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The Blueberry Microphone from Blue features a precision-engineered, large-diaphragm cardioid condenser design with an open, natural response tailored especially for vocals. It can also be used for recordings with acoustic guitars, hand percussion, drums, and similar instruments. There is a pressure-gradient, large diaphragm element sputtered with a combination of gold and aluminum and a 6-micron mylar film tensioned to hand-built brass backplates for a high transient (peak) response and minimized distortion. A hand-built capsule and discrete low-noise circuitry provide detailed highs, smooth mids, and an articulated low-end. The microphone includes a wooden storage box and a shockmount.
The Blueberry imparts the commanding, intimate presence demanded from the worldʼs best vocal microphones.
With shimmering, detailed highs, neutral midrange, and minimized proximity effect (a bass boost inherent in all unidirectional mics), the Blueberry excels at delivering a vocal right to the front of the mix where it belongs.
The Blueberry is perfect for contemporary pop and rap applications because the bottom has been "scooped” out for big compression on slick vocal tracks and is ideally suited for deep limiting with your favourite plug-in or external compressor.
Acoustic guitar, hand percussion, drums, and other critical high-end sources also shine in front of the Blueberry.
- Multi-purpose mic-ideal for lead vocal, acoustic guitar, and backing vocal
- Cardioid condensor Class A discrete circuitry
- Blue\'s famous hand-built large diaphragm capsule
- Intimate sound — tight lows and mids, countoured top end for superior, airy presence in the highs
- Hand-tuned and tested
- Includes Series 2 shockmount
- Includes cherry wood storage box
- Requires +48V phantom power
Pressure-Gradient Diaphragm
Pressure-gradient, large diaphragm element sputtered with a combination of gold and aluminum
Peak Response
6-micron mylar film is tensioned to hand-built brass back plates resulting in high transient (peak) response and minimized distortion
Performance
Well-balanced response characteristics for recordings with vocal, voice-over, and acoustic instruments
Cardioid Polar Pattern
Cardioid polar-pattern effectively isolates the source signal
MZ02 Electronics
MZ02 solid-state electronics are based on Class-A circuitry for pristine, quiet output without noise or signal coloration
Wide Custom Frequency Response
Wide 20 Hz to 20 kHz frequency response, enabling use of the microphone for most recording applications
| Frequency Range |
20 Hz to 20 kHz |
| Maximum SPL |
140 dB SPL |
| Impedance |
150 Ohms |
| Load Impedance |
1000 Ohms |
| Sensitivity |
20.0 mV/Pa at 1 kHz |
| Dynamic Range |
131 dB |
| Signal-to-Noise Ratio |
86 dB A-Weighted |
| Equivalent Noise Level |
9.0 dB A-Weighted |
| THD |
0.5% |
Connectivity
| Output Connectors (Analog) |
1 x XLR 3-Pin |
Power
Physical
18.34 oz / 520 g
| Dimensions |
ø: 1.97 x L: 9.25" / ø: 50 x L: 235 mm |
| Weight |
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| Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of. |
NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range: 20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery: 2.6 kg
| AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish |
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 13 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent noise level, CCIR1) | 23 dB | | Equivalent noise level, A-weighted1) | 12 dB-A | | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 71 dB | | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 82 dB | | Maximum SPL for THD | 110 dB | | Maximum SPL for THD | 129 dB | | Maximum output voltage for THD | -1 dBu | | Dyn. range of the mic. amplifier /A-weighted, 0.5 %2)) | 98 dB | | Dyn. range of the mic. amplifier /A-weighted, 5 %2)) | 117 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 3.2 mA | | Matching connector | XLR 3F | | Weight | 825 g | | Diameter | 78 mm | | Length | 165 mm |
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal |
|
| A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
| Type |
Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone |
| Polar pattern |
Cardioid, omnidirectional, figure-eight |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
28 mV/Pa (-31 dBV) |
| Max. SPL |
135/155 dB SPL (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave, 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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