| Content | Behringer ECM-8000 Omnidirectional Measurement Electret Condenser Microphone
The Behringer ECM8000 Measurement Microphone provides an instantaneous acoustic image of your performance environment. Hear how your room and speakers really sound thanks to a linear frequency response and omnidirectional polar pattern.
Analyse every detail. Whether you're in a live performance venue or recording studio, the ECM8000 works smoothly with real-time analysers such as Behringer's ULTRACURVE. You'll completely remove the guesswork out of EQing.
No unwanted sound. No inaccuracies. The ECM8000 eliminates low-frequency distortion with a transformerless FET input. Just plug in, play, and enjoy pristine signal integrity from a gold-plated XLR connector. With stand adapter and carry case included, you're ready to get to work straight out of the box
Features
- Perfect for analysing audio with an ultra-linear condenser element
- Suitable for room equalisation applications as well as high-fidelity studio and live recording
- Accurate sound capture across an ultra-flat frequency response
- Records audio from all directions with the true omnidirectional polar pattern
- No power supply needed – works with phantom power from +15V to +48V
- Compatible with Behringer’s ULTRACURVE analyser
- Eliminates low-frequency distortion with a transformerless FET input
- Flawless signal integrity from a gold-plated 3-pin XLR connector
- Comes equipped with swivel stand mount and carry case
Specifications
- Type: Electr. Condenser
- Polar Pattern: Omnidirectional
- Impedance: 200 ohms
- Sensitivity: 70dB
- Frequency Response: 20Hz - 20kHz
- Connector: Gold-Plated XLR
- Phantom Power: +15V to +48V
- Weight: 136g
| M2230
Certified class 1 measurement microphone according to IEC 61672 with metal diaphragm.
NTi Audio #: 600 040 050 | Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
| Type |
Dynamic (moving coil) |
| Frequency Response |
20 to 10,000 Hz |
| Polar Pattern |
Supercardioid, rotationally symmetrical about microphone axis |
| Output Level |
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL |
|
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
- Mew A98D flexible drum mount
- SPL handling to 160dB
- frequency response of 20 to 20,000Hz and included preamplifier
- shock mount and windscreen
| The Beta 87 microphone has consistently been a top choice of performers and audio technicians around the world due to its superb accuracy and detail, and rich vocal production. This long-standing favorite now features a new design and has been renamed the Beta 87A TM.
In response to user requests, Shure has redesigned this microphone by just slightly thickening the handle for a more comfortable feel when hand-held. In addition, the Beta 87A now includes the A25D break-resistant swivel adapter.
The Shure Model Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level (SPL) capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.
The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the "boomy" sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.
- Smooth, tailored frequency response provides detail, accuracy, and warmth for vocals
- Extremely accurate supercardioid pattern at all frequencies provides the highest gain-before-feedback
- Three-stage pop filter minimizes breath pop and noise
- Break-resistant stand adapter
- Frequency response: 50 to 20,000 Hz
| The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
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