Interactive Reference-Class 2-Channel Expander/Gate/Compressor/ Peak Limiter with Integrated De-Esser, Dynamic Enhancer, Tube Simulation and Low Contour Filter Whether you?re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600 gives you total dynamic control. It includes all of the features you would expect from a reference class compressor?plus a voice-adaptive de-esser, a new dynamic enhancer, authentic tube […]
Interactive Reference-Class 2-Channel Expander/Gate/Compressor/ Peak Limiter with
Integrated De-Esser, Dynamic Enhancer, Tube Simulation and Low Contour Filter
Whether you?re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600
gives you total dynamic control. It includes all of the features you would expect from
a reference class compressor?plus a voice-adaptive de-esser, a new dynamic
enhancer, authentic tube emulation and much more. These are some of the indispensable
tools for producing clean, consistent audio with virtually no loss in signal quality.
Features:
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry
combines the advantages of hard-knee and soft-knee characteristics
Integrated de-esser with switchable male/female voice recognition removes excessive
sibilance from your vocal tracks
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible
noise suppression
Switchable tube simulation for the extra warmth and transparency of classic
tube circuitry
Automatically or manually adjustable attack and release times
Switchable low contour filter prevents “pumping” due to low-frequency
dominated compression
Stereo couple function with independent output level settings
Switchable side chain input with side chain monitor function
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA’s
Separate 12-segment LED meters for input/output levels and gain reduction
Dedicated “traffic light” threshold and de-esser level displays
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Relay-controlled hard bypass switch with auto bypass function in case
of power failure
Manufactured under ISO9000 certified management system
Weight
3.30 kg
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Interactive Reference-Class 2-Channel Expander/Gate/Compressor/ Peak Limiter with
Integrated De-Esser, Dynamic Enhancer, Tube Simulation and Low Contour Filter
Whether you?re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600
gives you total dynamic control. It includes all of the features you would expect from
a reference class compressor?plus a voice-adaptive de-esser, a new dynamic
enhancer, authentic tube emulation and much more. These are some of the indispensable
tools for producing clean, consistent audio with virtually no loss in signal quality.
Features:
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry
combines the advantages of hard-knee and soft-knee characteristics
Integrated de-esser with switchable male/female voice recognition removes excessive
sibilance from your vocal tracks
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible
noise suppression
Switchable tube simulation for the extra warmth and transparency of classic
tube circuitry
Automatically or manually adjustable attack and release times
Switchable low contour filter prevents "pumping" due to low-frequency
dominated compression
Stereo couple function with independent output level settings
Switchable side chain input with side chain monitor function
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 12-segment LED meters for input/output levels and gain reduction
Dedicated "traffic light" threshold and de-esser level displays
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Relay-controlled hard bypass switch with auto bypass function in case
of power failure
Manufactured under ISO9000 certified management system
The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor,sweep equalizer, output level and VU metering in a 2U space. PREAMPLIFIER The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs. OPTO-COMPRESSOR The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side- chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path. SWEEP-EQUALIZER AND OUTPUT LEVEL The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for "tone enhancement“. The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.
AVALON VT-737SP FEATURES Vacuum tube triode signal path, transformer balanced microphone input, high-voltage circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power supply with toroidal transformer, soft-start tube life extender, stereo link for compressors, all discrete Class A equalizer with musical passive filter design, sealed silver relays for signal routing, large control knobs with professional conductive plastic potentiometers, VU meter for output level monitoring and compressor gain reduction.
VT-737SP SPECIFICATIONS Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted -92dB Noise microphone EIN -116dB, 22Hz to 22kHz unweighted Distortion THD, IMD 0.5% Frequency response -/2.5dB 10Hz to 120kHz input filter included Frequency response -3dB 1Hz to 200kHz line in-out VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter Variable 6dB per octave 30Hz to 140Hz Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type Discrete Class A, variable active and switched passive design Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid - variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/- 24dB range, shelf AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight 22lbs (10kg) Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm) Weight-packed 26lbs (11.8kg)
The DPR-504 is a 4-channel noise gate.
Each channel features: A parametric key filter with key filter listening. Simultaneous key level and threshold metering with average and peak metering. A gate status LED. A RELEASE/HOLD control (hold tracks proportionally with release times). Attack switchable auto/fast (auto tracks signal dynamics for optimum setting). Link (links two channels together). Key source allows external triggers.
The Range switch selects between 7OdB and 2OdB gating depth to provide alternative release profiles. The unit features electronically balanced inputs and outputs.
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
L-1102 Leveler/Limiter
* Program dependent attack and release for transparent operation.
* Noise gate to cut off system background noise when there is no
signal.
* In limiter mode sense signal is from the amplifier output.
* Limits 4 ohm, 8 ohm, 25 V, 70 V and 100 V amplifier outputs.
* 20 dB gain in signal leveler mode.
* Security cover and rack-mount ears included.
* Five year warranty.
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