CAMBRIDGE AUDIO CP2 Phono preamplifier Black

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254.00 incl. GR VAT

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Moving Magnet & Moving Coil Phono Preamplifier Make the most of any turntable, including the most high-end audiophile models with this Moving Magnet & Moving Coil phono preamplifier. There’s something uniquely pleasurable about listening to vinyl, something that digital media can’t reproduce in quite the same way. However most hi-fi amplifiers won’t let you plug […]

 

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Moving Magnet & Moving Coil Phono Preamplifier

Make the most of any turntable, including the most high-end audiophile models with this Moving Magnet & Moving Coil phono preamplifier.

There’s something uniquely pleasurable about listening to vinyl, something that digital media can’t reproduce in quite the same way. However most hi-fi amplifiers won’t let you plug in a turntable directly. You need to connect via a phono stage (also known as a phono preamp) to make the very small signal from the turntable powerful enough for your main amp to work with. But it’s very easy to add noise at this stage, which is why we’ve designed the CP2 using premium components chosen for exceptional accuracy, amplifying the signal without distorting it.

The CP2 works with all turntables, whichever type of cartridge they use. Like the CP1 it works with popular Moving Magnet cartridges. But it also works with Moving Coil cartridges found in the highest-end audiophile turntables offering even more accuracy and detail than Moving Magnet. Even if your amplifier does have a built-in phono stage, it’s well worth bypassing it using the CP2 to deliver much greater depth and detail.

  • Phono pre-amplifier with moving magnet (MM) and moving coil (MC) input stages
  • Balance control for fine correction of cartridge imbalance
  • Discrete transistors for the all-important input stages instead of the more common integrated circuits
  • Eco-friendly
Weight 1.00 kg

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Quick Comparison

CAMBRIDGE AUDIO CP2 Phono preamplifier Black removeFOCUSRITE ISA TWO Double Microphone Pre-amplifier with D.I. removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removePRESONUS Blue Tube DP V2 Microphone Preamplifier removeFOCUSRITE ISA 428 MKII FOUR CHANNELS MIC PREAMPLIFIER remove
NameCAMBRIDGE AUDIO CP2 Phono preamplifier Black removeFOCUSRITE ISA TWO Double Microphone Pre-amplifier with D.I. removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removePRESONUS Blue Tube DP V2 Microphone Preamplifier removeFOCUSRITE ISA 428 MKII FOUR CHANNELS MIC PREAMPLIFIER remove
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SKUCP2ISA TWOPDI-100E-PREBLUETUBE DP V2 EUISA 428 MKII
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Price 254.00 incl. GR VAT 1,197.00 incl. GR VAT 130.19 incl. GR VAT 162.49 incl. GR VAT 287.68 incl. GR VAT 2,523.00 incl. GR VAT
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Description
Content

Moving Magnet & Moving Coil Phono Preamplifier

Make the most of any turntable, including the most high-end audiophile models with this Moving Magnet & Moving Coil phono preamplifier.

There's something uniquely pleasurable about listening to vinyl, something that digital media can't reproduce in quite the same way. However most hi-fi amplifiers won't let you plug in a turntable directly. You need to connect via a phono stage (also known as a phono preamp) to make the very small signal from the turntable powerful enough for your main amp to work with. But it's very easy to add noise at this stage, which is why we've designed the CP2 using premium components chosen for exceptional accuracy, amplifying the signal without distorting it.

The CP2 works with all turntables, whichever type of cartridge they use. Like the CP1 it works with popular Moving Magnet cartridges. But it also works with Moving Coil cartridges found in the highest-end audiophile turntables offering even more accuracy and detail than Moving Magnet. Even if your amplifier does have a built-in phono stage, it's well worth bypassing it using the CP2 to deliver much greater depth and detail.

