BSS BLUCARD-IN 4 analog input mic/line card for Soundweb

mic/line for the BLU-80, BLU-32, BLU-16.

INPUT:    4 balanced +4dBu/50kΩ on female XLR connectors; 4 unbalanced 1Vpp/50kΩ on RCA connectors.
OUTPUT:    4 unbalanced 1Vpp/49Ω on RCA connectors; 4 balanced +4dBu/49Ω on male XLR connectors.
MAX. OUTPUT:    18Vpp.
BANDWIDTH (-3dB):    30kHz.
S/N RATIO:    Better than 89dB.
THD:    Less than 0.02%.
POWER SOURCE:    115-230V AC, 50/60Hz, 3.7VA.
DIMENSIONS:    19" x 7" x 1U W, D, H, rack mountable.
WEIGHT:    2.4kg (5.3lbs) approx.
ACCESSORIES:    Power cord.

Product Features:

16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

KLARK TEKNIK AES50

KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners

User's Manual

SPECIFICATIONS
Input: Coaxial RCA digital audio, PCM stereo or Dolby Digital
Output: Left and Right RCA analog
Frequency Response: 20Hz to 20kHz, (+/- 0.5 dB)
THD: 0.025%
Power Requirement: Input: 100V~240V AC, Output: 5V DC (use Xantech supplied power supply only)
Dimensions (W x H x D):
Unit: 4-3/4” x 1” x 1-15/16” (119 x 25 x 48 mm)
Single pack carton: 7-1/4” x 3-1/2” x 6-1/2” (185 x 85 x 165 mm)
Weight:
Unit: 0.25 lbs (0.12 kg)
Single pack carton: 0.85 lbs (0.40 kg)

WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.

The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.

• Wireless Digital Audio Transmitter System
• Operating Band ISM 2.4GHz (free band).
• One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
• GFSK digital modulation/demodulation.
• External antenna can help to increase the transmission distance.
• Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
• Automatic mute in bad channel quality conditions or high error code rate.
• Transmission distance higher than 30 meters in open places.
• Up to three transmitters WDT 24 in a zone
• Balanced XLR and ¼\'\' jack inputs.
• Working mode: stereo or mono

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