| Content |
Ultra-flexible and easy-to-use zone mixer with remote control ports for commercial sound systems and fixed installation applications
6 ultra-low noise Mic/Line inputs with Gain control, -20 dB Pad, Level/Clip indicator, +48 V phantom power and bus-assign switches
2 selectable high-headroom stereo inputs with mono/stereo switch
Channel 1 provides variable threshold to enable automatic bus mute for announcements, etc.
3 assignable outputs (Left, Right and Aux) with individual Master controls and 5-segment LED meters
Ultra-musical 4-band master EQ and global microphone low-cut filter for perfect sound adjustment
Left, Right, Aux and Mute bus links available including Master/Slave switch for connecting multiple units
Remote master Left/Right level control port for ultimate flexibility
Select switch for routing microphone bus post remote control
Integrated channel muting system with Priority select
All inputs/outputs on Euro-type connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
| Rane Commercial SM26S Six-Channel Rackmountable Splitter/Mixer
Rane Commercial SM 26S Overview
The Rane SM26S is a unique, dual purpose mixer capable of mixing audio signals and distributing audio via any of the 6 outputs. There are 6 balanced mono inputs and outputs complete with gain and pan control. Pan controls place the channel's signal into the stereo field. As a splitter, the Pan controls assign which output channels distribute incoming signal. There is a separate Left and Right stereo input for incoming signals when using the SM26S as a splitter mixer. Also featured are stereo (Left/Right)"Expand" Output for cascading multiple SM26S. There is no maximum limit as to how many SM26S can be linked.
The Rane SM26S is capable of mixing and distributing signals out of 6 mono outputs. There are 6 mono inputs and 6 mono outputs, 2 sets of stereo (L/R) outputs and a set of stereo (L/R) inputs. Both a mixer and audio distributer, the Rane SM26S is flexible and versatile enough for any sound reinforcement application.
The SM26S features balanced 1/4" TRS phone inputs and outputs for maximum gain and lower noise floor.
PAN pots are featured on channels 1-6 and control stereo placement of audio when the SM26S mono inputs are in use. As a splitter, the PAN control may be used to assign which outputs distribute the incoming stereo signal.
The external power supply is effective in reducing noise created by "dirty" AC power and bad grounds.
| Total # Of Inputs |
8 - Active Balanced 1/4 TRS" Phone Inputs:
Mono channels 1-6
Stereo Input (Left/Right) |
| Output |
8 - Active Balanced TRS 1/4" TRS Phone Outputs:
Mono channels 1-6
Mix Output (Left/Right)
Expand Out:
Stereo Output (Left/Right) |
| Monitor/Headphone Out |
No |
| Impedance |
Inputs: 20 kOhms
Outputs: 200 Ohms |
| Gain |
Overall Gain Range - Off to +12 any input to any output |
| THD & Noise |
0.006 limit = .002% +4dBu, 20-20kHz unity gain |
| Frequency Response |
10Hz - 56kHz +0/-3 dB |
| Metering |
No |
| Controls |
Rotary Pots:
Channel Gain (ch 1-6)
Mix/Pan (ch 1-6)
Master Output
Master Input
Power Switch |
| Phantom Power |
No |
| Power |
18-24VAC w/center tap 300mA Max Current |
| Dimensions |
1.75 x 19 x 5.3" (4.4 x 48.3 x 13.5cm) |
| Weight |
9lbs (4.1kg) |
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- Professional 5-channel ultra-low noise DJ mixer with stylish, black design
- State-of-the-art 24-bit digital effects with advanced parameter control
- Intelligent dual auto-BPM counter with time and beat sync display
- Super-smooth ULTRAGLIDE faders with up to 500,000 life cycles
- Awesome adjustable XPQ stereo surround effect
- VCA-controlled crossfader for utmost reliability and smooth audio performance
- Adjustable crossfader curve for all mixing styles
- 3-band kill EQ (-32 dB) and precise level meters with peak hold function per channel
- Additional 3-way kill switches with extremely steep frequency separation
- Monitor function with master/cue balance control and split option
- Auto-talkover function with separate depth control
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Need an analog DJ mixer for your dance club? Donʼt want to settle for some run-of-the-mill DJ desk youʼll outgrow in just a few weeks? The new PRO MIXER DJX750 DJ Mixer merges intuitive operation with built-in digital effects processing for clean, transparent sound that will set your dance floor on fire! Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fine-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette.