  • Phono pre-amplifier with moving magnet (MM) and moving coil (MC) input stages
  • Balance control for fine correction of cartridge imbalance
  • Discrete transistors for the all-important input stages instead of the more common integrated circuits
  • Eco-friendly

Two channel classic Focusrite ISA transformer-based preamps Front panel, per channel:

  • 1/4" instrument input
  • Variable input impedance - Low, ISA 110, Medium, High
  • Input selection - Mic, Line, Instrument
  • 0 - 30 dB/30 - 60 dB gain switch
  • Phantom power switch
  • Phase invert switch
  • 0 - 60 dB gain in 10 dB steps
  • 0 - +20 dB continuously variable trim
  • Variable high-pass filter with on/off switch
  • Insert point on/off switch
  • Eight-LED user-calibrated level meters
  • Single power switch
Rear panel, per channel:
  • XLR-F mic inputs
  • 1/4" TRS line inputs
  • 1/4" TRS Sends
  • 1/4" TRS Returns
  • XLR-M line output
  • Single peak meter calibration dial
  • Single IEC power socket
Measured Performance
Maximum Input and Output Levels
Maximum Output Level

+24 dBu with a THD+N

Maximum Microphone Transformer Input Level +7 dBu with a THD+N
Mic Input Response
Gain range 0 dB to +60 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim

Input Impedance

Switched Impedance setting
Equivalent Input Impedance at 1 kHz
Low = 600 Ω
ISA 110 = 1.4 kΩ
Med = 2.4 kΩ
High = 6.8 kΩ
EIN
(Equivalent Input Noise)
Measured at 60 dB of gain with 150 Ω
source impedance and 22 Hz-22 kHz band pass filter
-127 dB

Noise

Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu

Signal-to-Noise Ratio

Measured with 150 Ω source impedance and 22 Hz-22 kHz band pass filter 121 dB relative to max output +24 dBu

Total Harmonic Distortion + Noise

Measured with a -20 dBu input signal at +30 dB of gain and with a 22 Hz-22 kHz band pass filter

Frequency Response

At minimum gain (0 dB)

-0.5 dB at 10 Hz,
-1 dB at 135 kHz, relative to 1 kHz

At +60 dB gain

-6 dB at 10 Hz,
-1 dB at 115 kHz, relative to 1 kHz

CMRR (Common Mode Rejection Ratio)

-94 dB for mic input at 60 Hz for max. output = +24 dBu
-91 dB for mic input at 10 kHz for max. output = +24 dBu

Crosstalk Channel to Channel

Mic input, with I/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB
Line Input Response

Gain Range

-20 dB to +10 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim

Input Impedance

10 kΩ from 10 Hz to 200 kHz

Noise

Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter

-97 dBu

Signal-to-Noise Ratio

Measured with 50 Ω source impedance and a 22 Hz-22 kHz band pass filter

121 dB relative to max output +24 dBu

Total Harmonic Distortion + Noise

Measured with a 0 dBu input signal, +10 dB of gain and a 22 Hz-22 kHz band pass filter

Frequency Response

At unity gain (0 dB) -0.3 dB at 10 Hz,
-1 dB at 80 kHz, relative to 1 kHz

Crosstalk Channel to Channel

Line input, with I/P = 0 dBu, gain = 0dB
@ 1 kHz input to channel A

Channel B output
= -91 dB

Instrument Input Response

Gain Range

+10 dB to +40 dB continuously variable trim

Input Impedance

> 2 MΩ

Noise

>Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB) = -95 dBu

Frequency Response

At minimum gain (+10 dB)

-0.1 dB at 10 Hz,
-1 dB at 115 kHz, relative to 1 kHz

At maximum gain (+40 dB)

-2.5 dB at 10 Hz,
-1 dB at 110 kHz, relative to 1 kHz

High-Pass Filter

Roll-Off

18 dB per octave (3 pole filter)

Frequency Range

Continuously variable from 16 Hz to 420 Hz (-3 dB)
Weight and Dimensions

W x D x H

480 mm x 280 mm x 44 mm

Weight

3.7 kg
EWI PDI-100 PARA ACOUSTIC DI Box   This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups.  The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most discerning artists.    The on-board tone and volume controls give the operator a lot of choices in shaping their sound prior to sending the signal to the mix console.  This allows an artist to use this device in-place of or in addition to a traditional stage amp for their instrument.  This is an excellent choice for IEM bands, or bands that like to keep their stage volume low.   This item is typically used to split the instrument signal going to a stage amp so a feed can be sent also to the mix board, or be used as a stand-alone instrument pre-amp.  It is equipped with a ¼” jack for input, a 1/4" jack for output to a stage amp, one XLR jack for the send to the board and a TRS jack for inserting an FX device.Since this is an active D.I. box, it needs to be powered which can be done either with Phantom Power from the mix board, or with the supplied internal 9v battery.  The battery is fairly easy to change by removing one screw in the bottom of the case.

