The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface. The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is […]
The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface.
The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is possible that a BLU-10 could replace a more expensive proprietary touch screen solution where simpler control interfacing is required.
As with the Soundweb 9010, up to 100 control ʽpagesʼ of virtually any Soundweb London DSP parameter can be constructed, with the ability to create ʽfoldersʼ for nested pages. Access to specific pages or folders can be restricted with the used of password protection, so that only engineers or key employees can adjust critical system parameters.
Each page can hold up to eight different functions and with navigation being carried out entirely by a page list, all of these functions can be assigned to real parameters rather than functioning as page transitions.
Programming the BLU-10
Soundweb users will be familiar with the simple drag-and-drop programming interface, and the BLU-10 interface is very similar. Once the menu pages have been created, operation of the pages can be tested using the special simulation mode, which emulates how the controller will work when in use. This allows menu structures to be checked before the system goes live.
The BLU-10 connects into a Soundweb London network via its Ethernet port, either directly into the rear of a rackmount device such as the BLU-16 with a Cat 5 crossover cable or with a standard Cat 5 cable into an Ethernet switch. The unit is powered either using the terminals on the rear, accepting a range of 12V – 48V DC or with IEEE802.3af Power Over Ethernet (POE).
Mechanical Installation
The BLU-10 mounts in a standard US 3-gang wallbox (available from BSS Audio) using the screws provided with the unit.
Weight
1.00 kg
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The original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface.
The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is possible that a BLU-10 could replace a more expensive proprietary touch screen solution where simpler control interfacing is required.
As with the Soundweb 9010, up to 100 control ʽpagesʼ of virtually any Soundweb London DSP parameter can be constructed, with the ability to create ʽfoldersʼ for nested pages. Access to specific pages or folders can be restricted with the used of password protection, so that only engineers or key employees can adjust critical system parameters.
Each page can hold up to eight different functions and with navigation being carried out entirely by a page list, all of these functions can be assigned to real parameters rather than functioning as page transitions.
Programming the BLU-10
Soundweb users will be familiar with the simple drag-and-drop programming interface, and the BLU-10 interface is very similar. Once the menu pages have been created, operation of the pages can be tested using the special simulation mode, which emulates how the controller will work when in use. This allows menu structures to be checked before the system goes live.
The BLU-10 connects into a Soundweb London network via its Ethernet port, either directly into the rear of a rackmount device such as the BLU-16 with a Cat 5 crossover cable or with a standard Cat 5 cable into an Ethernet switch. The unit is powered either using the terminals on the rear, accepting a range of 12V - 48V DC or with IEEE802.3af Power Over Ethernet (POE).
Mechanical Installation
The BLU-10 mounts in a standard US 3-gang wallbox (available from BSS Audio) using the screws provided with the unit.
Overview
Dial in YOUR mix exactly as YOU want it, in Real Time.
Supports up to 60 PMC16s on a Single BLU Link Ring
Built-In Sturdy Mic Stand Mount
USB Port for Firmware Updates
Wireless 5.8 GHz Stereo Transmitter
For wireless transmission of a stereo audio signal
Maximum range: 30 m
One transmitter can be paired with up to 8 receivers
Inputs: 2x XLR female or 2x 6.3 mm jack (unbalanced)
Switch for mono/stereo operation
Volume control
Dimensions without antenna (L x W x H): 115 x 105 x 45 mm
Includes external power supply DC 12 V / 1 A (plus inside) and mounting bracket
For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510!
The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520!
WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Transmitter System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
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