BEHRINGER C4 Condenser Microphone (2-Pack)

Discontinued

50.00 incl. GR VAT

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2 professional true condenser microphones for studio recording and live applications Sold as matched pair—perfect for stereophonic recording Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction Perfect for acoustic instruments, overhead, piano, etc. Cardioid pickup pattern for effective feedback elimination Switchable low-frequency roll-off and -10 dB input attenuation Custom microphone stand adapters, windscreens, […]

 

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2 professional true condenser microphones for studio recording and live applications
Sold as matched pair—perfect for stereophonic recording
Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
Perfect for acoustic instruments, overhead, piano, etc.
Cardioid pickup pattern for effective feedback elimination
Switchable low-frequency roll-off and -10 dB input attenuation
Custom microphone stand adapters, windscreens, stereo-bar and transport case included
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Gold-plated 3-pin XLR connector for highest signal integrity
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
C-4 microphones are built to double-team a choir, piano or any other vocal or acoustic sound source to provide a beautiful true-to-life sound. Sold in perfectly matched pairs, these outstanding condenser mics are especially great for live applications because their black exteriors eliminate unwanted glare caused by stage lighting.

Weight 0.30 kg

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Quick Comparison

BEHRINGER C4 Condenser Microphone (2-Pack) removeRODE NT-6 COMPACT CONDESER MICROPHONE Demo or end of life removeAKG C 411PP Vibration Pickup Condenser microphone for string instruments removeSENNHEISER ME-67 Capsule elecret super shotgun removeSENNHEISER E-865S Condenser Microphone with ON/OFF Switch removeSENNHEISER E-945 SUPERCARDIOID DYNAMIC MICROPHONE remove
NameBEHRINGER C4 Condenser Microphone (2-Pack) removeRODE NT-6 COMPACT CONDESER MICROPHONE Demo or end of life removeAKG C 411PP Vibration Pickup Condenser microphone for string instruments removeSENNHEISER ME-67 Capsule elecret super shotgun removeSENNHEISER E-865S Condenser Microphone with ON/OFF Switch removeSENNHEISER E-945 SUPERCARDIOID DYNAMIC MICROPHONE remove
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SKUE005254H11RD00016C 411PPH10SE00022H10SE00072H10SE00089
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Description
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2 professional true condenser microphones for studio recording and live applications
Sold as matched pair—perfect for stereophonic recording
Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
Perfect for acoustic instruments, overhead, piano, etc.
Cardioid pickup pattern for effective feedback elimination
Switchable low-frequency roll-off and -10 dB input attenuation
Custom microphone stand adapters, windscreens, stereo-bar and transport case included
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Gold-plated 3-pin XLR connector for highest signal integrity
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
C-4 microphones are built to double-team a choir, piano or any other vocal or acoustic sound source to provide a beautiful true-to-life sound. Sold in perfectly matched pairs, these outstanding condenser mics are especially great for live applications because their black exteriors eliminate unwanted glare caused by stage lighting.

The R?DE NT6 is specifically designed for difficult mounting applications. Although
clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any
situation where a small 'unobtrusive' but powerful microphone system is required.
The NT6 utilises the 1/2" (externally biased) gold sputtered true condenser transducer
used in the internationally renowned R?DE NT5. The capsule is designed to attach to
a custom made, multi-position swivel mount allowing it to be independently positioned
with ease.
To further increase the versatility of the NT6, it is supplied with 2 thread adaptors - 1/4"
to 5/8" and 1/4" to 3/8" that enable the capsule assembly to be securely attached to a
wide variety of mic stands, tripods and boom poles.
The capsule is connected to the pre-amplifier (body) by a custom 3 m Kevlar? fibre reinforced
cable. Housed within the heavy duty satin-nickel-plated body, is a state-of-the-art low noise
balanced output preamplifier, exhibiting a wide dynamic range and full frequency response.
The surface-mount pre-amplifier circuit also incorporates a 2-position variable pad: 0 dB an -10 dB
attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response
to 80 Hz high pass filter; both conveniently located away from the capsule, providing additional
control without the need to move the capsule once in position.
The NT6 is intended for Film, Television, Broadcast, Live Performance, Theatre, Television,
Surround and Environmental recording applications or wherever your imagination takes you.
The NT6 is produced in R?DE's design and manufacturing facility in Sydney, Australia. Utilising
state of the art computer controlled machining and assembly technologies, R?DE is able to
achieve levels of finish and repeatability of the most exacting standards and tolerances.
The NT6 comes supplied with Microphone Preamp (Body), Capsule, 3 m Kevlar? fibre reinforced
cable, RM5 Stand Mount, 2-axis Swivel Mount, 2 thread adaptors, ZP1 Zip Pouch and WS5 Wind Shield.
 
