Κάρτα τεσσάρων εξόδων line για τα BLU-80, BLU-32, BLU-16.
For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510!
An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
Features
3 Music Source Inputs individually selectable to each output
One Input Source with Override facility (Jukebox or Auto Announcer)
5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones
Can be expanded interlink of two or more MS520 units
Full Digital Matrix control of functions to all 5 zones
Up to 10 remote control panels RC 62 can be connected to each MS 520
AMPLIFIER SPECIFICATIONS
Power output:
5 x 20
Watt rms
Frequency Response (Music):
30 ÷ 45
Hz ÷ kHz
Frequency Response (Direct):
30 ÷ 45
Hz ÷ kHz
Frequency Response (Paging):
200 ÷ 18
Hz ÷ kHz
Distortion:
0.5
%
Signal / noise ratio (Music):
-78
dB
Signal / noise ratio (Direct):
-78
dB
Signal / noise ratio (Paging):
-60
dB
INPUT SECTION
Input sensitivity (Music):
-16
dBu
Input sensitivity (Direct):
-16
dBu
Input sensitivity (Paging - Line):
- 43 ÷ -27
dBu
Input sensitivity (Paging - Mic):
- 58 ÷ -41
dBu
Bass Tone:
(100 kHz) ± 8
dB
Treble Tone:
(12.5 kHz) ± 8
dB
OUTPUT SECTION
Out level:
-6 / -10
dB
Protections:
Short ciurcuit, thermal, AC / DC fuses
Power supply:
16
V dc
POWER REQUIREMENT
Operating voltage:
220÷240 / 110÷120 V ~ 50 / 60 Hz
V ~ Hz
Power (consumption):
370
W
Max. Available power:
100
W
PHISICAL SPECIFICATION
Width:
438 / 17.24
mm/inch
Height:
44 / 1.73
mm/inch
Depth:
253 / 9.96
mm/inch
Net Weight:
3.66 / 8.06
Kg/Lbs
SHIPPING INFORMATION
Package height:
75 / 2.95
mm/inch
Package width:
520 / 20.47
mm/inch
Package depth:
280 / 11.02
mm/inch
Shipping Weight:
4.18 / 9.21
Kg/Lbs
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.
Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting.
The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).
The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.
The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.
The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.
Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan Connectors 2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements 90~240VAC, 50/60Hz, 150W
System Requirements Mac OS X 10.5.8 and above
Dimensions (WxDxH) 19 x 11.5 x 3.5" (483 x 292 x 89mm)
WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Transmitter System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
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