BEHRINGER Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer

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Behringer Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance?the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size […]

 

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Behringer Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer

Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance?the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your ?big? mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400?s output to a single input on your main mixer.

It will catch your eye because it?s cute as a button, but you?ll want to own one because of what it can do for your performance.

  • Compact 4-channel line mixer
  • Separate volume control for each channel
  • Low noise 4580 operational amplifier
  • 4x 6.3 mm Mono jack inputs
  • 1x 6.3 mm Mono jack outputs
  • Includes 12-Volt power supply
  • Dimensions: 46.5 x 57.2 x 103.6 mm
  • Weight: 190 g
Weight 0.20 kg

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Quick Comparison

BEHRINGER Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer removeDYNACORD CMS 1000-3 Sound Desk 10 Channels removeNUMARK C-3 USB Five-Channel Mobile DJ Rack Mixer with USB I/O removeBEHRINGER ZMX8210 ULTRAZONE 8-CHANNEL (RACK) AUDIO MIXER removeECLER SCLAT 200/5vs Mixer 5 Channels removeDAP AUDIO D1531 PMM-401 4 Channel Passive Mixer remove
NameBEHRINGER Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer removeDYNACORD CMS 1000-3 Sound Desk 10 Channels removeNUMARK C-3 USB Five-Channel Mobile DJ Rack Mixer with USB I/O removeBEHRINGER ZMX8210 ULTRAZONE 8-CHANNEL (RACK) AUDIO MIXER removeECLER SCLAT 200/5vs Mixer 5 Channels removeDAP AUDIO D1531 PMM-401 4 Channel Passive Mixer remove
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SKUE005672E009271H02NU00002E005395SCLAT 200/5vsD1531
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Price 32.24 incl. GR VAT 1,998.00 incl. GR VAT 329.00 incl. GR VAT 174.00 incl. GR VAT1,734.75 incl. GR VAT 70.67 incl. GR VAT
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Description
ContentBehringer Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance?the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your ?big? mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400?s output to a single input on your main mixer. It will catch your eye because it?s cute as a button, but you?ll want to own one because of what it can do for your performance.
  • Compact 4-channel line mixer
  • Separate volume control for each channel
  • Low noise 4580 operational amplifier
  • 4x 6.3 mm Mono jack inputs
  • 1x 6.3 mm Mono jack outputs
  • Includes 12-Volt power supply
  • Dimensions: 46.5 x 57.2 x 103.6 mm
  • Weight: 190 g

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

MAXIMUM FLEXIBILITY. MINIMUM HASSLE.

Today's DJ uses more types of media than ever before. Not only do DJs mix vinyl, CD, MP3, and hard disk, but karaoke, speeches, and computer slide-shows create ever-increasing complexity. C3USB builds on the world's most popular mobile DJ mixer design, adding the flexibility of USB for easy, on-the-fly connection to laptops for audio input and output for recording to Mac or PC.

C3USB has two USB ports, each assignable as an input or output. As inputs, incoming audio can be mixed like any other input. As outputs, you can send you mix out to a connected computer for recording. Because it employs plug-and-play USB, C3USB connects to almost any Mac or PC with no drivers needed, and works with nearly all audio playback and recording software.

C3USB features a wide assortment of input and output connections, a three-band EQ on each channel and many other features that will make your gigs fun and entertaining – not tough and frustrating.

Whatever twist the gig throws at you, C3USB has you covered - it's the right mobile mixer for every situation.

    * Five-channel rack DJ mixer
    * Inputs: three phono (RCA), eight line (RCA), three mic (1/4“)
    * Outputs: Balanced (XLR), Master (RCA), Record (RCA), Zone (RCA),
       Headphone (1/4" stereo)
    * Two USB jacks, each assignable to input or output
    * USB input for connecting computers for audio input
    * USB output for recording gigs to computer
    * Three-band EQ each channel
    * Microphone channel with EQ
    * Replaceable, assignable crossfader
    * No software drivers needed for use with Windows XP/Vista or Mac OS X
    * Works with almost any audio recording software
    * Frequency response:
          o Line: 20Hz-20KHz ±0.5dB
          o Mic: 20Hz-15KHz ±0.5dB
          o Phono: ±1dB except for controlled attenuation of –3dB @ 20Hz to reduce
             rumble and feedback  AC
    * EQ (Channel):
          o Bass: +12/-32dB @60Hz
          o Middle: +12/-32dB @1.2KHz
          o Treble: +10/-28dB @15KH
    * EQ (Mic):
          o Bass: ±10dB @100Hz
          o Treble: ±10dB @15KH
    * Power consumption: 11 Watt typical; 14.7 Watt with full headphone output

    * System requirements for USB functionality:
          o PC: Windows XP (32-bit) or Vista (32-bit)
          o Mac: OS X
          o USB port

Ultra-flexible and easy-to-use zone mixer with remote control ports for commercial sound systems and fixed installation applications 6 ultra-low noise Mic/Line inputs with Gain control, -20 dB Pad, Level/Clip indicator, +48 V phantom power and bus-assign switches 2 selectable high-headroom stereo inputs with mono/stereo switch Channel 1 provides variable threshold to enable automatic bus mute for announcements, etc. 3 assignable outputs (Left, Right and Aux) with individual Master controls and 5-segment LED meters Ultra-musical 4-band master EQ and global microphone low-cut filter for perfect sound adjustment Left, Right, Aux and Mute bus links available including Master/Slave switch for connecting multiple units Remote master Left/Right level control port for ultimate flexibility Select switch for routing microphone bus post remote control Integrated channel muting system with Priority select All inputs/outputs on Euro-type connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors. Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk. Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry. Superior effects processor Remix live... Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo. Midi out Control you favorite devices... The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo. Edi:lab software Expand your creativity... The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups.

• no power-supply needed
• stereo in- and outputs
• 4-in, 1out mixer
• 1-in, 4out splitter

 

The PMM-401 is a four channel passive mixer for expanding a mixer with extra line signals. It requires no batteries or other power source. The unit can be used as a 1-in 4-out box then all controls are turned completely clockwise. It is a use full tool that will help you at unforeseen situations.

The DAP Pro Audio Solutions are a complete line-up of audio tools for the professional musician or audio engineer. It is a series of audio modifying tools like mini-mixers, pre-amps and converters available in active or passive models. All audio solutions are designed to meet the highest stage and audio demands and feature a metal road proof housing with rubber feet and easy accessible controls. The units also have a small footprint which make them ideal to be used and placed in any environment where space is critical.

Specifications Frequency Response: 20Hz-20KHz
Inputs: 6,3 TRS Jack,
Outputs: 6,3 TRS Jack
Input Impedance: 1Meg
Input Impedance: 50 kOhm
Output Impedance: 12 KOhm
Dimensions: 53 x 158 x 135 mm (HxWxD)
Weight: 0,67 Kg

 

Weight0.20 kg9.20 kg3.50 kg2.20 kg4.00 kg0.67 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.20 kg
Weight 9.20 kg
Weight 3.50 kg
Weight 2.20 kg
Weight 4.00 kg
Weight 0.67 kg