With a frequency range from 50Hz to 10kHz, the GEB-7 is ideal for any bass guitar, including 5-string basses. Seven bands of EQ are available, affording greater control over the crucial midrange. Nominal Input Level -20 dBu Input Impedance 1 M ohms Nominal Output Level -20 dBu Output Impedance 1 k ohms Output […]
With a frequency range from 50Hz to 10kHz, the GEB-7 is ideal for any bass guitar, including 5-string basses. Seven bands of EQ are available, affording greater control over the crucial midrange.
Nominal Input Level
-20 dBu
Input Impedance
1 M ohms
Nominal Output Level
-20 dBu
Output Impedance
1 k ohms
Output Impedance
1 k ohms
Residual Noise Level
-100 dBu (IHF-A, Typ.)
Variable Range
Equalizer Control: +/- 15 dB, Level Control: +/- 15 dB
Connectors
INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V)
Power Supply
DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw
16 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Option
AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
440 g
1 lbs.
Weight
0.44 kg
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With a frequency range from 50Hz to 10kHz, the GEB-7 is ideal for any bass guitar, including 5-string basses. Seven bands of EQ are available, affording greater control over the crucial midrange.
Nominal Input Level
-20 dBu
Input Impedance
1 M ohms
Nominal Output Level
-20 dBu
Output Impedance
1 k ohms
Output Impedance
1 k ohms
Residual Noise Level
-100 dBu (IHF-A, Typ.)
Variable Range
Equalizer Control: +/- 15 dB, Level Control: +/- 15 dB
Connectors
INPUT Jack, OUTPUT Jack, AC Adaptor Jack (DC 9 V)
Power Supply
DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw
16 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Option
AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
440 g
1 lbs.
Following up on the success and rave reviews of our newly released Vocalist® products, we decided to make a pedal with the same cool features but specifically designed for the guitarist. With our exclusive musIQ™ technology we were able to combine the lightning-fast natural sounding harmony generation made famous by the Vocalist pedals, and fuse it with the demands of professional guitarists everywhere.
HarmonyMan™ is the world's first guitar pedal that generates harmonies based on your chord progression. It features four different types of pitch shifting depending on which of the 42 different voices are selected. Combine up to two distinct voices in any combination to accompany the input signal: a 3rd or 5th above or below, an octave up, two octaves below, 24 semitones and 4 detune variations. Simply play the songs you know and love, and when the spotlight cues your solo, hit the harmony footswitch to get amazing multi-part guitar harmonies!
Features
Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
Edit, store and recall 4 memory presets.
Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
Built-in guitar tuner
Pre-harmony Distortion loop
Features
Shifting Modes
Configurations
Specifications
Features
Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
Edit, store and recall 4 memory presets.
Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
Built-in guitar tuner
Pre-harmony Distortion loop
Shifting Modes Triad Center Shifting Mode
Create musically correct harmonies based around your favorite chordal structure whether soloing a riff in a specific key or using the sidechain input for chord recognition.
Scalic Shifting Mode
Creates musically correct harmonies with various shifting depending on the harmony key.
Fixed (chromatic) Shifting Mode
Applies fixed harmony intervals to all notes with the fixed number of semitones selected.
Detune Shifting Mode
Get a thick overall sound applying a small fixed amount of pitch shifting to the lead guitar voice ranging from 5 cents to 30 cents in both up and down directions simultaneously.
Configuration Electric Guitar With Pre-Harmony Distortion and Stereo Amplifiers Add distortion to your lead and harmonies.
The Side-Chain Using Two Guitars with Pre-Harmony Distortion This configuration is used when the 2nd guitar is the source signal.
