BEHRINGER Xenyx X1204USB 12-Input 2/2-Bus USB/Audio Interface Mixing Console

239.90 incl. GR VAT

Only 2 left in stock (can be backordered)

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Availability: Available in 4-10 d. Available in 4-10 d. SKU: E005384 Category:
Premium 12-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor, USB/Audio Interface and energyXT2.5 Compact BEHRINGER Edition Music Production Software Premium ultra-low noise, high headroom analog mixer 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 4 studio-grade compressors with super-easy “one-knob” functionality and control LED for professional […]

 

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Premium 12-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor, USB/Audio Interface and energyXT2.5 Compact BEHRINGER Edition Music Production Software
  • Premium ultra-low noise, high headroom analog mixer
  • 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
  • 4 studio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental sound
  • Neo-classic “British” 3-band EQs for warm and musical sound
  • New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
  • Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver included
  • Revolutionary energyXT2.5 Compact BEHRINGER Edition music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
  • 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
  • Clip LEDs, mute/alt 3-4, solo and PFL functions on all channels
  • 2 subgroups with separate outputs for added routing flexibility
  • 2 multi-functional stereo aux returns with flexible routing
  • Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and 2-track outputs
  • Control room/phones outputs with multi-input source matrix
  • Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
  • “Planet Earth” switching power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Rack mount brackets included for ultimate flexibility
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

 

Weight 3.00 kg

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Quick Comparison

BEHRINGER Xenyx X1204USB 12-Input 2/2-Bus USB/Audio Interface Mixing Console removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeDYNACORD CMS 1000-3 Sound Desk 10 Channels removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo remove
NameBEHRINGER Xenyx X1204USB 12-Input 2/2-Bus USB/Audio Interface Mixing Console removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeDYNACORD CMS 1000-3 Sound Desk 10 Channels removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo remove
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SKUE005384149.049GB2 16CHE009271E005126SPIRIT EPM6
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Price 239.90 incl. GR VAT 953.99 incl. GR VAT 1,456.00 incl. GR VAT 1,998.00 incl. GR VAT 46.00 incl. GR VAT 305.00 incl. GR VAT
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Description
ContentPremium 12-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor, USB/Audio Interface and energyXT2.5 Compact BEHRINGER Edition Music Production Software
  • Premium ultra-low noise, high headroom analog mixer
  • 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
  • 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound
  • Neo-classic "British" 3-band EQs for warm and musical sound
  • New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
  • Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver included
  • Revolutionary energyXT2.5 Compact BEHRINGER Edition music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
  • 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
  • Clip LEDs, mute/alt 3-4, solo and PFL functions on all channels
  • 2 subgroups with separate outputs for added routing flexibility
  • 2 multi-functional stereo aux returns with flexible routing
  • Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and 2-track outputs
  • Control room/phones outputs with multi-input source matrix
  • Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Rack mount brackets included for ultimate flexibility
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
 

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

    Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

    Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

    Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

    The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

    Soundcraft GB2 16 main features include:

    • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz

    MIC/LINE Input Channels
    The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
    The +48V phantom power for condenser microphones can be switched in groups of six.
    The Line Input and Channel Insert are implemented as jack sockets.
    The Gain can be controlled in the range 0-60 dB.
    The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
    Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
    With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
    2 (FX) are assiged to the two effects devices;
    2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
    2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
    MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
    Each channel offers a Signal Present and Peak LED for level control.
    The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
    All potentiometers and faders are high-quality components from ALPS.
    Stereo MIC/LINE Input Channels
    The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
    Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
    The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
    Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
    Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
    MASTER
    In the Master Section, too, the CMS3 mixers are lavishly equipped.
    The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
    The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
    The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
    The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
    The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
    A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
    DIGITAL USB 2.0 AUDIO INTERFACE  
    The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
    For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
    PC MIDI Interface
    The CMS3 also offers a fully-featured PC MIDI interface.
    The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
    Professional Effects, OLED Display and Processing Menus
    The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
    Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
    The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
    Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
    Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
    The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
    Processing Menus
    For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
    Innovative Solution for Protection and Transportation
    Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
    For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
    Accessories
    For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
    Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

    • Premium ultra low-noise, high headroom analog mixer
    • State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
    • Neo-classic "British" 2-band EQ for warm and musical sound
    • Main mix, stereo CD/tape plus separate headphone outputs
    • CD/tape inputs assignable to headphone output or main mix outputs
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    Low-cost high-performance mixers Key Features
    • 6 Mono & 2 Stereo Input Channels
    • 6x GB30 Microphone Preamplifiers
    • Recording and Live Sound Audio Console
    • Compact Mobile Enclosure
    The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
    Total # Of Inputs 6x Mono 2x Stereo
    Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
    Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
    In-Line Inputs/Returns No
    AUX Sends 2x Aux Sends
    AUX Returns No dedicated returns
    Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
    BUS (Group) Outputs Stereo Output Only
    2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
    ALT I/O No
    Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
    EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
    Solo/Mute All Input Channels
    Channel Level Control 100 mm Faders
    Trim/Gain Control Rotary Potentiometers
    Phantom Power +48 V Phantom
    Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
    Frequency Response 20 Hz to 20 kHz +/-1.5 dB
    Dynamic Range Not specified by manufacturer
    Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
    Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:
    Weight3.00 kg20.00 kg32.00 kg9.20 kg0.55 kg5.20 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 3.00 kg
    Weight 20.00 kg
    Weight 32.00 kg
    Weight 9.20 kg
    Weight 0.55 kg
    Weight 5.20 kg