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With its unique rotating capsule, The Mouse is one of the most versatile
and snazzy-looking mics you'll ever lay eyes on. The Mouse is a cardioid
condenser which employs our hand-built single-membrane, large diaphragm
capsule. Enclosed within a rotating spherical grille, the capsule can be
positioned and adjusted in the smallest of spaces. Perfectly suited for
broadcast and voiceover work, you'll find The Mouse equally at home in front
of a kick drum, acoustic bass, electric bass amplifier, snare drum and any
other sources where accurate reproduction of low frequency transients is
desired.
Characteristics
? Polar pattern: Cardioid
? Transformer balanced Class A discrete amplifier circuit
? Blue's famous hand-built large diaphragm capsule
? Larger-than-life sound with a boost in the upper and lower frequencies and a strong presence
? Integrated suspension shockmount and rotating head for optimal placement
? Hand-tuned and tested-includes cherrywood storage box
Suggested Applications
? Broadcast Voice, Bass Guitar Amplifiers, Kick Drum & Modern Acoustic Bass
Specs:
Type: Condenser
Polar Patterns: Cardiod
Internal Roll Off: No
Internal Pad: No
Max SPL: 134db
Frequency Response: 20Hz-20Hz
Special Features: Cherrywood box, Rotating Spherical Capsule Grill
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| Variable large diaphragm microphone | | Pressure-gradient transducer with double membrane capsule | | The studio microphone classic | | Three directional characteristics: omni, cardioid, figure-8 | | Switchable low frequency roll-off | | Switchable 10 dB pre-attenuation | |
Ideal as main and as support microphone in the most differing recording situations
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, cardioid, figure-8 plus | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20/28/22 mV/Pa1) | | Rated impedance | 200 ohms | | Rated load impedance | 1 kohms | | Equivalent noise level, CCIR2) | 26/23/25 dB1) | | Equivalent noise level, A-weighted2) | 15/12/14 dB-A1) | | Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) | 68/71/69 dB1) | | Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) | 79/82/80 dB1) | | Maximum SPL for THD 0.5%3) | 117 dB (cardioid) | | Maximum SPL for THD 0.5% with preattenuation3) | 127 dB | | Maximum output voltage | 390 mV | | Dynamic range of the microphone amplifier (A-weighted) | 105 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 0.8 mA | | Matching connectors | XLR3F | | Weight | 500 g | | Diameter | 56 mm | | Length | 200 mm |
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| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohms | 18 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 21 dB | | Equivalent SPL DIN/IEC 651 | 10 dB-A | | S/N ratio CCIR 468-3 | 73 dB | | S/N ratio DIN/IEC 651 | 84 dB | | Maximum SPL for THD 0.5% | 140 dB | | Maximum output voltage | 13 dBu | | Dynamic range of the microphone amplifier DIN/IEC 651 | 130 dB | | Supply voltage | 48 V ± 4 V | | Current consumption | 3 mA | | Matching connectors | XLR 3F | | Weight | 480 g | | Diameter | 49 mm | | Length | 175 mm |
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Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
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Professional true condenser microphone for studio and live applications
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2 interchangeable capsules with cardioid and omnidirectional pickup patterns
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Low-mass gold sputtered diaphragm for ultimate sound reproduction
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Perfect for acoustic instruments, voice and overhead etc.
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Ultra low-noise transformerless FET input eliminates low-frequency distortion
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Smooth, super-wide frequency response and incredible musicality
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Switchable low-frequency roll-off and -10 dB input attenuation
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Gold-plated 3-pin XLR output connector
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Rugged construction with satin nickel-plated brass body
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Custom microphone stand adapter, windscreen and transport case included
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Manual Download |
- One-inch large-diaphragm, true condenser cardioid transducer
- Rugged all-metal body
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary AKG sound quality
- Designed and engineered by AKG in Vienna, Austria
- Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case. |
| Type |
1" Large Diaphragm True Condenser |
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
18 mV/Pa (-35 dBV) |
| Max. SPL |
135 dB/155 dB (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave at 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.
Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter
Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)
Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount
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