BEHRINGER XENYX Q502USB Premium 5-Input 2-Bus Mixer with XENYX Mic Preamp & Compressor, British EQ and USB/Audio Interface

Discontinued

74.00 incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
  • Ideal for live use and home recording
  • Record directly onto your Mac or PC operating system
  • Rich, musical EQ based on renowned British consoles
  • Add excitement and urgency to your recordings with the one knob compressor
  • Ideal for live use and home recording
  • Record directly onto your Mac or PC operating system
  • Rich, musical EQ based on renowned British consoles
  • Add excitement and urgency to your recordings with the one knob compressor

 

Read more

Full Description

Sonically superior preamps

Behringer XENYX preamps are renowned for their unique sonic performance. With an impressive 130dB of dynamic range and a frequency bandwidth of 10Hz to 20kHz the XEYNX preamps are the ideal choice for home recording and live use. Ensuring high quality and outstanding clarity, you’ll own preamps which excel on a wide array of sources. From guitars to percussion, to vocals and bass. There’s nothing that the XEYNX preamps won’t shine on.

Sublimely musical, British EQ

British mixing consoles are renowned for their analog warmth and unique sonic qualities. Behringer have meticulously studied and incorporated the same style circuitry on the Q502USB’s two band channel EQ, providing incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

Recording bliss

Thanks to the built-in, bi-directional stereo USB audio interface, you can now directly connect the Behringer Q502USB mixer to your PC or Mac operating system via a single USB cable. Yes, that’s right. One USB cable. Now any signal source you desire can be connected to the mixer and recorded directly to your hard drive.

One-knob compression

The ”one-knob” compression function is available on all mono channels and allows you to dial in the perfect amount of compression for both instruments and vocals. Delivering powerful mixes with punch and clarity, the ”one-knob” compression is easy to operate and a rare feature for mixers within this price range.

Features

  • Premium ultra-low noise, high headroom analog mixer
  • State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps
  • Studio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental sound on all mono channels
  • Built-in stereo class compliant USB/Audio interface to connect directly to your computer
  • Neo-classic “British” 2-band EQ for warm and musical sound Main mix, stereo CD/tape plus separate headphone outputs
  • CD/tape inputs assignable to headphone output or main mix outputs
  • High-quality components and exceptionally rugged construction ensure long life
  • Designed and engineered in Germany

Specifications

  • Physical:
    • Dimensions: 138mm x 184mm x 46mm / 5.4” x 7.2” x 1.8” (W x D x H)
    • Weight: 0.6kg / 1.3lbs
  • Microphone Inputs:
    • Connector: XLR, Balanced, Discrete Input Circuit
    • Frequency Response: 20Hz – 20kHz
    • Maximum Input Level: +12dBu @ +10dB Gain
    • Impedance: 1.4k Balanced
    • Signal-to-Noise Ratio: 110dB A-Weighted (0 dBu In @ +22dB Gain)
    • Distortion: 0.005 / 0.004 A-Weighted (THD+N)
  • Line Inputs:
    • Input Connectors: 1/4” TRS, Balanced
    • Impedance: 20k Balanced, 10k Unbalanced
    • Gain Range: -10dB to +40dB
    • Maximum Input Level: +22dBu @ 0dB Gain
  • Stereo Inputs:
    • Input Connector: 2 x 1/4” TRS, Balanced
    • Impedance: 20k Balanced, 10k Unbalanced
    • Gain Range: -20dB to +20dB
    • Maximum Input Level: +22dBu
  • CD/Tape Inputs:
    • Input Connector: RCA
    • Impedance: 18k
    • Maximum Input Level: +22dBu

    EQ:

    • Low: 80Hz ±15dB
    • Mid: 2.5kHz ±15dB
    • High: 12kHz ±15dB
  • Aux Sends:
    • Connector: 1/4” TRS, Balanced
    • Impedance: 120
    • Maximum Output Level: +22dBu
  • Aux Returns:
    • Connector: 1/4” TRS, Balanced
    • Impedance: 20k Balanced, 10k Unbalanced
    • Maximum Input Level: +22dBu
  • Main Outputs:
    • Connector: 1/4” TRS, Balanced
    • Impedance: 120 Balanced
    • Maximum Output Level: +22dBu
  • Control Room Outputs:
    • Connector: 1/4” TRS, Balanced
    • Impedance: 120 Balanced
    • Maximum Output Level: +22dBu
  • Headphone Output:
    • Connector: 1/4” TRS, Unbalanced
    • Maximum Output Level: +21dBu / 150 (+25dBm)
  • USB:
    • Connector: USB Type B
    • Sample Rate: 48kHz
Weight 1.50 kg

Reviews

There are no reviews yet.

