BEHRINGER FBQ2496 PRO Ultra-Fast 24-bit-96 kHz Feedback Suppressor-Parametric EQ

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The Feedback Destroyer Pro FBQ2496 from Behringer is a Feedback Suppressor that uses an ultra-fast feedback detection algorithm. The unit automatically and “intelligently” locates up to twenty feedback frequencies per channel and sets extremely narrow notch filters to attenuate them, leaving the remainder of the program material virtually untouched. A “Set-and-Forget” default setting plus the […]

 

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The Feedback Destroyer Pro FBQ2496 from Behringer is a Feedback Suppressor that uses an ultra-fast feedback detection algorithm. The unit automatically and “intelligently” locates up to twenty feedback frequencies per channel and sets extremely narrow notch filters to attenuate them, leaving the remainder of the program material virtually untouched.

A “Set-and-Forget” default setting plus the Panic button, allows the FBQ2496 to be set up and running in no time. The auto mode continuously monitors the mix, resetting programmed filters automatically, while the manual mode allows individual setting of up to forty fully parametric filters with frequency, bandwidth and gain adjustment.

Open MIDI architecture provides for future software updates and flexible communication with other digital devices. With the unit’s various modes, mastering just about any live sound situation is effortless, while the option to use it as a creative sound-shaping tool is always available.

  • Automatically and “intelligently” locates and modulates up to twenty frequencies per channel in response to the onset of feedback
  • Fast feedback detection (less than 0.2 seconds)
  • Ultra narrow notch filters for effective feedback suppression while maintaining the sonic integrity of the source material
  • “Set and forget” default setting plus Panic button enable fast and easy performance
  • Auto mode continually monitors the program material, resetting filters as necessary
  • Single shot mode automatically detects and destroys feedback and locks the filter until reset manually
  • Manual mode allows setting up of forty individual fully parametric filters with frequency, bandwidth and gain adjustment
  • Open MIDI architecture for future software updates and flexible communication with other digital equipment
  • Internal switching power supply for maximum flexibility, noise free audio, superior transient response plus low power consumption
Weight 3.00 kg

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BEHRINGER FBQ2496 PRO Ultra-Fast 24-bit-96 kHz Feedback Suppressor-Parametric EQ removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeDRAWMER 1974 - Stereo Parametric Equaliser removeBEHRINGER FBQ6200HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER removeRANE ME 15S 2 Channel 2/3 Octave microGraphic EQ remove
NameBEHRINGER FBQ2496 PRO Ultra-Fast 24-bit-96 kHz Feedback Suppressor-Parametric EQ removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeDRAWMER 1974 - Stereo Parametric Equaliser removeBEHRINGER FBQ6200HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER removeRANE ME 15S 2 Channel 2/3 Octave microGraphic EQ remove
ImageDRAWMER 1974 – Stereo Parametric Equaliser
SKUE005284DBX 2215UA31374E008298DBX IEQ15ME15S
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Price 256.00 incl. GR VAT 434.00 incl. GR VAT949.00 incl. GR VAT 231.00 incl. GR VAT 770.00 incl. GR VAT599.17 incl. GR VAT
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Description
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The Feedback Destroyer Pro FBQ2496 from Behringer is a Feedback Suppressor that uses an ultra-fast feedback detection algorithm. The unit automatically and "intelligently" locates up to twenty feedback frequencies per channel and sets extremely narrow notch filters to attenuate them, leaving the remainder of the program material virtually untouched.

A "Set-and-Forget" default setting plus the Panic button, allows the FBQ2496 to be set up and running in no time. The auto mode continuously monitors the mix, resetting programmed filters automatically, while the manual mode allows individual setting of up to forty fully parametric filters with frequency, bandwidth and gain adjustment.

Open MIDI architecture provides for future software updates and flexible communication with other digital devices. With the unit's various modes, mastering just about any live sound situation is effortless, while the option to use it as a creative sound-shaping tool is always available.