FEATURES:
? 1/2? (externally biased) gold sputtered true condenser capsule ? Heavy duty satin-nickel-plated body
? 2-position variable pad: 0 dB and -10 dB ? 2-position variable high-pass filter: flat and 80 Hz ? Surface
mount technology ? Low noise ? Wide dynamic range ? Full frequency response ? Supplied complete
with 2-axis swivel mount, 2 thread adaptors, M5 clip, WS5 (Black) Wind Shield and Soft Pouch ? Designed
& manufactured in Australia ? Full 2 year guarantee 
 
Operation power:
The NT6 is designed to operate from phantom power to the P48 standard. The NT6 will operate
between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector. 
Operation output impedance:
Output Impedance: The NT6 will operate satisfactorily into a load impedance as low as 1 kΩ. If a
load below this is used, the output signal level will be reduced. The NT6 output is balanced between
pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
 Acoustic principle:
Externally polarised 1/2" (13mm) pressure gradient condenser
Directional pattern:  Cardioid
Frequency range:
40 Hz ~ 20,000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
75 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 19 dB SPL (per IEC651, IEC268-15)
Maximum spl:
138 dB (@ 1% THD into 1 kΩ)148 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity:
-38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB
Dynamic range din iec 651: 119 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Weight: 386 grm.
Maximum output voltage: 6 dBu (@ 1% THD into 1 kΩ)
Pin assignment:
3 pin XLR, balanced output between pin 2(+), pin (-) & pin 1 (ground)
 

  Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound. C 411 PP: For hardwire applications, with standard XLR connector for phantom powering.

The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.

Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g

The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. ON/OFF Switch.

  • Pick-up pattern : super cardioid
  • Sensitivity in free field, no load : (1kHz) 3 mV/Pa
  • Max. Sound pressure level (aktiv) : 150 dB
  • Nominal impedance : 200 Ohm
  • Min. terminating impedance : 1000 Ohm
  • Dimensions : d 47 x 193 mm
  • Weight : w/o cable 311 g
  • Frequency response (microphone) : 40.....20000 Hz
  • Phantom powering : 12 - 48 V
The e 945 is a fully professional super-cardioid vocal microphone which cuts through the mix and offers a smooth, natural sound. Its warm tonal response is matched with rugged construction and excellent feedback rejection. Features Rugged metal body Advanced shock-mount design Consistent on-/off-axis response Hum compensating coil Made in Germany Delivery includes a pouch and a microphone clamp Delivery Includes 1 e 945 MZQ 800 microphone clamp Pouch Technical Data Pick-up pattern  Super-cardioid Frequency response (microphone)  40.....18000Hz Sensitivity in free field, no load (1kHz) 2,0mV/Pa bei 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar) Nominal impedance  350 Ohm Min. terminating impedance  1000 Ohm Dimensions  47 x 186 mm Weight  330 g
Weight0.30 kg2.00 kg0.15 kg0.10 kg0.31 kg0.33 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.30 kg
Weight 2.00 kg
Weight 0.15 kg
Weight 0.10 kg
Weight 0.31 kg
Weight 0.33 kg