Not Just a DJX700 Dressed in Black!
DJs the world over love the DJX700 — and we are grateful that so many have made it their "go-to” mixer. So when we began design on the DJX750, we knew we had to do something very special. We started by revving up the FX processor and putting advanced parameter control right at your fingertips.
No longer are you confined to rigid presets that limit your creativity. With the DJX750, you can change FX parameters on-the-fly, pushing your performance to the next level. In no time youʼll be creating powerful sets with your own custom-tailored effects sounds, all of which can be controlled in real-time. Some parameters at your disposal include Bit Crusher depth, manual filter sweeps, Panning (LFO Rate), delay/echo time and much more. You can even set delay and echo timing relative to the internal BPM counter for extremely musical results. It is kinda like a DJX700 — but one on steroids!
Really good digital effects add the finishing touch to a solid performance, and ours are really good! With 33 outstanding effects to choose from, including an assortment of Phase Shifters, Flangers, Reverbs, Delays and more, your audience wonʼt know what hit them. There are even Auto Filter and Voice Changer effects that will take your show to a whole new level.
Channels Galore Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fi ne-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette. The DJX750ʼs stereo channelsʼ EQ utilize the same frequency centers with a boost of up to 12 dB and a cut of as much as -32dB. These channels are equipped to handle every conceivable input source — from line level, phono, CD and tape decks to mp3 and minidisk players, weʼve got you covered.
Auto DuckingDJX750ʼs talkover function automatically detects your voice and brings down the volume of the music track (referred to as "ducking”), so your voice is always out front — you can even set this level to your own personal preference. Auto BPM Counter Syncʼing up tracks is an art unto itself — thatʼs why we gave the DJX750 dual Auto BPM Counters. This cool feature helps take the guess work out of making a smooth transition from one track to the next. Each BPM counterʼs digital display shows which channel it is tracking and the tempo of the music in beats per minute. Optionally, you can push the Beat Assist button in time with the song to manually enter the tempo. You get a read out of the tempo diff erence between the tracks, as well as a visual confirmation when they are in sync. These tools will help you seamlessly align two tracks — without having to rely solely on your ears.
Crossfader & Channel FadersAll of our super-smooth faders are of the high-grade 45-mm ULTRAGLIDE variety. Faders are, after all, the heart and soul of every mixer, and with their 500,000 cycle life expectancy (thatʼs 275 fades per night, per fader for five years without a break!), they outperform standard faders more than twenty-to-one. And since the crossfader uses VCA (Voltage Controlled Amplifi er) technology, there is virtually no audio noise. For those of you who prefer customized crossfading, the DJX750 also includes our CF Curve control, which lets you set the crossfaderʼs control characteristic just the way you like it. It is, after all, your show!
XPQ 3DMaking music larger than life is what itʼs all about and the DJX750 comes through on this in a big way. XPQ 3D Surround widens the stereo field, giving it immense depth and a stereo image that is full of life, with amazingly transparent sound. You determine the intensity of this stunning effect with a simple twist of the Surround control — from barely noticeable to supremely spectacular.
Sound QualityNone of the above-mentioned features would amount to much if the DJX750 didnʼt sound truly remarkable. Thatʼs why we equip each one with our tried-and-true ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, extremely low noise and ultra-transparent sound. Compare it to the competition for sound quality, features and value and youʼll see why more and more DJs "own the night” with their BEHRINGER DJX750.
