Meet the Ball, the latest addition to our award-winning family of hand-built microphones. So-named for its unique shape and inimitable Blue styling, The Ball is our first offering in the dynamic mic category. But a phantom-powered dynamic? Yes. And no. Most recordists know that conventional dynamic mics do not require external DC power. Rather, they […]
Meet the Ball, the latest addition to our award-winning family of hand-built microphones. So-named for its unique shape and inimitable Blue styling, The Ball is our first offering in the dynamic mic category. But a phantom-powered dynamic? Yes. And no. Most recordists know that conventional dynamic mics do not require external DC power. Rather, they employ a relatively simple circuit and derive their output voltage through electromagnetic induction. While this makes them rugged, reliable and easier to operate than their electrostatic counterparts, they also present the user with a unique set of problems. Chief among these is frequency-dependent variable resistance which has dramatic effects on the transducer?s acoustic balance, phase coherence, noise specification and overall output. Our engineers solved this problem by incorporating a phantom-powered proprietary active balancing circuit in the Ball?s output stage. This circuit maintains a constant pure-resistive 50-ohm load across the useable frequency spectrum yielding an exceptionally smooth and open sound previously unheard of in a dynamic microphone. Additionally, as a dynamic mic, the Ball is capable of handling extremely high sound pressure levels without distortion, making it the ideal choice for studio, stage, broadcast, film or any other applications where reliability, versatility and the utmost sound quality is required.
SPECS: Year Introduced: 2003 Operating Principal: Dynamic transducer with active“Class-A” phantom-powered solid-state circuitry Polar Pattern: Cardioid Frequency Response: 35Hz – 16kHz Sensitivity: 3.5mV/Pa at 1kHz, 1 Pa = 94dB SPL Output Impedance: 50? Recommended Load Impedance: 2k? Maximum SPL: 146 dB SPL (2k? load at 1% THD) Output Noise Level: 18 dB-A Power Requirement: 48V DC Phantom Power Current Draw: 2.5 mA
Weight
0.50 kg
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Meet the Ball, the latest addition to our award-winning family of hand-built microphones. So-named for its unique shape and inimitable Blue styling, The Ball is our first offering in the dynamic mic category. But a phantom-powered dynamic? Yes. And no. Most recordists know that conventional dynamic mics do not require external DC power. Rather, they employ a relatively simple circuit and derive their output voltage through electromagnetic induction. While this makes them rugged, reliable and easier to operate than their electrostatic counterparts, they also present the user with a unique set of problems. Chief among these is frequency-dependent variable resistance which has dramatic effects on the transducer?s acoustic balance, phase coherence, noise specification and overall output. Our engineers solved this problem by incorporating a phantom-powered proprietary active balancing circuit in the Ball?s output stage. This circuit maintains a constant pure-resistive 50-ohm load across the useable frequency spectrum yielding an exceptionally smooth and open sound previously unheard of in a dynamic microphone. Additionally, as a dynamic mic, the Ball is capable of handling extremely high sound pressure levels without distortion, making it the ideal choice for studio, stage, broadcast, film or any other applications where reliability, versatility and the utmost sound quality is required.
SPECS: Year Introduced: 2003 Operating Principal: Dynamic transducer with active“Class-A" phantom-powered solid-state circuitry Polar Pattern: Cardioid Frequency Response: 35Hz - 16kHz Sensitivity: 3.5mV/Pa at 1kHz, 1 Pa = 94dB SPL Output Impedance: 50? Recommended Load Impedance: 2k? Maximum SPL: 146 dB SPL (2k? load at 1% THD) Output Noise Level: 18 dB-A Power Requirement: 48V DC Phantom Power Current Draw: 2.5 mA
The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
Professional-quality reproduction for drum, percussion, and instrument amplifier miking
Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
Pneumatic shock-mount system cuts down handling noise
Extremely durable under the heaviest use
Frequency response: 40 to 15,000 Hz
Frequency Range
40 Hz to 15 kHz
Impedance
150 Ohms
Load Impedance
310 Ohms
Sensitivity
56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color
Gray
Mounting
5/8"-27 Female, Mic Clip (Included)
Construction Material
Steel, Steel Wire Grille
Dimensions
ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight
10.02 oz / 284 g
The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.
New volume control knob allows musicians to adjust the volume to fit each musical situation
New rugged, dynamic cartridge with improved response
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