| Content |
Everything you need for professional podcasting, music production and digital home recording
Get a full recording studio "out of the box" including USB/audio interface, mixer, microphone, headphones and more
High-resolution 2 In/2 Out USB audio interface with plug-and-play for Windows XP (or higher) and Mac OS X operating systems
Studio-class 5-input 2-bus mixer with premium mic preamp and 2-band "British” EQ
Dynamic broadcast-style microphone with 2-stage pop filter
High-performance studio headphones with ultra-wide frequency response
Table microphone stand, XLR microphone cable and 2 stereo RCA cables
Comprehensive podcasting software (Podifier, Juice, PodNova, Golden Ear) and powerful audio editor (Audacity) downloadable at behringer.com
Illustrated quick-start guide "How to Podcast”
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
| Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
| Recording format |
|
| WAV |
44.1/48/96kHz, 16/24bit |
| BWF |
44.1/48/96kHz, 16/24bit |
| Number of channels |
4channel (stereo x2) |
| Analog audio input |
|
| 1/L, 2/R connectors |
|
| Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
| Set to "MIC / MIC+PHANTOM“ |
|
| Input impedance |
2k ohms |
| Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
| Maximum input level |
0dBu |
| Minimum input level |
-72dBu |
| MIC input gain |
TRIM MAX |
| LOW |
+11dB |
| MID |
+36dB |
| HIGH |
+52dB |
| Set to "LINE“ |
|
| Input impedance |
10k ohms or more |
| Standard input level |
+4dBu |
| Maximum input level |
+24dBu |
| 3-4 connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance |
10k ohms |
| Maximum input level |
+10dBV |
| Minimum input level |
-50dBV |
| MIC input gain |
TRIM MAX |
| LOW |
+3dB |
| HIGH |
+26dB |
| CAMERA IN connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Input impedance |
10k ohms |
| Standard input level |
-10dBV |
| Maximum input level |
+6dBV |
| Analog audio output |
|
| CAMERA OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-50dBV |
| Maximum output level |
-30dBV |
| LINE OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-10dBV |
| Maximum output level |
+10dBV |
| PHONES connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Maximum output level |
50mW + 50mW |
| USB |
|
| Connector |
Mini-B type |
| Format |
USB2.0 HIGH SPEED mass storage class |
| REMOTE |
|
| Connector |
2.5mm TRS jack |
| Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption |
5.4W |
| Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
| DR-60D |
|
| Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
| DR-60D+BP-6AA |
|
| Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
| Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
| Weight |
510g (not including batteries) |
| Operating temperature |
0˚C to 40˚C |
| Standard accessories |
USB cable, warranty card, Owner's manual |
| Computer compatibility |
| Windows |
| OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU |
Pentium 300MHz or more |
| RAM |
128MB or more |
| USB |
recommended: USB2.0 |
| Macintosh |
| OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
| CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
| USB |
recommended: USB2.0 |
| Audio performance |
| Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
| 1GB |
2GB |
4GB |
8GB |
| WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
| 48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
| 96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
| WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
| 48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
| 96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
|
When inspiration hits, the last thing you need is a user interface that gets in the way. Slows you down. Turns you off. No fear of that. 25 knobs and 13 sliders get you immediate access to where the action is.
Unique to the MR16HD are 33 stellar EQ presets available to each input and 2 AUX sends for connecting to external gear. Add to this the convenience of WAV file recording, digital effects, mastering effects, analog guitar distortion and mic simulation and youʼve got just about the slickest, highest quality and downright easiest to use 16 track available on the market.
Features:
16 recording tracks to hard drive 16-bit resolution at 44.1 kHz -- no compression
4 track simultaneous recording -- great for capturing multiple instruments/vocal parts
4 XLR inputs With phantom power and trim control
Extended recording time -- more than 7.5 hours of 16-track recording at CD quality
Full 16-track bouncing Mix-down -- all tracks in stereo
FAT32 Disc Format and WAV Recording Plus USB port for easy transfer of recordings to PC
2 x AUX For connection to outboard gear
S/P DIF Digital Out For digital mastering to external CD recorder, MD etc.
Input EQ Library 33 sound shaping presets available for all inputs
Fantastic Built-In Digital FX Reverbs, guitar amp simulations etc. (see MR-8HD)
Analog Guitar Distortion Awesome distortion (see MR-8HD)
Direct CD-RW Connection via USB Master direct to USB CD-RW (no PC required)
MR16HD/CD model Features as above with in-built CD-RW
WavManager(Windows) ver 2.01 WAV Manager is a utility software application that enables you to import each audio track from a song created using the MR-8, MR-8mk2, MR-8HD, and MR16HD (hereinafter called MR-8/HD) Multitrackers into your PC as a standard mono WAV file (eight files for an 8-track song). In addtion, WAV file data created and edited on the PC can be exported to MR-8/HD.
The New Version 2.01 Now Features:
CD Writing function (now you can burn a CD from your MR-8/HD using the CD-R/RW drive in your computer
A-B part Import Function
New Song Creating Function.
