Content | Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
- Professional large-diaphragm condenser microphone for unsurpassed audio quality
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Gold-plated 3-pin XLR output connector for perfect signal transmission
- Ultra-rugged construction with die-cast body
- Swivel stand mount and carrying case included
Operating Principle |
Pressure Gradient |
Capsule |
Condenser |
Diaphragm |
0.63" / 16.0 mm |
Polar Pattern |
Cardioid |
Performance
Frequency Range |
40 Hz to 20 kHz |
Maximum SPL |
136 dB SPL |
Impedance |
100 Ohms |
Load Impedance |
1000 Ohms |
Sensitivity |
-33 dB |
THD |
1% |
Connectivity
Output Connectors (Analog) |
1 x XLR 3-Pin |
Power
Operating Voltage |
36 to 52 V |
Operating Current Consumption |
2.5 µA |
Physical
0.93 lb / 0.42 kg
Dimensions |
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm |
Weight |
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| A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
Type |
Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone |
Polar pattern |
Cardioid, omnidirectional, figure-eight |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
28 mV/Pa (-31 dBV) |
Max. SPL |
135/155 dB SPL (0/-20 dB) for 0.5% THD |
Equivalent noise level |
16 dB-A (IEC 60268-4) |
Signal/noise ratio (A-weighted) |
78 dB |
Preattenuation pad |
0 dB, -20 dB |
Bass filter |
12 dB/octave, 300 Hz |
Impedance |
=1000 ohms |
Current consumption |
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| Live sound
Podcasting
Home recording
Vocals
Musical instruments |
Perception 120 |
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- General-purpose cardioid recording microphone
- Extended frequency response
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type |
2/3\" Diaphragm True Condenser |
Polar pattern |
cardioid |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
22 mV/Pa (-33 dBV) |
Max. SPL |
130/150 dB (0/-20 dB) for 0.5% THD |
Equivalent noise level |
22 dB-A (IEC 60268-4) |
Signal/noise ratio (A-weighted) |
72 dB |
Preattenuation pad |
0 dB, -20 dB |
Bass filter |
12 dB/octave at 300 Hz |
Impedance |
|
Recommended load impedance |
>= 1,000 ohms |
Powering |
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Power requirement |
48 V phantom power to DIN/IEC |
Connector |
3-pin XLR |
Finish |
metallic blue |
Dimensions |
53 dia. x 165 mm (2.1 dia. x 6.5 in.) |
Net weight |
525 g (18.5 oz.) |
Shipping weight |
955 g (33.7 oz.) |
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The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Specifications
Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance: | AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish |
Large diaphragm cardioid microphone | Pressure gradient transducer with with one-diaphragm capsule | Transformerless circuitry | Extremely low noise: 7 dB-A | Includes swivel mount | Straightforward handling for homerecording and professional studios |
High-quality professional equipment for limited budgets
Acoustical operating principle | Pressure gradient transducer | Directional pattern | Cardioid | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 23 mV/Pa | Rated impedance | 50 ohms | Rated load impedance | 1 kohms | Equivalent noise level, CCIR1) | 17.5 dB | Equivalent noise level, A-weighted1) | 7 dB-A | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 76.5 dB | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 87 dB | Maximum SPL for THD 0.5%2) | 138 dB | Maximum output voltage | 13 dBu | Dynamic range of the microphone amplifier (A-weighted) | 131 dB | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | Current consumption (P48, IEC 61938) | 3 mA | Matching connector | XLR3F | Weight | approx. 450 g | Diameter | 60 mm | Length | 132 mm |
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