BEHRINGER FBQ1502HD ULTRAGRAPH 2X15BAND EQUALIZER w-FBQ

129.00 incl. GR VAT

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Professional 15-band stereo graphic equalizer for live and studio applications Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer Ultra-low noise 4580 operational amplifiers for highest signal integrity Dedicated mono subwoofer output with adjustable crossover frequency Additional low-cut filter removes unwanted frequencies, e.g. floor rumble Highly accurate […]

 

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  • Professional 15-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional low-cut filter removes unwanted frequencies, e.g. floor rumble
  • Highly accurate 4-segment LED output metering and input gain controls for easy level setting
  • Servo-balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors
  • “Planet Earth” switching power supply for maximum flexibility (100
    – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Designed and engineered in Germany
Weight 3.00 kg

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BEHRINGER FBQ1502HD ULTRAGRAPH 2X15BAND EQUALIZER w-FBQ removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeDBX 234XS Stereo 2-Way Mono 3-Way Crossover removePHONIC GEQ-3102F 31-band Stereo Graphic Equalizer removeDBX 215S 2X15 BAND GRAPHIC EQUALIZER removeDBX 266XS COMPRESSOR/GATE 2CH remove
NameBEHRINGER FBQ1502HD ULTRAGRAPH 2X15BAND EQUALIZER w-FBQ removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeDBX 234XS Stereo 2-Way Mono 3-Way Crossover removePHONIC GEQ-3102F 31-band Stereo Graphic Equalizer removeDBX 215S 2X15 BAND GRAPHIC EQUALIZER removeDBX 266XS COMPRESSOR/GATE 2CH remove
ImageBEHRINGER FBQ1502HD ULTRAGRAPH 2X15BAND EQUALIZER w-FBQ
SKUE008166DBX 2215DBX 234XSH07PH00013DBX 215SDBX 266XS
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Description
Content
  • Professional 15-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional low-cut filter removes unwanted frequencies, e.g. floor rumble
  • Highly accurate 4-segment LED output metering and input gain controls for easy level setting
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Designed and engineered in Germany

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

 

 INPUT

Connectors:

 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40k ohm, unbalanced 20k ohm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

 >+21dBu balanced/unbalanced into 2k or greater
 >+18dBm balanced/unbalanced (into 600)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +/-0.5dB

Frequency Response:

50kHz, +0.5/-3dB

Noise Reduction In:

 (+/-6 and +/-15dB range):

Signal-to-Noise:

 >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >120dB, unweighted

Noise Reduction Out:

 (+/-6dB range):

Signal-to-Noise:

 >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth

Dynamic Range:

 >112dB, unweighted

Noise Reduction Out:

 (+/-15dB range):

Signal-to-Noise:

 >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >108dB, unweighted

THD + Noise:

More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx® 2 year parts and labor as standard CSA NRTL/C approved CE compliant
Input Connectors XLR
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced >50k ohm, unbalanced >25k ohm
Max Input >+22dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors XLR
Output Type Impedance-balanaced/unbalanced, RF filtered
Output Impedance Balanced 200 ohm, unbalanced 100 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohms or greater
Bandwidth 20Hz to 20kHz, +/-0.5dB
Frequency Response 90 kHz, +0/-3 dB
Signal to Noise Ratio Ref: +4 dBu, 22 kHz measurement bandwidth
Signal-to-Noise (Stereo Mode) >94dB (Low Output), >93dB (Mid Output), >90dB (High Output)
Signal-to-Noise (Mono Mode) >94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output)
Dynamic Range > 106 dB, unweighted, any output
THD+Noise
Interchannel Crosstalk
Crossover Frequencies (Stereo Mode) Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting)
Crossover Frequencies (Mono Mode) Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz
Crossover Filter Type Linkwitz-Riley, 24 dB/octave, state-variable
Low cut Switch Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel.
Phase Invert Switch Inverts the phase at the output, one switch per output.
x1 / x10 Switch Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel.
Mode Switch Selects stereo/mono and 2/3/4-way operation
LF Sum Switch Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode.
Indicators Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output)
Operating Voltage 100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz
Operating Temperature 32°F to 113°F (0°C to 45°C)
Power Consumption 15W
Power Connector IEC receptacle
Dimensions 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm)
Unit Weight 4.0 lbs. (1.8 kg)
Shipping Weight 5.8 lbs. (2.6 kg)
 

Phonic's GEQ3102F is the authentic soundman's choice of EQ - a dual channel 31-band equalizer, offering 6 or 12 dB of cut or boost on standard ISO center frequencies between 20 Hz and 20 KHz. The GEQ3102F is 2-rack space units high and accepts both 1/4" TRS phone jacks and XLR connectors, making it ideal for any studio or live venue setup.

  • Sweepable high and low cut filters on each channel to remove unwanted frequencies 
  • Ultra low-noise audio operational amplifiers offer outstanding sound performance 
  • Relay-controlled hard-bypass with an auto-bypass function during power failure 
  • Dedicated subwoofer output with user-adjustable low-pass filter
  • Feedback detection circuitry for indicating critical frequencies
  • Balanced inputs and outputs with 1/4" TRS and XLR connectors

 

 

INPUT

 

Connectors: 1/4" TRS, female XLR (pin 2 hot)

 

Type: Electronically balanced/unbalanced, RF filtered

 

Impedance: Balanced 40k ohm, unbalanced 20k ohm

 

Max Input Level: >+21dBu balanced or unbalanced

 

CMRR: >40dB, typically >55dB at 1kHz

OUTPUTS

 

Connectors: 1/4" TRS, male XLR (pin 2 hot)

 

Type: Impedance-balanaced/unbalanced, RF filtered

 

Impedance: Balanced 100 ohm, unbalanced 50 ohm

 

Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater

 

>+18dBm balanced/unbalanced (into 600 ohm)

 

SYSTEM PERFORMANCE

 

Bandwidth: 20Hz to 20kHz, +0.5/-1dB

 

Frequency Response: 50kHz, +0.5/-3dB

 

Dynamic Range: Typically >112dB

 

Signal-to-Noise: Typically >95dB

 

THD+Noise:

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time
Weight3.00 kg4.30 kg2.60 kg2.15 kg2.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 4.30 kg
Weight 2.60 kg
Weight 2.15 kg
Weight 2.00 kg
Weight 3.00 kg