| Content | Full Description
Sonically superior preamps
Behringer XENYX preamps are renowned for their unique sonic performance. With an impressive 130dB of dynamic range and a frequency bandwidth of 10Hz to 20kHz the XEYNX preamps are the ideal choice for home recording and live use. Ensuring high quality and outstanding clarity, you'll own preamps which excel on a wide array of sources. From guitars to percussion, to vocals and bass. There's nothing that the XEYNX preamps won't shine on.
Sublimely musical, British EQ
British mixing consoles are renowned for their analog warmth and unique sonic qualities. Behringer have meticulously studied and incorporated the same style circuitry on the Q502USB's two band channel EQ, providing incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
Recording bliss
Thanks to the built-in, bi-directional stereo USB audio interface, you can now directly connect the Behringer Q502USB mixer to your PC or Mac operating system via a single USB cable. Yes, that's right. One USB cable. Now any signal source you desire can be connected to the mixer and recorded directly to your hard drive.
One-knob compression
The ''one-knob'' compression function is available on all mono channels and allows you to dial in the perfect amount of compression for both instruments and vocals. Delivering powerful mixes with punch and clarity, the ''one-knob'' compression is easy to operate and a rare feature for mixers within this price range.
Features
- Premium ultra-low noise, high headroom analog mixer
- State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps
- Studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound on all mono channels
- Built-in stereo class compliant USB/Audio interface to connect directly to your computer
- Neo-classic "British" 2-band EQ for warm and musical sound Main mix, stereo CD/tape plus separate headphone outputs
- CD/tape inputs assignable to headphone output or main mix outputs
- High-quality components and exceptionally rugged construction ensure long life
- Designed and engineered in Germany
Specifications
- Physical:
- Dimensions: 138mm x 184mm x 46mm / 5.4'' x 7.2'' x 1.8'' (W x D x H)
- Weight: 0.6kg / 1.3lbs
- Microphone Inputs:
- Connector: XLR, Balanced, Discrete Input Circuit
- Frequency Response: 20Hz - 20kHz
- Maximum Input Level: +12dBu @ +10dB Gain
- Impedance: 1.4k Balanced
- Signal-to-Noise Ratio: 110dB A-Weighted (0 dBu In @ +22dB Gain)
- Distortion: 0.005 / 0.004 A-Weighted (THD+N)
- Line Inputs:
- Input Connectors: 1/4'' TRS, Balanced
- Impedance: 20k Balanced, 10k Unbalanced
- Gain Range: -10dB to +40dB
- Maximum Input Level: +22dBu @ 0dB Gain
- Stereo Inputs:
- Input Connector: 2 x 1/4'' TRS, Balanced
- Impedance: 20k Balanced, 10k Unbalanced
- Gain Range: -20dB to +20dB
- Maximum Input Level: +22dBu
- CD/Tape Inputs:
- Input Connector: RCA
- Impedance: 18k
- Maximum Input Level: +22dBu
EQ:
- Low: 80Hz ±15dB
- Mid: 2.5kHz ±15dB
- High: 12kHz ±15dB
- Aux Sends:
- Connector: 1/4'' TRS, Balanced
- Impedance: 120
- Maximum Output Level: +22dBu
- Aux Returns:
- Connector: 1/4'' TRS, Balanced
- Impedance: 20k Balanced, 10k Unbalanced
- Maximum Input Level: +22dBu
- Main Outputs:
- Connector: 1/4'' TRS, Balanced
- Impedance: 120 Balanced
- Maximum Output Level: +22dBu
- Control Room Outputs:
- Connector: 1/4'' TRS, Balanced
- Impedance: 120 Balanced
- Maximum Output Level: +22dBu
- Headphone Output:
- Connector: 1/4'' TRS, Unbalanced
- Maximum Output Level: +21dBu / 150 (+25dBm)
- USB:
- Connector: USB Type B
- Sample Rate: 48kHz
| Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
- Frame sizes 8+2
- 2 configurable auxiliary buses
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
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The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
| Key Features:
- 12+2 channel frame sizes
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
| Low-cost high-performance mixers
Key Features
- 6 Mono & 2 Stereo Input Channels
- 6x GB30 Microphone Preamplifiers
- Recording and Live Sound Audio Console
- Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
| Total # Of Inputs |
6x Mono
2x Stereo |
| Mic/Line Inputs |
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR |
| Stereo Line Inputs |
2x Stereo: L/R 1/4" TRS Phone |
| In-Line Inputs/Returns |
No |
| AUX Sends |
2x Aux Sends |
| AUX Returns |
No dedicated returns |
| Inserts |
1/4" TRS Phone - Mono Inputs, Main Stereo Output |
| BUS (Group) Outputs |
Stereo Output Only |
| 2 Trk Master I/O |
Mix L/R: Stereo Paired L/R RCA Phono |
| ALT I/O |
No |
| Monitor Outputs |
Monitor: L/R Stereo Paired 1/4" TRS Phone |
| EQ Section |
Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz - 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz |
| Solo/Mute |
All Input Channels |
| Channel Level Control |
100 mm Faders |
| Trim/Gain Control |
Rotary Potentiometers |
| Phantom Power |
+48 V Phantom |
| Metering |
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED |
| Frequency Response |
20 Hz to 20 kHz +/-1.5 dB |
| Dynamic Range |
Not specified by manufacturer |
| Signal-to-Noise Ratio |
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down |
| Total Harmonic Distortion (THD) |
Mic sensitivity 30 dB, +14 dBu @ mix output: |
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SOUNDCRAFT-SPIRIT
LX-7 32 II
Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids
Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs |
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