| Content | The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more.
The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4" inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments.
The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input.
The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.
- Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
- Two quality XENYX microphone preamps with 130 dB of dynamic range
- Switchable 48V phantom power
- Two balanced mono line inputs
- Two balanced stereo pairs of line inputs
- Neo-classic, British-style 3-band EQs for warm and musical sound
- One mono post-fader FX-send knob per channel for sending signal to external processor
- Stereo aux return for FX applications or as a separate stereo input
- Main mix outputs and separate control room, phones, and stereo 2-Track outputs
- 2-Track inputs assignable to main mix or control room/phones outputs
- Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
- Designed and engineered in Germany
| Microphone Inputs |
2 x XLR, electronically balanced, discrete input circuit
XENYX microphone preamps with 48 V phantom power (switchable) |
| Microphone EIN |
(EIN 20 Hz to 20 kHz)
At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted
At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted
At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted
Frequency Response:
Frequency Response:
Gain Range: +10 to +60 dB
Maximum Input Level: +12 dBu at +10 dB gain
Impedance: 2.6 kOhms, balanced (approximately)
Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain)
Distortion (THD+N): 0.005% / 0.004% A-weighted |
| Line Inputs |
2 x 1/4" / 6.3 mm TRS, electronically balanced
Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately)
Gain Range: -10 to +40 dB
Maximum Input Level: +22 dBu at 0 dB gain |
| Stereo Line Inputs |
2 x pairs of 1/4" / 6.3 mm TRS, electronically balanced
Impedance: 20 kOhms (approximately)
Maximum Input Level: +22 dBu |
| Fade-Out/Crosstalk Attenuation |
Main Fader Closed: 90 dB
Channel Muted: 89.5 dB
Channel Fader Muted: 89 dB |
| Frequency Response |
Microphone Input to Main Out: |
| Equalization |
Low: 80 Hz (±15 dB)
Mid: 2.5 kHz (±15 dB)
High: 12 kHz (±15 dB) |
| FX Send |
1 x 1/4" / 6.3 mm TS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Stereo Aux Returns |
1 x pair of 1/4" / 6.3 mm TRS, electronically balanced
Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced)
Maximum Input Level: +22 dBu |
| Main Outputs |
2 x 1/4" / 6.3 mm TRS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Control Room Outputs |
2 x 1/4" / 6.3 mm TS, unbalanced
Impedance: 120 Ohms (approximately)
Maximum Output Level: +22 dBu |
| Headphone Output |
1 x 1/4" / 6.3 mm TRS, stereo, unbalanced
Maximum Output Level: +19 dBu / 150 Ohms (+25 dB) |
| 2-Track I/O |
1 x pair RCA, stereo, unbalanced CD/tape inputs
1 x pair RCA, stereo, unbalanced tape outputs |
| Noise |
Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted
Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted
Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted |
| AC Adapter |
Input: 120 V, 60 Hz
Power Consumption: 13 W |
| Dimensions (H x W x D) |
1.9 x 7.4 x 8.7" / 47 x 189 x 220 mm |
| Weight |
3.5 lb / 1.6 kg |
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Soundcraft FX16ii - rebirth of a classic
The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.
The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.
Soundcraft FX16ii main features include:
- 26 inputs
- 16 mono microphone channels
- 4 stereo returns
- 4-bus architecture, with sub-group routable to mix
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo
- 3 FX parameter adjust rotaries
- User FX settings store function
- Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
- Inserts on all mono channels
- Inserts on stereo mix output
- Classic Soundcraft 3-band EQ with swept mid-band
- Stereo 18dB/octave 100Hz high-pass filter
- Dual global +48V phantom power split channels 1-8 and 9-16
- Channel Mute control
- 10-segment tri-coloured metering
- Two sub-group outputs
- Separate mono sum output
- Integral universal power supply
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The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.
This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.
Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.
As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.
For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.
On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.
Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.
The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers. - Technical Specifications
- Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
- THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
- Noise Measured RMS, 22Hz to 22kHz Bandwidth
- Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
- Mix Output, 40 inputs routed to mix..
- Group & Centre Outputs..
- Aux Outputs (GB2 Groups only)..
- Matrix Outputs..
- Crosstalk Input Channel Mute..
- (@1kHz, typical) Input Fader cut-off..
- Pan isolation..
- Mix route isolation..
- Group route isolation..
- Adjacent channel crosstalk..
- Group to Mix..
- Aux Send pots offness (typical)..
- Matrix Send pots offness (typical)
- CMRR Typical @ 1kHz.. 80dB
- Input & Output Mono & Stereo Mic Inputs.. +15dBu
- Max Levels Mono & Stereo Line Inputs.. +30dBu
- Stereo Returns & Insert Returns.. +20dBu
- Any output.. +20dBu
- Nominal Operating Level.. 0dBu
- Headphone Power.. 2 x 250mW into 200Ω
- Input & Output Mic Inputs.. 2kΩ
- Impedances Line Inputs and Stereo Returns.. 10kΩ
- Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
- Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
- Insert sends.. 75Ω
- Recommended Headphone Impedance.. 100 - 600Ω
- High pass filter (Mono input).. 100Hz, 18dB per octave
- EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
- Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
- Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
- LF.. 80Hz, +/-15dB, 2nd order shelving
- EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
- Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
- Lo-Mid.. 450Hz, +/-15dB, Q=0.8
- LF.. 80Hz, +/-15dB, 2nd order shelving
- Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
- Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
- Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
- + Meterpod with 3 VU meters (L/R/C)
- Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
- (indicates monitor source level)
- Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
- Power consumption.. Less than 150W
- Operating conditions Temperature range.. -10ºC to +30ºC
- Relative humidity.. 0% to 80%
- Features
- * 19” Rackmountable console
- * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
- * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
- * Rotatable connector pod for top or rear cable entry
- * 8 (GB2R-16) or 10 (GB2R-12.2) busses
- * 2 full feature stereo inputs (GB2R-12.2 version)
- * GB30 Mic preamp and precision EQ on inputs
- * Switchable +48V phantom power on every mic input
- * 100Hz Hi-pass filter
- * Direct outputs on every channel
- * 100mm faders
- * Stereo Mix Output and separate Mono Sum output
- * Record output
- * Internal Universal switched mode PSU
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- Premium ultra low-noise, high headroom analog mixer
- State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
- Neo-classic "British" 2-band EQ for warm and musical sound
- Main mix, stereo CD/tape plus separate headphone outputs
- CD/tape inputs assignable to headphone output or main mix outputs
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
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Expand Your MCU with More Faders !
The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.
The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.
Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.
The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!
Features:
Eight-Fader Control Surface Extension for MCU Pro
Proprietary Mackie communication protocol for seamless software integration by DAW makers
100mm touch-sensitive optical Penny + Giles motorized faders
Multi-function V-Pots for fast control of panning, effects levels and more
Channel mute, solo, pan, send level and record arm functions
Full meter display with track names and parameters |
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