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The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface.
The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is possible that a BLU-10 could replace a more expensive proprietary touch screen solution where simpler control interfacing is required.
As with the Soundweb 9010, up to 100 control ʽpagesʼ of virtually any Soundweb London DSP parameter can be constructed, with the ability to create ʽfoldersʼ for nested pages. Access to specific pages or folders can be restricted with the used of password protection, so that only engineers or key employees can adjust critical system parameters.
Each page can hold up to eight different functions and with navigation being carried out entirely by a page list, all of these functions can be assigned to real parameters rather than functioning as page transitions.
Programming the BLU-10
Soundweb users will be familiar with the simple drag-and-drop programming interface, and the BLU-10 interface is very similar. Once the menu pages have been created, operation of the pages can be tested using the special simulation mode, which emulates how the controller will work when in use. This allows menu structures to be checked before the system goes live.
The BLU-10 connects into a Soundweb London network via its Ethernet port, either directly into the rear of a rackmount device such as the BLU-16 with a Cat 5 crossover cable or with a standard Cat 5 cable into an Ethernet switch. The unit is powered either using the terminals on the rear, accepting a range of 12V - 48V DC or with IEEE802.3af Power Over Ethernet (POE).
Mechanical Installation
The BLU-10 mounts in a standard US 3-gang wallbox (available from BSS Audio) using the screws provided with the unit. |
The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.
The dbx 530\'s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\'s ?On? switch.
Load up your 500 Series rack with dbx 530 Parametric EQs and cut your way through mixes like an audio surgeon! |
Κάρτα τεσσάρων εξόδων line για τα BLU-80, BLU-32, BLU-16.
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AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
| WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
- Wireless Digital Audio Receiver System
- Operating Band ISM 2.4GHz (free band).
- One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
- GFSK digital modulation/demodulation.
- External antenna can help to increase the transmission distance.
- Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
- Automatic mute in bad channel quality conditions or high error code rate.
- Transmission distance higher than 30 meters in open places.
- Up to three transmitters WDT 24 in a zone
- Balanced XLR and unbalanced ¼\'\' jack outputs
- Working mode: stereo or mono
Power Supply |
AC 9V-500 mA 50/60 Hz |
Frequency |
2404-2476MHz |
Channel |
25 |
Modulation/Demodulation |
GFSK |
Receive Sensitivity (WDR 24) |
-84dBm (min.) |
Transmitted Power (WDT 24) |
6 dBm |
Output Level (WDR 24) |
+13dBu (BAL max.) |
Input Level (WDT 24) |
+5dBu (max.) |
Bandwidth |
>=1.8 MHz |
Frequency Response |
20Hz - 20kHz, +3dB / -3dB |
S/N |
>80 dB |
Dynamic Range @ 1 kHz |
>90 dB |
Crosstalk @ 1kHz |
>90 dB |
THD |
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The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).
The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.
The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.
The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.
Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan Connectors 2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements 90~240VAC, 50/60Hz, 150W
System Requirements Mac OS X 10.5.8 and above
Dimensions (WxDxH) 19 x 11.5 x 3.5" (483 x 292 x 89mm)
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