Be the first to review “BEHRINGER XENYX Q502USB Premium 5-Input 2-Bus Mixer with XENYX Mic Preamp & Compressor, British EQ and USB/Audio Interface”

Your email address will not be published. Required fields are marked *

Quick Comparison

BEHRINGER XENYX Q502USB Premium 5-Input 2-Bus Mixer with XENYX Mic Preamp & Compressor, British EQ and USB/Audio Interface removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo remove
NameBEHRINGER XENYX Q502USB Premium 5-Input 2-Bus Mixer with XENYX Mic Preamp & Compressor, British EQ and USB/Audio Interface removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT EFX-8 Mixing Desk 8CH mono & 2CH stereo remove
Image
SKUE005352GB4 32CHE003071SPIRIT LX7 16CH MKIISPIRIT EPM6SPIRIT EFX8
Rating
Price 74.00 incl. GR VAT 2,909.00 incl. GR VAT 2,760.00 incl. GR VAT 1,621.99 incl. GR VAT 305.00 incl. GR VAT 410.00 incl. GR VAT
Stock

Out of stock

Available on backorder

Available on backorder

Available on backorder

In stock

AvailabilityOut of stockAvailable on backorderAvailable on backorderAvailable on backorderIn stock
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
  • Ideal for live use and home recording
  • Record directly onto your Mac or PC operating system
  • Rich, musical EQ based on renowned British consoles
  • Add excitement and urgency to your recordings with the one knob compressor
Content

Full Description

Sonically superior preamps

Behringer XENYX preamps are renowned for their unique sonic performance. With an impressive 130dB of dynamic range and a frequency bandwidth of 10Hz to 20kHz the XEYNX preamps are the ideal choice for home recording and live use. Ensuring high quality and outstanding clarity, you'll own preamps which excel on a wide array of sources. From guitars to percussion, to vocals and bass. There's nothing that the XEYNX preamps won't shine on.

Sublimely musical, British EQ

British mixing consoles are renowned for their analog warmth and unique sonic qualities. Behringer have meticulously studied and incorporated the same style circuitry on the Q502USB's two band channel EQ, providing incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

Recording bliss

Thanks to the built-in, bi-directional stereo USB audio interface, you can now directly connect the Behringer Q502USB mixer to your PC or Mac operating system via a single USB cable. Yes, that's right. One USB cable. Now any signal source you desire can be connected to the mixer and recorded directly to your hard drive.

One-knob compression

The ''one-knob'' compression function is available on all mono channels and allows you to dial in the perfect amount of compression for both instruments and vocals. Delivering powerful mixes with punch and clarity, the ''one-knob'' compression is easy to operate and a rare feature for mixers within this price range.

Features

  • Premium ultra-low noise, high headroom analog mixer
  • State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps
  • Studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound on all mono channels
  • Built-in stereo class compliant USB/Audio interface to connect directly to your computer
  • Neo-classic "British" 2-band EQ for warm and musical sound Main mix, stereo CD/tape plus separate headphone outputs
  • CD/tape inputs assignable to headphone output or main mix outputs
  • High-quality components and exceptionally rugged construction ensure long life
  • Designed and engineered in Germany

Specifications

  • Physical:
    • Dimensions: 138mm x 184mm x 46mm / 5.4'' x 7.2'' x 1.8'' (W x D x H)
    • Weight: 0.6kg / 1.3lbs
  • Microphone Inputs:
    • Connector: XLR, Balanced, Discrete Input Circuit
    • Frequency Response: 20Hz - 20kHz
    • Maximum Input Level: +12dBu @ +10dB Gain
    • Impedance: 1.4k Balanced
    • Signal-to-Noise Ratio: 110dB A-Weighted (0 dBu In @ +22dB Gain)
    • Distortion: 0.005 / 0.004 A-Weighted (THD+N)
  • Line Inputs:
    • Input Connectors: 1/4'' TRS, Balanced
    • Impedance: 20k Balanced, 10k Unbalanced
    • Gain Range: -10dB to +40dB
    • Maximum Input Level: +22dBu @ 0dB Gain
  • Stereo Inputs:
    • Input Connector: 2 x 1/4'' TRS, Balanced
    • Impedance: 20k Balanced, 10k Unbalanced
    • Gain Range: -20dB to +20dB
    • Maximum Input Level: +22dBu
  • CD/Tape Inputs:
    • Input Connector: RCA
    • Impedance: 18k
    • Maximum Input Level: +22dBu
    EQ:
    • Low: 80Hz ±15dB
    • Mid: 2.5kHz ±15dB
    • High: 12kHz ±15dB
  • Aux Sends:
    • Connector: 1/4'' TRS, Balanced
    • Impedance: 120
    • Maximum Output Level: +22dBu
  • Aux Returns:
    • Connector: 1/4'' TRS, Balanced
    • Impedance: 20k Balanced, 10k Unbalanced
    • Maximum Input Level: +22dBu
  • Main Outputs:
    • Connector: 1/4'' TRS, Balanced
    • Impedance: 120 Balanced
    • Maximum Output Level: +22dBu
  • Control Room Outputs:
    • Connector: 1/4'' TRS, Balanced
    • Impedance: 120 Balanced
    • Maximum Output Level: +22dBu
  • Headphone Output:
    • Connector: 1/4'' TRS, Unbalanced
    • Maximum Output Level: +21dBu / 150 (+25dBm)
  • USB:
    • Connector: USB Type B
    • Sample Rate: 48kHz

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

Soundcraft EFX



(EFX8, EFX12)

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.

The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.

The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone

Key Features:
  • 8+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.
Weight1.50 kg32.00 kg12.00 kg18.20 kg5.20 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.50 kg
Weight 32.00 kg
Weight 12.00 kg
Weight 18.20 kg
Weight 5.20 kg
Weight 3.00 kg