| Content | Behringer ECM-8000 Omnidirectional Measurement Electret Condenser Microphone
The Behringer ECM8000 Measurement Microphone provides an instantaneous acoustic image of your performance environment. Hear how your room and speakers really sound thanks to a linear frequency response and omnidirectional polar pattern.
Analyse every detail. Whether you're in a live performance venue or recording studio, the ECM8000 works smoothly with real-time analysers such as Behringer's ULTRACURVE. You'll completely remove the guesswork out of EQing.
No unwanted sound. No inaccuracies. The ECM8000 eliminates low-frequency distortion with a transformerless FET input. Just plug in, play, and enjoy pristine signal integrity from a gold-plated XLR connector. With stand adapter and carry case included, you're ready to get to work straight out of the box
Features
- Perfect for analysing audio with an ultra-linear condenser element
- Suitable for room equalisation applications as well as high-fidelity studio and live recording
- Accurate sound capture across an ultra-flat frequency response
- Records audio from all directions with the true omnidirectional polar pattern
- No power supply needed – works with phantom power from +15V to +48V
- Compatible with Behringer’s ULTRACURVE analyser
- Eliminates low-frequency distortion with a transformerless FET input
- Flawless signal integrity from a gold-plated 3-pin XLR connector
- Comes equipped with swivel stand mount and carry case
Specifications
- Type: Electr. Condenser
- Polar Pattern: Omnidirectional
- Impedance: 200 ohms
- Sensitivity: 70dB
- Frequency Response: 20Hz - 20kHz
- Connector: Gold-Plated XLR
- Phantom Power: +15V to +48V
- Weight: 136g
| The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
- Mew A98D flexible drum mount
- SPL handling to 160dB
- frequency response of 20 to 20,000Hz and included preamplifier
- shock mount and windscreen
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The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments. |
In the tradition of the SM58?, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.
The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.
- Smooth, extended frequency response for outstanding sound for professional live vocal use
- Consistent supercardioid pattern provides the best gain-before-feedback among dynamic microphones
- Pneumatic shock mount reduces handling noise
- Frequency response: 50 to 16,000 Hz
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Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
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Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
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Neodymium magnet for high signal–to–noise output
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Hardened steel mesh grille that resists wear and abuse
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Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
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Minimally effected by varying load impedance
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Legendary Shure quality and reliability
| Transducer |
(Moving Coil, with Neodymium Magnet) Dynamic |
| Polar Pattern |
Supercardioid |
| Frequency Response |
50 Hz - 16 kHz |
| Maximum Input Sound Level |
not specified by manufacturer |
| Power Requirements |
None Dynamic, Requires No Phantom or Battery Power |
| Output Impedance |
150 Ohms (290 Ohms Actual) |
| Output Connectors |
XLR-3 Type |
| Dimensions |
6.375 x 2" (162 x 51mm) LxDiameter |
| Weight |
9.92 oz. (278 g) |
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Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands. - New volume control knob allows musicians to adjust the volume to fit each musical situation
- New rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response: 100 to 5,000 Hz
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