BSS BLUCARD-IN 4 analog input mic/line card for Soundweb

mic/line for the BLU-80, BLU-32, BLU-16.

The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.

Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting.

Product Features:

    16-channel digital stereo mixer to create your personal monitor mix
    Ultra-intuitive \"analog\" operation with total recall and 16 presets for custom mixes
    State-of-the-art 24-bit D/A converters for premium audio quality
    16 Channel Select buttons with dual LEDs for perfect overview
    Level and Pan/Spread control per channel with LED meter
    3-band EQ per channel with mid-band frequency control
    Solo and Mute functions per channel
    Global Level and EQ controls plus Panic Mute function
    High power and \"drummer proof\" headphones output
    Fully adjustable limiter protects your ears and headphones
    Additional mono/stereo line output to connect your powered monitor
    MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc.
    Standard CAT5e connection delivers power and 16 signals to each Personal Mixers
    ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D)
    Ultra-low system latency of less than 1 millisecond
    Powered via external power supply (included) or P16-I / P16-D
    Mounts easily on a mic stand with the P16-MB mic stand mount (not included)
    Extremely rugged construction ensures long life even under the most demanding conditions
    Conceived and designed by BEHRINGER Germany

 User\'s Manual

The MULTIGATE PRO XR4400 provides four frequency-selective expanders/noise gates in a single rack space. Each section comprises an ultra-fast gate, a program dependent expander, a filter section and precision meters indicating both threshold point and gain reduction.

The included side chain parametric filters allow the user to fine-tune control signals so that the gate reacts only when required. The Interactive Attack Control (IAC) circuit analyzes the program material to calculate the attack time of the gate. Separate hold and release controls offer additional flexibility. The XR4400 has a switchable operating mode for the gate and expander. With the MODE function off, the unit works in gate mode using an extremely fast attack time, thus preserving the transient details of the program material. In expander mode, the device analyzes the shape and dynamic contents of the input signal to calculate the control time parameters. The result is that vocals, instruments and complex mix signals can be cleaned up without audible clicks or other detrimental effects.

A couple function on the XR4400 provides a great deal of flexibility to link the expander/gate sections in a master/slave configuration.

Product Features:

16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

KLARK TEKNIK AES50

KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners

User's Manual

• Wireless Digital Audio Receiver System
• Operating Band ISM 2.4GHz (free band).
• One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
• GFSK digital modulation/demodulation.
• External antenna can help to increase the transmission distance.
• Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
• Automatic mute in bad channel quality conditions or high error code rate.
• Transmission distance higher than 30 meters in open places.
• Up to three transmitters WDT 24 in a zone
• Balanced XLR and unbalanced ¼\'\' jack outputs
• Working mode: stereo or mono