BEHRINGER Xenyx 802 Premium 8-Input 2-Bus Mixer

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The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more. The XENYX 802 […]

 

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The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more.

The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4″ inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments.

The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input.

The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.

  • Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
  • Two quality XENYX microphone preamps with 130 dB of dynamic range
  • Switchable 48V phantom power
  • Two balanced mono line inputs
  • Two balanced stereo pairs of line inputs
  • Neo-classic, British-style 3-band EQs for warm and musical sound
  • One mono post-fader FX-send knob per channel for sending signal to external processor
  • Stereo aux return for FX applications or as a separate stereo input
  • Main mix outputs and separate control room, phones, and stereo 2-Track outputs
  • 2-Track inputs assignable to main mix or control room/phones outputs
  • Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
  • Designed and engineered in Germany
Microphone Inputs 2 x XLR, electronically balanced, discrete input circuit

XENYX microphone preamps with 48 V phantom power (switchable)

Microphone EIN (EIN 20 Hz to 20 kHz)

At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted
At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted
At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted

Frequency Response:
Frequency Response:
Gain Range: +10 to +60 dB

Maximum Input Level: +12 dBu at +10 dB gain

Impedance: 2.6 kOhms, balanced (approximately)

Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain)

Distortion (THD+N): 0.005% / 0.004% A-weighted

Line Inputs 2 x 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately)

Gain Range: -10 to +40 dB

Maximum Input Level: +22 dBu at 0 dB gain

Stereo Line Inputs 2 x pairs of 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: 20 kOhms (approximately)

Maximum Input Level: +22 dBu

Fade-Out/Crosstalk Attenuation Main Fader Closed: 90 dB

Channel Muted: 89.5 dB

Channel Fader Muted: 89 dB

Frequency Response Microphone Input to Main Out:
Equalization Low: 80 Hz (±15 dB)
Mid: 2.5 kHz (±15 dB)
High: 12 kHz (±15 dB)
FX Send 1 x 1/4″ / 6.3 mm TS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Stereo Aux Returns 1 x pair of 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced)

Maximum Input Level: +22 dBu

Main Outputs 2 x 1/4″ / 6.3 mm TRS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Control Room Outputs 2 x 1/4″ / 6.3 mm TS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Headphone Output 1 x 1/4″ / 6.3 mm TRS, stereo, unbalanced

Maximum Output Level: +19 dBu / 150 Ohms (+25 dB)

2-Track I/O 1 x pair RCA, stereo, unbalanced CD/tape inputs

1 x pair RCA, stereo, unbalanced tape outputs

Noise Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted

Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted

Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted

AC Adapter Input: 120 V, 60 Hz

Power Consumption: 13 W

Dimensions (H x W x D) 1.9 x 7.4 x 8.7″ / 47 x 189 x 220 mm
Weight 3.5 lb / 1.6 kg

 

Weight 2 kg

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NameBEHRINGER Xenyx 802 Premium 8-Input 2-Bus Mixer removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeSAMSON L3200 Live 4-Bus Mixing Console 24 Channels removeSOUNDCRAFT LX7 24CH MKII MIXING DESK removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects remove
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Description
ContentThe Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more. The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4" inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments. The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input. The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.
  • Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
  • Two quality XENYX microphone preamps with 130 dB of dynamic range
  • Switchable 48V phantom power
  • Two balanced mono line inputs
  • Two balanced stereo pairs of line inputs
  • Neo-classic, British-style 3-band EQs for warm and musical sound
  • One mono post-fader FX-send knob per channel for sending signal to external processor
  • Stereo aux return for FX applications or as a separate stereo input
  • Main mix outputs and separate control room, phones, and stereo 2-Track outputs
  • 2-Track inputs assignable to main mix or control room/phones outputs
  • Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
  • Designed and engineered in Germany
Microphone Inputs 2 x XLR, electronically balanced, discrete input circuit XENYX microphone preamps with 48 V phantom power (switchable)
Microphone EIN (EIN 20 Hz to 20 kHz) At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted Frequency Response: Frequency Response: Gain Range: +10 to +60 dB Maximum Input Level: +12 dBu at +10 dB gain Impedance: 2.6 kOhms, balanced (approximately) Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain) Distortion (THD+N): 0.005% / 0.004% A-weighted
Line Inputs 2 x 1/4" / 6.3 mm TRS, electronically balanced Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately) Gain Range: -10 to +40 dB Maximum Input Level: +22 dBu at 0 dB gain
Stereo Line Inputs 2 x pairs of 1/4" / 6.3 mm TRS, electronically balanced Impedance: 20 kOhms (approximately) Maximum Input Level: +22 dBu
Fade-Out/Crosstalk Attenuation Main Fader Closed: 90 dB Channel Muted: 89.5 dB Channel Fader Muted: 89 dB
Frequency Response Microphone Input to Main Out:
Equalization Low: 80 Hz (±15 dB) Mid: 2.5 kHz (±15 dB) High: 12 kHz (±15 dB)
FX Send 1 x 1/4" / 6.3 mm TS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Stereo Aux Returns 1 x pair of 1/4" / 6.3 mm TRS, electronically balanced Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced) Maximum Input Level: +22 dBu
Main Outputs 2 x 1/4" / 6.3 mm TRS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Control Room Outputs 2 x 1/4" / 6.3 mm TS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Headphone Output 1 x 1/4" / 6.3 mm TRS, stereo, unbalanced Maximum Output Level: +19 dBu / 150 Ohms (+25 dB)
2-Track I/O 1 x pair RCA, stereo, unbalanced CD/tape inputs 1 x pair RCA, stereo, unbalanced tape outputs
Noise Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted
AC Adapter Input: 120 V, 60 Hz Power Consumption: 13 W
Dimensions (H x W x D) 1.9 x 7.4 x 8.7" / 47 x 189 x 220 mm
Weight 3.5 lb / 1.6 kg
 