WavManager (Mac OS) ver 2.0 WAV Manager for Mac is a utility software application that enables you to import each audio track from a song created by the MR-8 and MR-8HD (hereinafter called MR-8/HD) into the Mac as a standard mono WAV file (eight files for an 8-track song). Also, WAV file data created and edited in the Mac can be exported to MR-8/HD.
Optional MR16HDCD Recording Studio Pack Contents:
1 x Stoppit Microphone Pop Filter/Popper Stopper
2 x CBI American-Made Instrument Cable GA-1 (10 foot)
1 x On Stage 7701B Tripod Boom Mic Stand
1 x Audio-Technica AT2020 Side Address Studio Microphone
1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)
1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)
1 x CBI MLC20 Mic Cable (20 Foot)
Optional MR16HD Recording Studio Pack Contents:
1 x Hosa CPP203 Dual 1/4 in. To Dual 1.4 in. Cable (9.75 Foot)
1 x RaXXess Stoppit Microphone Pop Filter/Popper Stopper
1 x OnStage 7701B Tripod Boom Mic Stand
1 x Whirlwind MC20 XLR Microphone Cable (20 Foot)
1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)
1 x Audio-Technica AT2020 Side Address Studio Microphone
1 x Memorex CDR80 50-Pack Spindle (52x, 700MB) | Recorder section
Number of tracks:
2 tracks
2 tracks simultaneous playback
2 tracks simultaneous recording
Recording formats:
Compressed audio format
MP2 format (extension .mp2)
48 kHz@128, 192, 256, 320 kbps
MP3 format (extension .mp3)
44.1 kHz@128, 192, 256, 320 kbps
PCM audio format
WAV format (extension .wav), BWF compliant
44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit
88.2 kHz @ 24-bit, 96 kHz @ 24-bit
176.4 kHz @ 24-bit, 192 kHz @ 24-bit
1-bit audio format
2.8 MHz @ 1-bit
DSDIFF format (extension .dff), DSF (extension .dsf), WSD (extension .wsd)
Recording Time:
Maximum 6 hours @ 44.1 kHz/16-bit (for 4GB memory card)
Maximum continuous recording 6 hours
Number of projects:
Recognizes a maximum of 400 projects of each date folder
Mark points:
100 points per project *No mark names
USB functionality:
Connect to computer via USB 2.0, usable as FAT32 USB removable drive
Song editing:
Rename, Delete, Protect
Tuner
Temperament:
Equal temperament, chromatic tuner
Range (sine wave):
27.50 Hz – 1,318.5 Hz (A0 - E6)
Reference pitch:
A = 435 – 445 Hz
Memory Card (SD)
Supported cards:
SD and SDHC cards with a capacity of 512MB-32GB
(SDHC card of class 4 or higher recommended)
General
Display:
128 x 128 pixel LCD with backlight
Power supply:
AA/LR6 alkaline battery x 2;
AA nickel-metal hydride battery x 2;
USB bus power
Power consumption:
1.5W
Dimensions:
(W x D x H): 2.52" x 4.72" x 0.9“
Weight:
4.94 oz. (not including a memory card and batteries)
Main specifications
Frequency response:
20 Hz – 20 kHz ±1.5 dB (MP2/MP3)
10 Hz – 20 kHz ±1.5 dB @Fs44.1 kHz/48 kHz
10 Hz – 40 kHz ±1.5 dB @Fs88.2 kHz/96 kHz/176.4 kHz/192 kHz
10 Hz – 100 kHz (1-bit)
S/N:
90 dB (typical) @IHF-A
THD+N:
0.018% (typical) 20 Hz – 20 kHz
A/D conversion:
2.8224 MHz (1-bit), 24-bit (PCM)
D/A conversion:
2.8224 MHz (1-bit), 24-bit (PCM)
Mic
Connector:
3.5 mm stereo mini phone jack (switchable to Plug-in-Power)
Input impedance:
10k ohms
Nominal level:
-39 dBV
Maximum level:
-27 dBV
Line In
Connector:
3.5 mm stereo mini phone jack
Input impedance:
75k ohms
Nominal level:
-10 dBV
Maximum level:
+2 dBV
Phones
Connector:
3.5 mm stereo mini phone jack
Maximum level:
20 mW+20 mW @ 16 ohms
USB
Connector:
Type mini-B
Format:
USB 2.0 compliant, USB mass storage class
Supported operating systems:
Windows 2000, or later; Mac OS X 10.4 or later
Included items
Install CD (“AudioGate” audio file conversion application)
AudioGate (v2.0) System Requirements
Windows
Supported OS:
Microsoft Windows XP Home Edition/Professional Edition Service Pack 3 or later
Microsoft Windows Vista Service Pack 2 or later
Microsoft Windows 7
Supported Computers:
Processor: Intel Pentium III/1GHz or faster
Memory: 256MB or larger (512 or larger recommended)
Hardware: A USB port that meets the operating requirements of Windows;
A writable CD/DVD drive is required in order to create audio CDs or DSD discs.
