BEHRINGER Xenyx X1622USB 16-Input 2/2-Bus USB/Audio Interface Mixing Console

273.00 incl. GR VAT

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Premium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor, USB/Audio Interface and energyXT2.5 Compact BEHRINGER Edition Music Production Software Premium ultra-low noise, high headroom analog mixer 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 4 studio-grade compressors with super-easy “one-knob” functionality and control LED for professional […]

 

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Premium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor, USB/Audio Interface and energyXT2.5 Compact BEHRINGER Edition Music Production Software
  • Premium ultra-low noise, high headroom analog mixer
  • 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
  • 4 studio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental sound
  • Neo-classic “British” 3-band EQs with semi-parametric mid band for warm and musical sound
  • New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
  • Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver included
  • Revolutionary energyXT2.5 Compact BEHRINGER Edition music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
  • Channel inserts on each mono channel for flexible connection of outboard equipment
  • 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
  • Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
  • 2 subgroups with separate outputs for added routing flexibility; 2 multi-functional stereo aux returns with flexible routing
  • Main mix outputs with ¼” jack and gold-plated XLR connectors, separate control room, headphones and stereo rec outputs
  • Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs
  • Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
  • “Planet Earth” switching power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Rack mount brackets included for ultimate flexibility
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

 

Weight 5.00 kg

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Quick Comparison

BEHRINGER Xenyx X1622USB 16-Input 2/2-Bus USB/Audio Interface Mixing Console removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT GB2 32CH 32-Channel Multi-Purpose Mixing Console removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT EPM 8 Mixing Desk 8 mono(mic-line-insert)/ 2 stereo remove
NameBEHRINGER Xenyx X1622USB 16-Input 2/2-Bus USB/Audio Interface Mixing Console removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT GB2 32CH 32-Channel Multi-Purpose Mixing Console removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT EPM 8 Mixing Desk 8 mono(mic-line-insert)/ 2 stereo remove
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SKUE005386SPIRIT LX7 16CH MKIIE003071GB2 32CH149.049SPIRIT EPM8
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Description
ContentPremium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor, USB/Audio Interface and energyXT2.5 Compact BEHRINGER Edition Music Production Software
  • Premium ultra-low noise, high headroom analog mixer
  • 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
  • 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound
  • Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound
  • New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
  • Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver included
  • Revolutionary energyXT2.5 Compact BEHRINGER Edition music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
  • Channel inserts on each mono channel for flexible connection of outboard equipment
  • 2 aux sends per channel: 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)
  • Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
  • 2 subgroups with separate outputs for added routing flexibility; 2 multi-functional stereo aux returns with flexible routing
  • Main mix outputs with ¼" jack and gold-plated XLR connectors, separate control room, headphones and stereo rec outputs
  • Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs
  • Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Rack mount brackets included for ultimate flexibility
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
 

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:

  • 32 channel frame size
  • 12 busses
  • 2 full feature stereo channels
  • 2 stereo returns (on stereo channels)
  • 6 Aux sends
  • 4 sub groups (paired)
  • 6x2 output matrix
  • GB30 mic preamp and precision equalisation circuitry
  • Direct outputs on every channel
  • Talkback facility
  • 100mm faders
  • Switchable 48V phantom powering on every channel
  • 100Hz high pass filter
  • 12-segment LED metering
  • Record output
  • Width: 1247mm (49.09“)
  • Weight: 30kg (66.1lbs)

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
    • Frame sizes 8+2
    • 2 configurable auxiliary buses
    • XLR-type and Ό� metal jack connector sockets
    • RCA phono stereo playback inputs and record outputs
    • 3-band EQ with a swept mid on mono inputs
    • 2-band EQ on stereo inputs
    • TRS insert sockets and inserts on all mono inputs and mix output
    • Ten-segment LED output metering
    • Intuitive and comprehensive solo system
    • Headphone output
    • Easily rack mountable
    Weight5.00 kg18.20 kg12.00 kg37.00 kg20.00 kg4.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 5.00 kg
    Weight 18.20 kg
    Weight 12.00 kg
    Weight 37.00 kg
    Weight 20.00 kg
    Weight 4.00 kg