BEHRINGER FBQ2496 PRO Ultra-Fast 24-bit-96 kHz Feedback Suppressor-Parametric EQ

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The Feedback Destroyer Pro FBQ2496 from Behringer is a Feedback Suppressor that uses an ultra-fast feedback detection algorithm. The unit automatically and “intelligently” locates up to twenty feedback frequencies per channel and sets extremely narrow notch filters to attenuate them, leaving the remainder of the program material virtually untouched. A “Set-and-Forget” default setting plus the […]

 

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The Feedback Destroyer Pro FBQ2496 from Behringer is a Feedback Suppressor that uses an ultra-fast feedback detection algorithm. The unit automatically and “intelligently” locates up to twenty feedback frequencies per channel and sets extremely narrow notch filters to attenuate them, leaving the remainder of the program material virtually untouched.

A “Set-and-Forget” default setting plus the Panic button, allows the FBQ2496 to be set up and running in no time. The auto mode continuously monitors the mix, resetting programmed filters automatically, while the manual mode allows individual setting of up to forty fully parametric filters with frequency, bandwidth and gain adjustment.

Open MIDI architecture provides for future software updates and flexible communication with other digital devices. With the unit’s various modes, mastering just about any live sound situation is effortless, while the option to use it as a creative sound-shaping tool is always available.

  • Automatically and “intelligently” locates and modulates up to twenty frequencies per channel in response to the onset of feedback
  • Fast feedback detection (less than 0.2 seconds)
  • Ultra narrow notch filters for effective feedback suppression while maintaining the sonic integrity of the source material
  • “Set and forget” default setting plus Panic button enable fast and easy performance
  • Auto mode continually monitors the program material, resetting filters as necessary
  • Single shot mode automatically detects and destroys feedback and locks the filter until reset manually
  • Manual mode allows setting up of forty individual fully parametric filters with frequency, bandwidth and gain adjustment
  • Open MIDI architecture for future software updates and flexible communication with other digital equipment
  • Internal switching power supply for maximum flexibility, noise free audio, superior transient response plus low power consumption
Weight 3.00 kg

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BEHRINGER FBQ2496 PRO Ultra-Fast 24-bit-96 kHz Feedback Suppressor-Parametric EQ removeDBX 215S 2X15 BAND GRAPHIC EQUALIZER removeAVALON AD2055 DUAL MONO PURE CLASSA PARAMETRIC MUSIC EQUALIZER removeDRAWMER 1974 - Stereo Parametric Equaliser removeGOLDEN AGE EQ-73 Equalizer removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction remove
NameBEHRINGER FBQ2496 PRO Ultra-Fast 24-bit-96 kHz Feedback Suppressor-Parametric EQ removeDBX 215S 2X15 BAND GRAPHIC EQUALIZER removeAVALON AD2055 DUAL MONO PURE CLASSA PARAMETRIC MUSIC EQUALIZER removeDRAWMER 1974 - Stereo Parametric Equaliser removeGOLDEN AGE EQ-73 Equalizer removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction remove
ImageDRAWMER 1974 – Stereo Parametric Equaliser
SKUE005284DBX 215SAD2055UA31374EQ73DBX 2215
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Price 256.00 incl. GR VAT 174.00 incl. GR VAT 4,250.00 incl. GR VAT949.00 incl. GR VAT295.00 incl. GR VAT 434.00 incl. GR VAT
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Description
Content

The Feedback Destroyer Pro FBQ2496 from Behringer is a Feedback Suppressor that uses an ultra-fast feedback detection algorithm. The unit automatically and "intelligently" locates up to twenty feedback frequencies per channel and sets extremely narrow notch filters to attenuate them, leaving the remainder of the program material virtually untouched.

A "Set-and-Forget" default setting plus the Panic button, allows the FBQ2496 to be set up and running in no time. The auto mode continuously monitors the mix, resetting programmed filters automatically, while the manual mode allows individual setting of up to forty fully parametric filters with frequency, bandwidth and gain adjustment.

Open MIDI architecture provides for future software updates and flexible communication with other digital devices. With the unit's various modes, mastering just about any live sound situation is effortless, while the option to use it as a creative sound-shaping tool is always available.

