BEHRINGER FCA-202 Ultra low-latency 2 In-2 Out 24-Bit-96 kHz FireWire Audio Interface

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65.00 incl. GR VAT

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Behringer FCA-202 Ultra low-latency 2 In-2 Out 24-Bit-96 kHz FireWire Audio Interface This ultra-compact FireWire? audio interface is an ideal companion for laptop musicians and ingeniously complements any studio. Its hot features include: Two ?” connector inputs and outputs for connecting synthesizers, mixers and more; high resolution 24-bit A/D and D/A converters offer 96 kHz […]

 

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Behringer FCA-202 Ultra low-latency 2 In-2 Out 24-Bit-96 kHz FireWire Audio Interface

This ultra-compact FireWire? audio interface is an ideal companion for laptop musicians and ingeniously complements any studio. Its hot features include: Two ?” connector inputs and outputs for connecting synthesizers, mixers and more; high resolution 24-bit A/D and D/A converters offer 96 kHz sampling frequency; volume-controlled headphones for discreetly working on your compositions, even on the road. Reliable Windows XP? and Mac OS? drivers guarantee low latencies. With the ultra-stable metal construction, the FCA202 easily defies the adversities of travel. And its small dimensions make it an ideal solution for laptop recording. Additional features include two 6-pin FireWire? connectors, a security port for Kensington? locks and the possibility to power the FCA202 via FireWire? or a mains adapter, which is included. The hot FCA202 package also comes with the coolest sequencing software for mobile music production: the BEHRINGER Edition of Ableton? Live Lite 4. Kristal and Audacity? are also included and will empower you to face any recording challenge.

Weight 0.40 kg

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BEHRINGER FCA-202 Ultra low-latency 2 In-2 Out 24-Bit-96 kHz FireWire Audio Interface removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface removeBEHRINGER UCA222 Ultra-low latency 2-In/2-Out USB audio interface with digital output removeEDIROL FA-66 24Bit/192kHz FireWire Audio Capture removeMOTU 828mk3 - FireWire audio interface with on-board effects and mixing remove
NameBEHRINGER FCA-202 Ultra low-latency 2 In-2 Out 24-Bit-96 kHz FireWire Audio Interface removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface removeBEHRINGER UCA222 Ultra-low latency 2-In/2-Out USB audio interface with digital output removeEDIROL FA-66 24Bit/192kHz FireWire Audio Capture removeMOTU 828mk3 - FireWire audio interface with on-board effects and mixing remove
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SKUFCA202Ultralite-mk3ENSEMBLEE005368FA66828mk3
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Behringer FCA-202 Ultra low-latency 2 In-2 Out 24-Bit-96 kHz FireWire Audio Interface

This ultra-compact FireWire? audio interface is an ideal companion for laptop musicians and ingeniously complements any studio. Its hot features include: Two ?" connector inputs and outputs for connecting synthesizers, mixers and more; high resolution 24-bit A/D and D/A converters offer 96 kHz sampling frequency; volume-controlled headphones for discreetly working on your compositions, even on the road. Reliable Windows XP? and Mac OS? drivers guarantee low latencies. With the ultra-stable metal construction, the FCA202 easily defies the adversities of travel. And its small dimensions make it an ideal solution for laptop recording. Additional features include two 6-pin FireWire? connectors, a security port for Kensington? locks and the possibility to power the FCA202 via FireWire? or a mains adapter, which is included. The hot FCA202 package also comes with the coolest sequencing software for mobile music production: the BEHRINGER Edition of Ableton? Live Lite 4. Kristal and Audacity? are also included and will empower you to face any recording challenge.

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle Behringer U-Control UCA202
  • 2 In/2 Out USB Audio Interface
  • Mac or PC, no drivers required
  • 16-bit/48kHz converters
  • Low latency
  • Headphone output
  • S/PDIF optical out
  • USB powered
  • Free Software
  • Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
  • Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
  • Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
  • Works with your PC or Mac computer—no setup or drivers required
  • High-resolution 48 kHz converters for high-end audio quality
  • Stereo Headphone output with dedicated Level control lets you monitor both input and output
  • Additional S/PDIF optical output for direct digital conversion
  • Powered via USB—no external power supply needed
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications. High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222. Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution. Super Simple Setup As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware. The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.

The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.

    * 6-in/6-out 24-bit/96kHz simultaneous performance
    * 4-in/4-out 24-bit/192kHz simultaneous performance
    * 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
    * +4 dB balanced input and output
    * S/PDIF optical input & output ports with Sync LED indicator
    * MIDI in/out ports
    * Built-in analog limiter and indicator
    * FireWire bus powered
    * AC adaptor included
    * Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
    * Zero-latency Direct Monitoring
    * 6-pin and 4-pin IEEE1394 ports
    * Compact, solid-metal construction

The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

Weight0.40 kg2.00 kg3.00 kg0.20 kg0.70 kg4.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.40 kg
Weight 2.00 kg
Weight 3.00 kg
Weight 0.20 kg
Weight 0.70 kg
Weight 4.00 kg