Mac OS X
Supported OS:
Mac OS X 10.4 or later
Supported Computers:
Processor:Apple G4/800MHz or faster (Intel-based Mac recommended)
Memory: 256MB or larger (512 or larger recommended)
Hardware: A USB port that meets the operating requirements of Mac OS X;
A writable CD/DVD drive is required in order to create audio CDs or DSD discs. |
The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O. It supports the RC-20 direct play remote for up to 20 tracks of flash start.
- Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
- One-rack-space compact design
- Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
- PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
- RS-232C and Parallel Control I/O
- Multiple playback modes for situations requiring continuous, single, programmed and random playback
- Playback speed control without pitch change
- XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
- Dimensions (W x H x D): 19 x 1.8 x 11.9 (in) 482.6 x 44.5 x 301 (mm)
- Weight: 7.50 (lbs) 3.4(kg)
|
The ultimate record-anywhere multitrack.
Capture inspiration whenever and wherever you are.
The new MR-8 Mk II is the easiest to use digital multitrack ever. If you can operate a tape recorder, you'll be recording and multitracking within minutes of opening the box.
By putting all the major controls and functions right there on the top panel instead of buried in a confusing menu system, the MR-8 Mk II, unlike some other recorders, actually aids you in capturing your musical ideas. In addition there's great sounding built-in digital effects, guitar amp and mic simulators, handy mix-down effects, plus the ability to hook up to a PC for data editing, and backing up your songs.
You create. Fostex records.
New for the Mk II is the USB host feature which allows for the easy connection of an 'off-the-shelf' CD-R burner via USB. Making CD masters has never been more simple.
Recording time
Recording time in normal mode (16bit/44.1kHz) is approx. 25 track-minutes on the supplied 128MB CF card and 50 track-minutes on a 256MB card. Extended mode (16bit/22.05kHz) doubles the recording time. Note that recording time varies depending on recorded source, punch in/out, undo/redo status, etc.
Features
8 tracks of recording and playback using CompactFlash cards
2 track simultaneous recording
Superb in-built digital effects inc Mic and Amp simulations
USB Host function for CD burning with 'off-the-shelf' CD burner
2 mic inputs with +48V Phantom Power
Details
8-track recording onto CompactFlash Card.
High quality sound recording and playback with uncompressed linear 16-bit/44.1 kHz digital audio (normal mode) with 2 track simultaneous recording and 8 track playback.
LP Mode (16-bit/22.05 kHz) doubles the recording time.
Physical knobs and buttons for intuitive operations. A new dial knob for menu selection.
Newly added +48V Phantom Power on all two Mic Inputs for wider choice of microphones.
USB Host function ready for CD burning on an off-the-shelf external CD-R drive.
Improved 132 x 64 dot-matrix LCD and self illuminating keys visually show the current status.
Improved built-in digital effects including Reverb, Delay as well as Guitar Amp and Microphone simulations
Black colored top panel design
Analog guitar distortion with the dedicated knob on Input A.
Full-track (8-track) bouncing to a "New Song (track 7/8) for PC transfer and CD burning.
Mastering effects for stereo buss.
USB port for stereo WAV file transfer to and from PC
AC and Battery (6 x AA alkaline cells) operation. Approx. 4 hours maximum operation time with batteries. Includes AC adapter.
Built-in microphone for handy song memo.
Two headphones outputs.
Free "WAV Manager" software available for multiple mono files transfer to and from PCTechnical InfoRecording / Playback
Recording medium CompactFlash
Recording time approx. 6 minutes (8-track on 256MB CF) normal mode
Recording format FAT16
Sampling frequency 44.1 kHz (Normal Mode), 22.05 kHz (LP Mode)
Quantization 16-bit linear (non-compression)
A/D converter 24-bit Delta-Sigma
D/A converter 24-bit Delta-Sigma
No. of recording track 8 tracks maximum
No. of simultaneous rec. 2 tracks
Recording/reproduction frequency 20 Hz - 20 kHz (Normal Mode)
Dynamic range 87dB or more (typical) (Normal Mode)
T.H.D. 0.05% or less (typical) (Normal Mode)
Inputs / Outputs
Analog in (input A/B)
Connector XLR-3-31 type (Pin2:hot) and 6mm TRS phone
Input level -48dBV (MIC) - +4dBV (LINE)
Input impedance 1.5k ohm or more 400k ohm or more (GUITAR on INPUT A)
Phantom power P48V (on/off selectable)
Stereo out (L, R)
Connector 6mm stereo phone
Output level -10dBV (unbalance)
Load impedance 10k ohm or more
Headphones (phone 1, 2)
Connector 2 x 6mm stereo phone
Max. output 30mW or more (at 32 ohm)
Load impedance 16 ohm or more
MIDI out
Connector DIN 5 pin
Format MIDI standard
Foot switch
Connector 6mm phone
Level TTL level
USB 2.0 HI-SPEED
Connector B type
USB 1.1
Connector A type
General
Dimensions 286(W) x 220(D) x 65(H) mm
Weight approx. approx. 1.6kgs
Power requirement DC12V, 400mA |
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