  • Automatically and "intelligently" locates and modulates up to twenty frequencies per channel in response to the onset of feedback
  • Fast feedback detection (less than 0.2 seconds)
  • Ultra narrow notch filters for effective feedback suppression while maintaining the sonic integrity of the source material
  • “Set and forget" default setting plus Panic button enable fast and easy performance
  • Auto mode continually monitors the program material, resetting filters as necessary
  • Single shot mode automatically detects and destroys feedback and locks the filter until reset manually
  • Manual mode allows setting up of forty individual fully parametric filters with frequency, bandwidth and gain adjustment
  • Open MIDI architecture for future software updates and flexible communication with other digital equipment
  • Internal switching power supply for maximum flexibility, noise free audio, superior transient response plus low power consumption

 

INPUT

 

Connectors: 1/4" TRS, female XLR (pin 2 hot)

 

Type: Electronically balanced/unbalanced, RF filtered

 

Impedance: Balanced 40k ohm, unbalanced 20k ohm

 

Max Input Level: >+21dBu balanced or unbalanced

 

CMRR: >40dB, typically >55dB at 1kHz

OUTPUTS

 

Connectors: 1/4" TRS, male XLR (pin 2 hot)

 

Type: Impedance-balanaced/unbalanced, RF filtered

 

Impedance: Balanced 100 ohm, unbalanced 50 ohm

 

Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater

 

>+18dBm balanced/unbalanced (into 600 ohm)

 

SYSTEM PERFORMANCE

 

Bandwidth: 20Hz to 20kHz, +0.5/-1dB

 

Frequency Response: 50kHz, +0.5/-3dB

 

Dynamic Range: Typically >112dB

 

Signal-to-Noise: Typically >95dB

 

THD+Noise:

The AD2055 combines 100% discrete, pure class A signal amplifiers with state-of-
the-art passive and active filter topologies. The AD2055's unique circuitry delivers
very high resolution transient detail at the operational extremes of real world equalization
demands. The AD2055 auto-bias DC servo loop control eliminates the need for all
interstage capacitor coupling. The AD2055 breathes life into all musical performances!
 
AD2055 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Minimum audio signal path
Dual mono operation
Transparent active and passive filter design
High headroom +30dB Very low noise -94dB
Fully balanced inputs and outputs
DC coupled, no transformers in audio path
Switched frequencies in high and low bands
Mid bands use X10 frequency for extended range
Wide bandwidth -3dB 1Hz to 450kHz
Low distortion less than 0.5% THD and IMD
All signal routing with sealed silver relays Conductive
plastic potentiometers for low noise
External 150W toroidal power supply 100% discrete
power supplies for audio path
Long lasting, stainless steel hardware
 
SONIC EXCELLENCE
The Avalon AD2055 Pure Class A music equalizer is the most powerful, low noise
parametric equalizer available today. Designed to optimize absolute signal integrity
and musical performance, the AD2055 combines the best of active and passive filter
topologies with sonic excellence unequaled by lesser designs. The AD2055 is the
perfect solution for two buss music-program equalization, special instrument EQ and
FX applications and ultra high performance mastering studio's.

Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers,
practical user features and rugged hardware designed to deliver true high performance
audio for many years. 

PASSIVE-ACTIVE FILTER DESIGN
Avalon equalizers feature the unique combination of both active and passive filter EQ designs.
This special combination enables the AD2055 to deliver high speed transient detail at the
operational extremes of real-world equalization demands. The passive high and low bands offer
alternate musical tone range to the full function active parametric mid bands. Passive equalizers
have long been a favorite with music lovers around the world.  Full bodied, powerful (up to +/-32dB,
64dB range !) and sweet frequency selections are the benefits of the passive high-low EQ bands.
The full bandwidth twin mid bands provide variable frequency selection (X10 frequency multipliers
for very wide range), variable Q (width) and amplitude control.

MINIMUM SIGNAL PATH DESIGN
Avalon's advanced true symmetry design offers high-voltage, large headroom, extended bandwidth
and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music
professional unlimited sonic character and a natural harmonic detail that enhances the program
material and becomes one with the music itself. The Avalon AD2055 breathes life!

AD2055 SPECIFICATIONS
Circuit Topology  High-voltage 100% discrete, balanced and symmetrical
Class A 
Output Gain Range  Unity Gain 
Maximum Input Level  +30dB balanced XLR pin 2 hot 
Maximum Output Level  +32dB balanced 600 ohms, DC coupled, high-current
discrete Class A 
Input / Output Type  XLR type, pin 2 hot balanced 
Noise 20kHz Unweighted  -94dB (EQ in) 
Distortion THD, IMD  0.5% (typical 0.05% at +6dB 1kHz) 
Frequency Response -3dB  1Hz to 450kHz (input band limited) 
Equalizer Type  Passive high and low bands plus two fully parametric mid
bands 
Bypass  Hard-wire relay bypass for equalizer in-out 
Low Band F1  Passive, amplitude to -32dB to +32dB shelf or peak-dip curve 
F1 Frequency Range  Switched 10 position 18Hz, 25, 30, 50, 72, 100, 150, 215,
300, 450Hz 
Mid Band F2  Active, amplitude to -16dB to +16dB peak-dip curve 
F2 Frequency Range  Variable 35Hz to 450Hz (x10) 350Hz to 4k5Hz, Q (width)
0.3 to 3.0 
Mid Band F3  Active, amplitude to -16dB to +16dB peak-dip curve 
F3 Frequency Range  Variable 160Hz to 2k0Hz (x10) 1k6Hz to 20kHz, Q (width)
0.3 to 3.0 
High Band F4  Passive, amplitude to -26dB to +26dB shelf or peak-dip curve 
F4 Frequency Range  Switched 10 position 1k5Hz, 2k5, 3k5, 5k, 7k2, 10k, 12k5,
15k, 20k, 25kHz 
AC-DC Power  External AC supply, 150w toroidal transformer, 4 pin cable 90v
isolated, 
(B2T Power Supply Included)  100-240v selectable 50/60Hz, 150w max 
Dimensions  19 x 3.5 x 12 in (482 x 88 x 305mm) 
Shipping weight  30lbs (13.6 kg) 

