BEHRINGER XENYX Q502USB Premium 5-Input 2-Bus Mixer with XENYX Mic Preamp & Compressor, British EQ and USB/Audio Interface

Full Description

Sonically superior preamps

Sublimely musical, British EQ

Recording bliss

One-knob compression

Features

• Premium ultra-low noise, high headroom analog mixer
• State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps
• Studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound on all mono channels
• Built-in stereo class compliant USB/Audio interface to connect directly to your computer
• Neo-classic "British" 2-band EQ for warm and musical sound Main mix, stereo CD/tape plus separate headphone outputs
• CD/tape inputs assignable to headphone output or main mix outputs
• High-quality components and exceptionally rugged construction ensure long life
• Designed and engineered in Germany

Specifications

• Physical:
  • Dimensions: 138mm x 184mm x 46mm / 5.4'' x 7.2'' x 1.8'' (W x D x H)
  • Weight: 0.6kg / 1.3lbs
• Microphone Inputs:
  • Connector: XLR, Balanced, Discrete Input Circuit
  • Frequency Response: 20Hz - 20kHz
  • Maximum Input Level: +12dBu @ +10dB Gain
  • Impedance: 1.4k Balanced
  • Signal-to-Noise Ratio: 110dB A-Weighted (0 dBu In @ +22dB Gain)
  • Distortion: 0.005 / 0.004 A-Weighted (THD+N)
• Line Inputs:
  • Input Connectors: 1/4'' TRS, Balanced
  • Impedance: 20k Balanced, 10k Unbalanced
  • Gain Range: -10dB to +40dB
  • Maximum Input Level: +22dBu @ 0dB Gain
• Stereo Inputs:
  • Input Connector: 2 x 1/4'' TRS, Balanced
  • Impedance: 20k Balanced, 10k Unbalanced
  • Gain Range: -20dB to +20dB
  • Maximum Input Level: +22dBu
• CD/Tape Inputs:
  • Input Connector: RCA
  • Impedance: 18k
  • Maximum Input Level: +22dBu
  EQ:
  • Low: 80Hz ±15dB
  • Mid: 2.5kHz ±15dB
  • High: 12kHz ±15dB
• Aux Sends:
  • Connector: 1/4'' TRS, Balanced
  • Impedance: 120
  • Maximum Output Level: +22dBu
• Aux Returns:
  • Connector: 1/4'' TRS, Balanced
  • Impedance: 20k Balanced, 10k Unbalanced
  • Maximum Input Level: +22dBu
• Main Outputs:
  • Connector: 1/4'' TRS, Balanced
  • Impedance: 120 Balanced
  • Maximum Output Level: +22dBu
• Control Room Outputs:
  • Connector: 1/4'' TRS, Balanced
  • Impedance: 120 Balanced
  • Maximum Output Level: +22dBu
• Headphone Output:
  • Connector: 1/4'' TRS, Unbalanced
  • Maximum Output Level: +21dBu / 150 (+25dBm)
• USB:
  • Connector: USB Type B
  • Sample Rate: 48kHz

The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:

• 24 channel frame size
• 12 busses
• 2 full feature stereo channels
• 2 stereo returns (on stereo channels)
• 6 Aux sends
• 4 sub groups (paired)
• 6x2 output matrix
• GB30 mic preamp and precision equalisation circuitry
• Direct outputs on every channel
• Talkback facility
• 100mm faders
• Switchable 48V phantom powering on every channel
• 100Hz high pass filter
• 12-segment LED metering
• Record output
• Width: 1013mm (39.88“)
• Weight: 25kg (55.1lbs)

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    * 100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

• 26 inputs
• 16 mono microphone channels
• 4 stereo returns
• 4-bus architecture, with sub-group routable to mix
• Built-in 24 bit Lexicon digital effects processor
• 32 FX settings
• Tap Tempo
• 3 FX parameter adjust rotaries
• User FX settings store function
• Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
• Inserts on all mono channels
• Inserts on stereo mix output
• Classic Soundcraft 3-band EQ with swept mid-band
• Stereo 18dB/octave 100Hz high-pass filter
• Dual global +48V phantom power split channels 1-8 and 9-16
• Channel Mute control
• 10-segment tri-coloured metering
• Two sub-group outputs
• Separate mono sum output
• Integral universal power supply

• 12+2 channel frame sizes
• Built-in 24 bit Lexicon digital effects processor
• 32 FX settings
• Tap Tempo and FX setting store function
• 1 FX send on each channel
• 1 configurable auxiliary bus
• XLR-type and Ό� metal jack connector sockets
• RCA phono stereo playback inputs and record outputs
• 3-band EQ with a swept mid on mono inputs
• 3-band EQ on stereo inputs
• TRS insert sockets and inserts on all mono inputs
• Ten-segment LED output metering
• Intuitive and comprehensive solo system
• Headphone output
• Easily rack mountable

Soundcraft EFX

(EFX8, EFX12)

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

• 8+2 channel frame sizes
• Built-in 24 bit Lexicon digital effects processor
• 32 FX settings
• Tap Tempo and FX setting store function
• 1 FX send on each channel
• 1 configurable auxiliary bus
• XLR-type and ¼” metal jack connector sockets
• RCA phono stereo playback inputs and record outputs
• 3-band EQ with a swept mid on mono inputs
• 3-band EQ on stereo inputs
• TRS insert sockets and inserts on all mono inputs
• Ten-segment LED output metering
• Intuitive and comprehensive solo system
• Headphone output
• Easily rack mountable