BEHRINGER Xenyx 802 Premium 8-Input 2-Bus Mixer

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The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more. The XENYX 802 […]

 

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The Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more.

The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4″ inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments.

The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input.

The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.

  • Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
  • Two quality XENYX microphone preamps with 130 dB of dynamic range
  • Switchable 48V phantom power
  • Two balanced mono line inputs
  • Two balanced stereo pairs of line inputs
  • Neo-classic, British-style 3-band EQs for warm and musical sound
  • One mono post-fader FX-send knob per channel for sending signal to external processor
  • Stereo aux return for FX applications or as a separate stereo input
  • Main mix outputs and separate control room, phones, and stereo 2-Track outputs
  • 2-Track inputs assignable to main mix or control room/phones outputs
  • Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
  • Designed and engineered in Germany
Microphone Inputs 2 x XLR, electronically balanced, discrete input circuit

XENYX microphone preamps with 48 V phantom power (switchable)

Microphone EIN (EIN 20 Hz to 20 kHz)

At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted
At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted
At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted

Frequency Response:
Frequency Response:
Gain Range: +10 to +60 dB

Maximum Input Level: +12 dBu at +10 dB gain

Impedance: 2.6 kOhms, balanced (approximately)

Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain)

Distortion (THD+N): 0.005% / 0.004% A-weighted

Line Inputs 2 x 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately)

Gain Range: -10 to +40 dB

Maximum Input Level: +22 dBu at 0 dB gain

Stereo Line Inputs 2 x pairs of 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: 20 kOhms (approximately)

Maximum Input Level: +22 dBu

Fade-Out/Crosstalk Attenuation Main Fader Closed: 90 dB

Channel Muted: 89.5 dB

Channel Fader Muted: 89 dB

Frequency Response Microphone Input to Main Out:
Equalization Low: 80 Hz (±15 dB)
Mid: 2.5 kHz (±15 dB)
High: 12 kHz (±15 dB)
FX Send 1 x 1/4″ / 6.3 mm TS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Stereo Aux Returns 1 x pair of 1/4″ / 6.3 mm TRS, electronically balanced

Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced)

Maximum Input Level: +22 dBu

Main Outputs 2 x 1/4″ / 6.3 mm TRS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Control Room Outputs 2 x 1/4″ / 6.3 mm TS, unbalanced

Impedance: 120 Ohms (approximately)

Maximum Output Level: +22 dBu

Headphone Output 1 x 1/4″ / 6.3 mm TRS, stereo, unbalanced

Maximum Output Level: +19 dBu / 150 Ohms (+25 dB)

2-Track I/O 1 x pair RCA, stereo, unbalanced CD/tape inputs

1 x pair RCA, stereo, unbalanced tape outputs

Noise Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted

Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted

Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted

AC Adapter Input: 120 V, 60 Hz

Power Consumption: 13 W

Dimensions (H x W x D) 1.9 x 7.4 x 8.7″ / 47 x 189 x 220 mm
Weight 3.5 lb / 1.6 kg

 

