BEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR

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Availability: Available in 4-10 d. Available in 4-10 d. SKU: E005280 Category:
SHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and “intelligently” locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality […]

 

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SHARK FBQ100
Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor
High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
Automatically and “intelligently” locates and destroys up to 8 feedback frequencies
Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
Noise gate with automatic and manual parameter settings
Automatic compressor with variable density
Subsonic filter with adjustable cut-off frequency
Balanced inputs and servo-balanced outputs with ¼” TRS and gold-plated XLR connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Weight 0.38 kg

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Quick Comparison

BEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR removeDBX 166XS COMPRESSOR-LIMITER-GATE-EXPANDER removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor remove
NameBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR removeDBX 166XS COMPRESSOR-LIMITER-GATE-EXPANDER removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor remove
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SKUE005280COMBOSCOM 4E005314DBX 166XSE005263
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Price 95.00 incl. GR VAT 297.60 incl. GR VAT 215.00 incl. GR VAT 174.00 incl. GR VAT 225.00 incl. GR VAT 437.00 incl. GR VAT
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Description
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
ContentSHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and "intelligently" locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality Ultra-low noise Mic/Line input with Gain control and +48 V phantom power Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec Noise gate with automatic and manual parameter settings Automatic compressor with variable density Subsonic filter with adjustable cut-off frequency Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Features
Enhance switch to restore spectral balance of compressed signal
Switchable Mode - Dual Channel or Stereo linked
Above or Below Threshold LEDs
Balanced XLR and Jack Inputs and Outputs
Intuitive, user friendly layout
Flawless performance

Innovation
The ARX COMPO? is a unique compressor/limiter designed for use in any
professional audio dynamics control application, packaged in a compact 1
RU chassis.The COMPO operates as two independent compressor/limiters,
with 'industry standard' variable Threshold, Ratio and Output gain controls.
A Stereo Link switch on the front panel lets both channels track as a stereo
pair in a Master/Slave configuration.
Enhance Switch
The COMPO features an 'Enhance' switch, which provides frequency restoration
to preserve the spectral balance of the audio signal, compensating for the sagging
Low and High frequency response of compressed program material.
The best way to think of it is as a 'smart' loudness control.
Wide Scale metering
There is comprehensive LED indication of all operating functions and status. Above
or Below Threshold LEDs on each channel give you instant visual confirmation of
compressor activity, as well as easy to read LED Gain Reduction meters.
Balanced Inputs and Outputs
On the rear panel, each channel has true differential Balanced inputs and outputs,
on both XLR and TRS jack connectors. Other features include an Active/Bypass
switch for each channel, and passive RFI filters on the inputs.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
the unit via a removable power lead and standard 3 pin IEC connector, with built-in
fuse and voltage change switch.
ARX Quality
With its smooth compression, intuitive user friendly layout, high density precision
circuitry, and extensive user-variable operating parameters, the ARX COMPO is the
ideal installation 'set and forget' compressor, and is also equally at home in Studio,
Broadcast and Sound Reinforcement environments.

Every day, ARX Audio interface products solve audio problems for thousands of people
around the world.


T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 22 dB
Frequency Response 20Hz to 20KHz ±0.4dB
Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted
Distortion .02% THD @ 0dB,1KHz
Dynamic Range 107 dB
Enhance Section
Low Enhance 50 Hz, High Enhance 10 KHz
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input/OutputConnector type XLR, Balanced Jack

Front Panel Controls
Channel A Active/Bypassed IN/OUT switch
Threshold, Ratio and Output Gain controls
Numbered marker panel for labelling compressor assigns
5 segment LED Gain Reduction display
Above/Below Threshold status LEDs
Enhance switch and status LED
Stereo link switch and status LED
Channel B controls identical to Channel A
Rear Panel Connectors
Balanced XLR Input and Output connectors.
Balanced TRS jack Input and Output connectors.
AC input connector, with voltage switch and fuse.
 

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

The Multicom Pro-XL MDX4600 gives you 4 channels of first-class dynamic
control in a single rack space. With a multitude of new features like the
advanced program-adaptive expander gate, extensive metering plus a variety
of configuration options, the Multicom Pro-XL puts a lot of dynamic processing
power in your rack.

Features
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression
circuitry combines the advantages of hard-knee and soft-knee characteristics
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise
suppression
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable low contour filter prevents "pumping" due to low-frequency dominated
compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system

Compressos Expander Gate Kimiter DBX 166XS Stereo Overview Bring a more professional sound to your mix Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Specifications
Input Connectors 1/4" TRS, female XLR (pin 2 hot)
Input Impedance >50kΩ balanced, >25kΩ unbalanced
Max Input >+24dBu, Balanced or Unbalanced
Input Type Electronically balanced/unbalanced, RF filtered
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level >+20dBu (tip/input); >+20dBu (ring/output)
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Impedance 120Ω balanced, >60Ω unbalanced
Max Output +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
Frequency Response 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

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Weight0.38 kg5.20 kg3.40 kg3.45 kg2.00 kg3.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.38 kg
Weight 5.20 kg
Weight 3.40 kg
Weight 3.45 kg
Weight 2.00 kg
Weight 3.50 kg