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Low-cost high-performance mixers Key Features
    • 6 Mono & 2 Stereo Input Channels
    • 6x GB30 Microphone Preamplifiers
    • Recording and Live Sound Audio Console
    • Compact Mobile Enclosure
    The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
    Total # Of Inputs 6x Mono 2x Stereo
    Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
    Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
    In-Line Inputs/Returns No
    AUX Sends 2x Aux Sends
    AUX Returns No dedicated returns
    Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
    BUS (Group) Outputs Stereo Output Only
    2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
    ALT I/O No
    Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
    EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
    Solo/Mute All Input Channels
    Channel Level Control 100 mm Faders
    Trim/Gain Control Rotary Potentiometers
    Phantom Power +48 V Phantom
    Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
    Frequency Response 20 Hz to 20 kHz +/-1.5 dB
    Dynamic Range Not specified by manufacturer
    Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
    Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

    Live 4-Bus Mixing Console 
     32 Input Channels (24 mono)
     XLR Mic: 24 mono channels + 4 stereo channels
     Frequency Response: 20Hz – 20kHz
     Weight: 39.70 lbs (18.1kg)
     Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
     4 Stereo Line Inputs
     24 Inserts
     Large Illuminated Mute Switches
     Stereo inserts
     4 Groups with inserts
     3-Band EQ with sweepable mids
     6 Aux sends
     Dual DSP with 100 digital multi-effects
     2 Stereo aux return
     USB I/O (from aux sends or main mix)
     Input gain trim on each channel
     24 dB Low cut filter at 75Hz
     100mm faders
     PFL switches
     AFL switches
     Phantom power switch (+ 48V)
     Mono Out & LPF with sub-woofer containing variable frequency control
     2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
     Talkback mic input

     

    The LX7 combines the essential Soundcraft live mixer qualities
    with basic recording-oriented features, in a compact frame that's
    light enough for one person to carry yet easy to configure and use.
    This makes it especially suitable for multi-purpose use in venues
    such as small halls and community centres, while its direct channel
    outputs make the LX7 an ideal choice for bands who need a live desk
    that can double up in the studio.

    Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
    32 or 40 inputs - with no less than 7 separate bus outputs including
    mix, 4 groups and a dedicated mono bus for centre speaker clusters,
    side or rear fills. The output count rises to 29 with the inclusion of direct
    outs on the first 16 mono inputs and six auxiliary busses.

    LX7's balanced mic inputs all use patented Ultramic preamps,
    providing 60dB of gain range and 22dBu of headroom. Each input
    also includes 4 band EQ with two swept mid frequency controls.
    In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
    allow effective audio control in difficult venues whilst the six auxiliary sends
    are pre-post switchable in pairs from each channel, providing a maximum of
    4 pre-fader and six post-fader. This makes LX7 equally applicable
    for foldback - heavy performance or in situations where more effects are required.

    LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
    for keyboards or stereo recording devices - as well as two FX returns. All four
    groups are routable to mix and include 12 segment bargraph metering for
    accurate monitoring and inserts. Six auxiliary masters on rotary controls also
    included AFL soloing.

    In the master section there is talkback provision to all pre-fade auxiliaries and
    the mix. Global phantom power and a two track return for pre-show music are
    also present. A "two-track" to mix switch allows the engineer to play CD's over
    the main PA whilst back-stage set-up is going on, with one press of a button.
    The mix is also routable to the separate mono bus if mono PAs are required.

    LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
    professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

    Applications:

        * Gigging Bands
        * Small installations
        * Small venues
        * Theatres
        * Houses of Worship
        * Live and studio recording

     
        * 100mm faders
        * +48V phantom power
        * 16, 24 or 32 channel frame sizes
        * Up to 40 inputs (including stereo inputs and returns)
        * 18dB/octave high-pass filter
        * 6 aux sends, 4 of them pre/post switchable
        * Group and mix inserts
        * 12-segment LED metering
        * Integral PSU

    Soundcraft FX16ii - rebirth of a classic

    The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

    The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

    The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

    Soundcraft FX16ii main features include:

    • 26 inputs
    • 16 mono microphone channels
    • 4 stereo returns
    • 4-bus architecture, with sub-group routable to mix
    • Built-in 24 bit Lexicon digital effects processor
    • 32 FX settings
    • Tap Tempo
    • 3 FX parameter adjust rotaries
    • User FX settings store function
    • Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
    • Inserts on all mono channels
    • Inserts on stereo mix output
    • Classic Soundcraft 3-band EQ with swept mid-band
    • Stereo 18dB/octave 100Hz high-pass filter
    • Dual global +48V phantom power split channels 1-8 and 9-16
    • Channel Mute control
    • 10-segment tri-coloured metering
    • Two sub-group outputs
    • Separate mono sum output
    • Integral universal power supply
    Weight2 kg20.00 kg5.20 kg18.10 kg21.80 kg5.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 2 kg
    Weight 20.00 kg
    Weight 5.20 kg
    Weight 18.10 kg
    Weight 21.80 kg
    Weight 5.00 kg