The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it\'s inspiration from 1970\'s-era gear. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain. Get immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician. Genuine Stereo Operation with Indented and Accurate Potentiometers. The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall. Fully Parametric with Totally Variable Bandwidth. The 1974 is a true \'parametric\' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +/-12dB\'s. However, unlike EQ\'s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings. Variable Low and High Cut Filters. The 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies. Switchable Slope Setting. Very few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB\'s per octave. The Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It\'ll give your kick an added sense of power and precision. Features:
  • Vintage-style four band Parametric Equalisation which takes it\'s inspiration from 1970\'s-era analogue gear.
  • Delivers classic sonic clarity and control at an affordable price.
  • Genuine stereo operation with one set of controls for both channels.
  • Indented and accurate potentiometers, providing precision for quick and simple recall.
  • Variable low and high cut filters allow you to perfectly tune out any undesirable signals.
  • Fully variable bandwidth provides absolute control for the parametric mid bands.
  • Switchable slope plus low peak settings allows you to adjust the focus and magnify the bottom end.
  • True hardware bypass for accurate A/B comparisons.
  • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
  • Designed and manufactured by Drawmer in the UK.

The class-A circuit used in the EQ-73 is similar to the eq section in the classical 1073 module, without the high pass filter. Additional frequencies have been added and the mid frequency band uses two inductors, the higher value of the second one is used for the two lowest frequencies, 160 Hz and 240 Hz, to achieve a suitable response.

The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

The EQ-73 has stepped frequency controls that offers a wide selection of frequencies from 20 Hz to 24 kHz.

The Low and High frequency bands are shelving and the mid frequency band is of the bell type.

The control range is +/-15 dB for the two lower bands and +/- 18dB for the high frequency band.

There are separate bypass switches for all three bands.

The EQ-73 is made to be used together with one of our PRE-73 models that has an Insert jack. It can also be used with many other units that has a low level insert jack.

Combining a PRE-73 and an EQ-73, and using a UNITE rack kit to mount them together, one will get a 19-inch 1073-style unit at a low cost and with a great sound!

FEATURES

- Vintage Style electronics. No intergrated circuits in the signal path

- 3-band with a dual inductor based mid frequency band

- Stepped frequency selection

- A wide selection of frequencies from 20 Hz to 24 kHz

- Control range up to +/- 18 dB

- Separate Bypass switches for each band

- Tantalum capacitors in the signal path

- Made to be used together with one of our PRE-73 models with an Insert jack or any other unit with a low level Insert jack

- TRS jack for in-and output connection, the nominal working level is around 18 dBu

- Selectable ground lift switch

- External power supply to avoid interaction with the audio circuits

- Great sound that suits most sound sources and genres

- A solid build quality that will last many years of normal use

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

 

 INPUT

Connectors:

 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40k ohm, unbalanced 20k ohm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

 >+21dBu balanced/unbalanced into 2k or greater
 >+18dBm balanced/unbalanced (into 600)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +/-0.5dB

Frequency Response:

50kHz, +0.5/-3dB

Noise Reduction In:

 (+/-6 and +/-15dB range):

Signal-to-Noise:

 >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >120dB, unweighted

Noise Reduction Out:

 (+/-6dB range):

Signal-to-Noise:

 >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth

Dynamic Range:

 >112dB, unweighted

Noise Reduction Out:

 (+/-15dB range):

Signal-to-Noise:

 >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >108dB, unweighted

THD + Noise:

Weight3.00 kg2.00 kg13.60 kg4.00 kg3.00 kg4.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 2.00 kg
Weight 13.60 kg
Weight 4.00 kg
Weight 3.00 kg
Weight 4.30 kg