Specifications
Unit Dimensions: 9.75" x 7.9" x 3.4“ Unit Weight: 4 lbs./1.82 kg. Power Supply: 9VAC 1300mA PS0913B-120 Included Inputs: 1/4" Unbalanced Outputs: 1/4" Unbalanced Sidechain: Ground Lift Switch
The FZ-5 is a modern pedal built for the modern guitarist, but the sounds you can get from the FZ-5 are pure retro. Looking back at the glorious rock sounds of the ʼ60s and ʼ70s, the FZ-5 recreates its vintage fuzz through BOSS state-of-the-art COSM technology. Recall the fuzz-filled flavors of classic pedals such as the Maestro FZ-1A, Fuzz Face, and Octavia pedals, and kick ʼem into overdrive with the FZ-5ʼs Boost knob. BOSS' proprietary COSM technology allows guitar players to recreate classic fuzz BOOST control for more aggressive tone. The FZ-5 is the perfect weapon for players wanting to beef up their rigs with classic retro fuzz artillery.
Vintage sounds inspired by famous fuzz pedals of the ʼ60s and ʼ70s
Uses advanced COSM technology to recreate classic fuzz
BOOST control for more aggressive tone
Road-tough BOSS metal construction
Nominal Input Level
-20 dBu
Input Impedance
1 M ohm
Nominal Output Level
-20 dBu
Output Impedance
1 k ohm
Recommended Load Impedance
10 k ohms or greater
Controls
Pedal switch, LEVEL knob, FUZZ knob, MODE knob
Indicator
CHECK indicator (Serves also as battery check indicator)
Connectors
INPUT jack, OUTPUT jack, AC adaptor jack (DC 9 V)
Power Supply
DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional)
Current Draw
36 mA (DC 9 V)
Expected battery life under continuous use
Carbon: 3 hours, Alkaline: 10 hours * These figures will vary depending on the actual conditions of use.
Accessories
Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), MODE sticker, Dry Battery 006P/9V (6LR61)
Options
AC Adaptor (PSA series)
Size and Weight
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
440 g
1 lbs.
All-Time Favorite Chorus Effects, Modeled in a Single X-Series Pedal
Introducing the DigiTech CF-7 Chorus Factory. Think of it as 1-stomp shopping for all of your ultra high quality chorus needs. Besides Speed and Depth knobs, they've included a 2-in-1 concentric control that lets you tweak 2 more key parameters of each chorus effect. Add Flexible Output Mode, cast metal treadle and sleek carbon fiber finish and you have an industrial strength creative tool. If one of the best classic choruses with added control begs to be a part of your sound, you've just found the perfect pedal.
Features:
7 classic chorus effects models
Speed, depth and 2 parameter controls for each effect
Flexible output mode -- configure outputs for amp or mixer
CIT models classic speaker cabinets
Cast-metal treadle and chassis
Unique carbon-fiber look
Non-skid rubber base
Based on the Boss CH-1*
Based on the EH Small Clone*
Based on the DigiTech Multi Chorus
DigiTech, X-Series, Flexible Output Mode, DigiTech Whammy, Multi Chorus, CIT and CF-7 Chorus Factory are trademarks of Harman International Industries, Inc.
VINTAGE TUBE OVERDRIVE TO800
What's bright green and goes from 1 to 11 as fast as you can step on the “On” switch? It’s the very essence of rock ‘n’ roll, our screaming-hot VINTAGE TUBE OVERDRIVE TO800 effects pedal! The classic sound of blazing, overdriven vacuum tubes never goes out of style, and they’re at your command – when you have the VINTAGE TUBE OVERDRIVE TO800 in your effects chain
Vintage Tube-Like Tone
In order to recreate the sound of real-tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock’s most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.
Ease of Use
Dedicated Drive, Tone and Level controls let you shape the exact sound you want. The status LED tells you when this pedal is activated, and the top-quality on/off switch provides the highest signal integrity in bypass mode. You can power the TO800 via a 9 V battery or our PSU-SB DC power supply (not included).
Get vintage overdrive, smooth sustain and screaming fat tone
Perfect for guitar; great for bass and keyboards, too
Uses original 4558 IC plus MA150 distortion diodes for authentic vintage sound
Captures every nuance of your playing from smooth overdrive to screaming tube sounds
Dedicated Drive, Tone and Level controls for awesome sound shaping
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
Rugged electronic On/Off switch for noise-free operation
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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