Weight 2 kg

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BEHRINGER Xenyx 802 Premium 8-Input 2-Bus Mixer removeSOUNDCRAFT EPM 8 Mixing Desk 8 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT GB2 24CH 24MONO+ 2STEREO MIXING CONSOLE removeDYNACORD CMS 2200-3 Sound Desk 22 Channels remove
NameBEHRINGER Xenyx 802 Premium 8-Input 2-Bus Mixer removeSOUNDCRAFT EPM 8 Mixing Desk 8 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT GB2 24CH 24MONO+ 2STEREO MIXING CONSOLE removeDYNACORD CMS 2200-3 Sound Desk 22 Channels remove
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SKUE005191SPIRIT EPM8SPIRIT FOLIO FX16 IISPIRIT EPM6GB2 24CHE003071
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Description
ContentThe Behringer XENYX 802 is a mixer that offers clear and natural sound in a small and portable format. With eight inputs and two high-quality XENYX mic preamps, this versatile mixer is well suited for mixing and recording solo gigs at the local coffee shop, small corporate events, songwriting projects, and more. The XENYX 802 is quick to set up and operate with all the connections and controls easily reachable on the top of the unit. The first two input channels feature XENYX mic preamps on two XLR connectors, as well as two 1/4" inputs for line-level signals. Switchable, onboard 48V phantom power allows you to plug in both dynamic and studio-grade condenser microphones. A gain knob lets you adjust the input level, and a clip LED alerts you if you are overdriving the input. British-style 3-band EQs provide warm and musical tone corrections for your vocals and instruments. The two sets of stereo inputs enable you to connect stereo keyboards or playback devices to the mixer. Pan (balance) and level controls are included for all inputs. Each channel is equipped with a post-fader FX send for sending signal to an external processor of your choice. There is also a stereo aux return, which can be used to return effects or as a separate stereo input. The 2-Track section provides an easy way to connect an external 2-track recorder and/or playback device. The 2-Track inputs are assignable to either the main mix or to the control room/phones outputs. The main mix knob controls the signal at both the main outs and 2-Track outputs, while a dedicated knob adjusts the volume for the phone/control room outputs.
  • Compact and versatile 8-channel analog mixer for solo gigs or small corporate events
  • Two quality XENYX microphone preamps with 130 dB of dynamic range
  • Switchable 48V phantom power
  • Two balanced mono line inputs
  • Two balanced stereo pairs of line inputs
  • Neo-classic, British-style 3-band EQs for warm and musical sound
  • One mono post-fader FX-send knob per channel for sending signal to external processor
  • Stereo aux return for FX applications or as a separate stereo input
  • Main mix outputs and separate control room, phones, and stereo 2-Track outputs
  • 2-Track inputs assignable to main mix or control room/phones outputs
  • Mic channels with low-noise and distortion-free circuitry for natural sound reproduction
  • Designed and engineered in Germany
Microphone Inputs 2 x XLR, electronically balanced, discrete input circuit XENYX microphone preamps with 48 V phantom power (switchable)
Microphone EIN (EIN 20 Hz to 20 kHz) At 0 Ohm Source Resistance: -134 dB / 135.7 dB A-weighted At 50 Ohms Source Resistance: -131 dB / 133.3 dB A-weighted At 150 Ohms Source Resistance: -129 dB / 130.5 dB A-weighted Frequency Response: Frequency Response: Gain Range: +10 to +60 dB Maximum Input Level: +12 dBu at +10 dB gain Impedance: 2.6 kOhms, balanced (approximately) Signal-to-Noise Ratio: 110 dB / 112 dB A-weighted (0 dBu In at +22 dB gain) Distortion (THD+N): 0.005% / 0.004% A-weighted
Line Inputs 2 x 1/4" / 6.3 mm TRS, electronically balanced Impedance: 20 kOhms balanced / 10 kOhms unbalanced (approximately) Gain Range: -10 to +40 dB Maximum Input Level: +22 dBu at 0 dB gain
Stereo Line Inputs 2 x pairs of 1/4" / 6.3 mm TRS, electronically balanced Impedance: 20 kOhms (approximately) Maximum Input Level: +22 dBu
Fade-Out/Crosstalk Attenuation Main Fader Closed: 90 dB Channel Muted: 89.5 dB Channel Fader Muted: 89 dB
Frequency Response Microphone Input to Main Out:
Equalization Low: 80 Hz (±15 dB) Mid: 2.5 kHz (±15 dB) High: 12 kHz (±15 dB)
FX Send 1 x 1/4" / 6.3 mm TS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Stereo Aux Returns 1 x pair of 1/4" / 6.3 mm TRS, electronically balanced Impedance: Approximately 20 kOhms (balanced), 10 kOhms (unbalanced) Maximum Input Level: +22 dBu
Main Outputs 2 x 1/4" / 6.3 mm TRS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Control Room Outputs 2 x 1/4" / 6.3 mm TS, unbalanced Impedance: 120 Ohms (approximately) Maximum Output Level: +22 dBu
Headphone Output 1 x 1/4" / 6.3 mm TRS, stereo, unbalanced Maximum Output Level: +19 dBu / 150 Ohms (+25 dB)
2-Track I/O 1 x pair RCA, stereo, unbalanced CD/tape inputs 1 x pair RCA, stereo, unbalanced tape outputs
Noise Main Mix at -∞, Channel Fader at -∞: -106 dB / -109 dB A-weighted Main Mix at 0 dB, Channel Fader at -∞: -95 dB / -98 dB A-weighted Main Mix at 0 dB, Channel Fader at 0 dB: -84 dB / -87 dB A-weighted
AC Adapter Input: 120 V, 60 Hz Power Consumption: 13 W
Dimensions (H x W x D) 1.9 x 7.4 x 8.7" / 47 x 189 x 220 mm
Weight 3.5 lb / 1.6 kg
 
Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
  • Frame sizes 8+2
  • 2 configurable auxiliary buses
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 2-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs and mix output
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

  • 26 inputs
  • 16 mono microphone channels
  • 4 stereo returns
  • 4-bus architecture, with sub-group routable to mix
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo
  • 3 FX parameter adjust rotaries
  • User FX settings store function
  • Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
  • Inserts on all mono channels
  • Inserts on stereo mix output
  • Classic Soundcraft 3-band EQ with swept mid-band
  • Stereo 18dB/octave 100Hz high-pass filter
  • Dual global +48V phantom power split channels 1-8 and 9-16
  • Channel Mute control
  • 10-segment tri-coloured metering
  • Two sub-group outputs
  • Separate mono sum output
  • Integral universal power supply
Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:

  • 24 channel frame size
  • 12 busses
  • 2 full feature stereo channels
  • 2 stereo returns (on stereo channels)
  • 6 Aux sends
  • 4 sub groups (paired)
  • 6x2 output matrix
  • GB30 mic preamp and precision equalisation circuitry
  • Direct outputs on every channel
  • Talkback facility
  • 100mm faders
  • Switchable 48V phantom powering on every channel
  • 100Hz high pass filter
  • 12-segment LED metering
  • Record output
  • Width: 1013mm (39.88“)
  • Weight: 25kg (55.1lbs)

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Weight2 kg4.00 kg5.00 kg5.20 kg33.00 kg12.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2 kg
Weight 4.00 kg
Weight 5.00 kg
Weight 5.20 kg
Weight 33.00 kg
Weight 12.00 kg