Crossover (supports full range, 2-way, and 3-way systems)
- 8-Band Parametric EQs (used for speaker tunings)
- dbx Limiting
- Driver Alignment Delays
| Input |
(2) line inputs. (1) RTA Mic input |
| Input Connectors |
(2) Female XLR line inputs. (1) Female XLR RTA Mic input |
| Input Type |
Electronically balanced/RF filtered |
| Input Impedance |
>50 kohm |
| A/D Converter |
dbx Type IVTM Conversion System |
| CMRR |
> 45dB |
| Mic Preamp Phantom Power |
+15VDC (RTA) |
| Mic Preamp Equivalent Input Noise (EIN) |
|
| Output |
(6) Line Outputs |
| Output Connectors |
Male XLR |
| Output Type |
Electronically balanced, RF filtered |
| Output Impedance |
120 Ω |
| Max Output |
+20dBu |
| A/D Dynamic Range |
112 dB A-weighted, 110 dB unweighted |
| Type IV Dynamic Range |
123 dB with transient material, A-weighted, 22kHz BW; 121 dB with transient material, unweighted, 22kHz BW; 115 dB typical with program material, A-weighted, 22kHz BW |
| Input Delay Length |
100ms |
| Alignment Delay |
10ms per channel (60ms total) |
| Sample Rate |
48kHz |
| Dynamic Range |
>110 dB A-weighted, >107dB unweighted |
| THD+Noise |
0.003% typical at +4dBu, 1kHz, 0dB input gain |
| Frequency Response |
20Hz - 20kHz, +/- 0.5dB |
| Interchannel Crosstalk |
|
| Operating Voltage |
100-120VAC 50/60 Hz - EU: 220-240 VAC 50/60 Hz |
| Power Consumption |
22 W |
| Unit Weight |
5.25 lbs. (2.4 kg) |
| Shipping Weight |
6.75 lbs. (3.1 kg) |
| Dimensions |
1.75" (H) x 5.75" (D) x 19" (W), 4.4cm (H) x 14.6cm (D) x 48.26cm (W) |
| D/A Dynamic Range |
112 dB A-weighted, 110dB unweighted |
|
Providing 48-bit filter algorithms, 24-bit AD/DA conversion and a dynamic range of 115 dB, the DSP 244 sets new standards for digital loudspeaker controllers and processors. The DSP 244 is an universal Digital Sound System Processor that provides 2 inputs and 4 outputs; plus internal summing of the inputs 1 and 2. Via matrix it is possible to assign the outputs to any input or to the sum of the inputs. It is further possible to establish the following configurations: Stereo or Dual 2-Way systems, 3-Way + Direct and 4-Way systems, each with Mono Subchannel, but also full range systems. High and low-pass filters are provided for the frequency crossover functions in all operation modes. The selection includes Linkwitz-Riley, Butterworth and Bessel type filters with switchable slopes between 6, 12, 18 and 24 dB/oct. A huge number of additional filters offers extremely flexible correction of the frequency response. Each input incorporates a 5-band equalizer, allowing to assign high and low-pass, high and low-shelving or parametric peak-dip filters to its individual filter sections. Next to the frequency crossover filters, four additional filters are employed in each output channel, which also can be set to work as high or low-pass, high or low-shelving filters, parametric peak-dip filters, or all-pass filters. Additional filtering is provided through 2. order high-passes for the realization of B-6 alignment, or special LPN-filters (Low-Pass Notch filters) for correcting the frequency and phase responses of optimally vented woofer cabinets. Each channel additionally provides a delay, a polarity switch, a programmable level control and a digital compressor / limiter while the master delays are located in the input channels. Datasheets / ManualsBrochure (309KB)
Mains voltage 90 - 250 V AC / 50 - 60 Hz Power consumption 20 watts Safety class I Inputs 2 x XLR IN, electronically balanced, transformer optional available 2 x XLR OUT (Direct Out) Input voltage (nominal) 1.55 V / + 6 dBu Max. input voltage 24.5 V / + 30 dBu Input impedance 20 kohms Common mode rejection > 40 dB AD-conversion 24-bit, Sigma-Delta, 128 times oversampling, linear phase Outputs 4 x XLR OUT, electronically balanced Output voltage (nominal) 1.55 V / + 6 dBu Max. output voltage 8.7 V / + 21 dBu Output impedance | Crossover 2-Way stereo or 3-way mono mode Additional subwoofer output Linkwitz-Riley filter with 24 dB / octave Sub-woofer frequency range separately adjustable Individual output gain controls and output mute switch for all bands 2 Balanced XLR inputs with gold-plated contacts 5 Balanced XLR outputs with gold-plated contacts Switchable 25 Hz low-cut filter to protect loudspeakers from infrasound Easy-to-read status LEDs Built-in power supply 100-240V, 50-60 Hz Dimensions (H x W x D): 44 x 483 x 147 mm Weight: 1.6 kg |
Full-featured Speaker Processing in a 1U Space
Speaker processing can be a complicated business requiring a substantial array of equipment, but the Yamaha SP2060 offers everything you need in a single rack space. This innovative 24-bit, 96-kHz digital speaker processor delivers excellent sound quality, an impressive variety of processing functions — gain, delay, PEQ, comp, crossover, limiter, and an all-pass filter for phase adjustment — and intuitive programming from Yamaha's DME Designer application running on a personal computer. It has two analog inputs and six analog outputs, plus two AES/EBU format digital inputs for connectivity with a broad range of systems. And if you use Yamaha Installation Series Speakers, all you need to do is select one of the many optimized presets provided for great sound with minimum measurement and setup time. The SP2060 is a compact, portable 1U unit that is ideal for live sound or installations.
| Sampling Frequency | Internal Clock | 96kHz | | External Clock | Normal Rate | 44.1, 48kHz (±0.1%) | | Double Rate | 88.2, 96kHz (±0.1%) | | Signal Delay | 761µsec Input to Output, fs = 96kHz | | Frequency Response | 20Hz -40kHz (TYP 0dB, MAX +0.5dB, MIN -1.0dB), fs=96kHz, RL=600ohms | | Total Harmonic Distortion | 0.007% (+22dBu@1 kHz),
0.05% (+4dBµ@20 Hz - 40kHz)
fs=96kHz, RL=600ohms;
measured with 18dB/octave filter @80kHz | | Hum & Noise | TYP -82dBu,
fs=96kHz, RL=600ohms, Rs=150 ohms;
measured with 6dB/octave filter @12.7kHz;
equivalent to a 20kHz filter with ∞ dB/octave attenuation. | | Dynamic Range | 106dB AD+DA
fs=96kHz, RL=600ohms;
measured with 6dB/octave filter @12.7kHz;
equivalent to a 20kHz filter with ∞dB/octave attenuation. | | Crosstalk @1kHz | -80dB INPUT to Output
fs=96kHz, measured with 18dB/octave filter @80kHz | | Power Consumption | 30W | | Dimensions (W x H x D) | 480 x 44x 360.2mm | | Net Weight | 4.2kg |
|
Reviews
There are no reviews yet.