Monitor Multi-tasking You canʼt put on much of a show if you canʼt hear what youʼre mixing! Thatʼs why we didnʼt cut any corners on DJX750ʼs monitor section. When the monitor Mode switch is in the "Split” position, you hear the PFL (Pre-Fader Level) output on the left side of your phones, and the Master signal on your right. If you prefer working in "Stereo” mode, you can turn the MIX control fully counterclockwise to hear the channel PFL signal in both sides of your headphones, fully clockwise for the Master output, or you can "mix” both signals by adjusting the control to anywhere in-between. You can listen to one or multiple sources, and LEDs light up to indicate what youʼre listening to.
| 3 discreet Bluetooth® registered inputs with individual volume controls and antennas Pairing buttons and status LEDs (blue) for each ®registered input Class compliant USB Audio for Record and Playback 3.5mm line input (disconnects USB input audio) Pre-fader signal LEDs (green) on each channel Source selector for solo monitoring or Mix All Mode Shelving Bass and Treble Mix EQ Master volume control with 3-color LED (green, yellow, red) Power LED (yellow) XLR line output (+20 dBuBalanced) 20W mono Class-D amplifier |
A professional mixer offering two digital effect units and a 2 x 300 watts power amplifier to be used in entertainment and multimedia applications. Whether it is being used as mobile DJ-mixer, by a rental company, in a clubhouse, a hotel, a club / bistro, or in the party cellar at home: the comprehensive set of features and professional audio quality of the MP-7 Entertainment System also solves your sound reinforcement problem.
Maximum Midband Output Power, 1 kHz, THD = 1%: - into 4 ohms 2 x 340 W into 8 ohms 2 x 200 W Rated Output Power, 20Hz… 20 kHz, THD =0.2%: - into 4 ohms 2 x 300 W into 8 ohms 2 x 150 W Maximum Output Voltage of the power amplifier, no load THD @ 1 kHz, MBW=80kHz 43 Vrms MIC input to Main L/R output, +16 dBu 90 dB Channel seperation > 70 dB Input Sensitivity, all level controls in max. position: - MIC input -74 dBu (155µV) Line Input (Mono) -54 dBu (1.55 mV) CD/MD Line Input (Stereo) -24 dBu (49 mV) Phone Input (Stereo) -61.5 dBu (652 µV) Power Amplifier Input +6 dBu (1.55 V) Maximum Level, mixing desk: - MIC inputs +11 dBu Line inputs +30 dBu All other inputs +20 dBu Record Send output +14 dBu All other outputs +20 dBu Input Impedances: - MIC 1.8 kohms All other inputs > 10 kohms Output Impedances: - Record Send 1 kohms Phones 47 ohms All other outputs 75 ohms Equivalent Input Noise, MIC Input, A-weighted 150 ohms -130 dBu Noise, Channel inputs to Main L/R outputs, A-weighted: - Master fader down -104 dBu Master fader 0 dB, Channel fader down -91 dBu Master fader 0 dB, Channel fader 0 dB, Channel gain unity -84 dBu Signal/Noise-Ratio, power amplifier, A-weighted 105 dB Equalization STEREO: - LO Shelving +9/-30 dB / 60 Hz MID Peaking +9/-30 dB / 2.4 kHz HI Shelving +9/-30 dB / 12 kHz Equalization MIC: - LO Shelving ±15 dB / 60 Hz MID Peaking ±12 dB / 2.4 kHz HI Shelving ±15 dB / 12 kHz Master EQ, 2x7-band, Stereo ±10 dB Phantom Power, all MIC Inputs +24V dc Lamp +12V dc Power Requirements, factory preset, 50Hz....60Hz 100V/120V/230V/240V Power Consumption at 1/8 maximum output power 4 ohms 450 W Dimensions, (WxHxD), mm 455,5 x 175,8 x 340.6 Weight, including lid 13 kg Optional Rack-Mount-Kit MP7
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MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units. |
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