  • Automatically and "intelligently" locates and modulates up to twenty frequencies per channel in response to the onset of feedback
  • Fast feedback detection (less than 0.2 seconds)
  • Ultra narrow notch filters for effective feedback suppression while maintaining the sonic integrity of the source material
  • “Set and forget" default setting plus Panic button enable fast and easy performance
  • Auto mode continually monitors the program material, resetting filters as necessary
  • Single shot mode automatically detects and destroys feedback and locks the filter until reset manually
  • Manual mode allows setting up of forty individual fully parametric filters with frequency, bandwidth and gain adjustment
  • Open MIDI architecture for future software updates and flexible communication with other digital equipment
  • Internal switching power supply for maximum flexibility, noise free audio, superior transient response plus low power consumption

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

 

 INPUT

Connectors:

 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40k ohm, unbalanced 20k ohm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

 >+21dBu balanced/unbalanced into 2k or greater
 >+18dBm balanced/unbalanced (into 600)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +/-0.5dB

Frequency Response:

50kHz, +0.5/-3dB

Noise Reduction In:

 (+/-6 and +/-15dB range):

Signal-to-Noise:

 >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >120dB, unweighted

Noise Reduction Out:

 (+/-6dB range):

Signal-to-Noise:

 >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth

Dynamic Range:

 >112dB, unweighted

Noise Reduction Out:

 (+/-15dB range):

Signal-to-Noise:

 >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >108dB, unweighted

THD + Noise:

The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it\'s inspiration from 1970\'s-era gear. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain. Get immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician. Genuine Stereo Operation with Indented and Accurate Potentiometers. The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall. Fully Parametric with Totally Variable Bandwidth. The 1974 is a true \'parametric\' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +/-12dB\'s. However, unlike EQ\'s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings. Variable Low and High Cut Filters. The 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies. Switchable Slope Setting. Very few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB\'s per octave. The Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It\'ll give your kick an added sense of power and precision. Features:
  • Vintage-style four band Parametric Equalisation which takes it\'s inspiration from 1970\'s-era analogue gear.
  • Delivers classic sonic clarity and control at an affordable price.
  • Genuine stereo operation with one set of controls for both channels.
  • Indented and accurate potentiometers, providing precision for quick and simple recall.
  • Variable low and high cut filters allow you to perfectly tune out any undesirable signals.
  • Fully variable bandwidth provides absolute control for the parametric mid bands.
  • Switchable slope plus low peak settings allows you to adjust the focus and magnify the bottom end.
  • True hardware bypass for accurate A/B comparisons.
  • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
  • Designed and manufactured by Drawmer in the UK.
  • Audiophile 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion
  • Pink noise generator provides test signals to adapt your sound system to any room acoustics
  • Mono subwoofer output with dedicated level control and adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc.
  • Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting
  • Relay-controlled hard bypass with an auto-bypass function during power failure (fail-safe relay)
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100
    - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving

iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?

With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.

  
? Advanced Feedback Suppression (AFS?)

? Type V? Noise Reduction

? PeakStopPlus? Limiting

? 2/3-octave Constant Q frequency bands

? Switchable boost/cut ranges of ±6 or ±15dB

? 18 dB per octave 40Hz low-cut filter

? ±12dB input gain range

? XLR, TRS and Euroblock Inputs and Outputs

? Internal Toroidal Transformer

? Frequency Response of 10Hz to 22kHz

? Dynamic range of greater than 113dB

? User Power Up Features

? Relay Bypass for Power Failure System Protection

The Rane ME 15S microGraphic Equalizer is a two-channel, 2/3-octave design with 20 mm sliders in a single rack space unit. It features a Range switch for high slider resolution in the ±6 dB mode, equivalent resolution to 45 mm sliders found on the DEQ 60L. The ±12 dB mode provides a wide range of control over system audio.

The active filter sections feature Raneʼs innovative constant-Q (constant bandwidth) design. Constant-Q means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts.

Front panel controls and indicators include an overall rotary Level control for each channel as well as Overload indicators. Passive pushbutton Bypass switches feature LED indicators, avoiding ambiguity by being on when the unit is Bypassed. (A passive Bypass switch requires no power to operate. This allows completion of the audio path should power fail in the ME 15S.)

Inputs and Outputs are electronically balanced designs, capable of unbalanced operation when required. They accept and drive all possible signal levels into normal load impedances. Balanced applications choose between the XLR or 1/4" Tip-Ring-Sleeve connectors. Unbalanced sources also may tie to the ME 15S through mono 1/4" connectors (no ring connection).

Features
  • Constant-Q Bandwidth Design
  • Overall Level Controls and Passive Bypass Switches
  • 20 mm Filter Slide Controls with ±6 dB or ±12 dB Slider Range
  • Infrasonic, Ultrasonic, & RFI Filters
  • Balanced XLR and 1/4" TRS Inputs and Outputs
  • Universal internal switching power supply (100-240 VAC)

 

Weight3.00 kg4.30 kg4.00 kg2.70 kg3.86 kg2.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 4.30 kg
Weight 4.00 kg
Weight 2.70 kg
Weight 3.86 kg
Weight 2.30 kg