Features
Superlative sound
Studio quality mic preamp
Total control - Input Gain, EQ contour, Output Gain,
Overload indicator
Multiple output connectors
XLR/jack combo input 
Switchable 48 V DC Phantom Power for condenser Mics
Compact, computer friendly package
Needs no external power supply
 
ARX is proud to introduce the e-pre - the ultimate microphone pre-amp for
hard disk recording, designed by audio professionals, not computer engineers.
The all-new e-pre is so much a part of your system that it fits right into a spare
5?" slot in your computer case! It's the perfect tool for all your day-to-day
recording requirements. No equipment racks to plug in, no masses of cabling to
connect - the e-pre is ready and waiting when you need it.
The e-pre is a studio quality microphone pre-amp using the same internal components
as high end mixing consoles, built into a compact, computer friendly package.
It has controls for:
Input Gain - fully variable from 10dB through to 60dB to suit all types of microphones,
plus switchable 48 V Phantom Power to enable condenser microphones to deliver
their best.
A Contour control for EQ sweetening, providing fast, easy access to a whole range
of useful EQ curves
Output level control - fully variable to match the e-pre's output to the input of the sound
card. From -10dB consumer cards through to +4dB for professional sound cards, the
e-pre can handle it.
Multiple output connectors match up with any kind of sound card, including mini jacks,
standard jack, RCA (phono) plugs, and even a connector to link to the internal CD ROM
audio input of your sound card (if fitted).
We've even fitted a 12 VDC input connector on the rear to enable the e-pre to run from an
external power supply if required (eg for use with notebook computers or stand-alone use).

Any way you look at it, the e-pre by ARX is the total professional microphone pre-amp for
all your hard disk recording needs

e-pre Benefits
Professional Balanced XLR mic input
True 48v phantom power
Runs into the Line input of ANY sound card - uses the card you've already paid for
High headroom = clean recordings
Smart EQ
Compatible with non-computer audio equipment
Professional performance and specs in a user friendly package
 

T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance
Mic 2 K Ohms Balanced; XLR type Pin 1 Audio Ground, Pin 2 +, Pin 3-
Line 25 K Ohms Balanced, ?" TRS jack Tip +, Ring , Sleeve Audio Ground
Phantom Power Voltage Switchable +48 V DC on XLR Pins 2 and 3
Max Input Level Mic +15 dB, Line +20 dB
Input Gain 10 dB Minimum, variable to 60 dB Maximum
Output Level -10 dB variable through 0 dB to +4 dB
Overload Indicator Measured at all Gain points throughout the circuitry
Output Noise -90 dB Unweighted, -97 dB 'A' weighted
(Measured with Gain nominal 20 dB, Output level -10 dB)
Frequency Response 20 - 20 KHz ± 0.25 dB
Distortion
100 Hz 0.0085%
1 KHz 0.008%
10 KHz 0.0083%
(Measured with Mic Gain 20 dB, Output 0 dB)
Power Requirements 12 V DC from either computer supply or external supply
(external power supply not included in e-pre package)
Size 148mmW x 42mmH x 150mm D (5?“W x 1?H x 6“D)
Weight Under 1 Kilo (2.2 lbs)
 

PreSonusʼ popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.

Now weʼve improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonusʼ top-of-the-line Class A XMAX™ mic preamplifier with 80 dB of variable gain—an upgrade from the original BlueTube DPʼs solid-state stage.

You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.

A Tube Drive control provides a wide range of sounds: when itʼs clicked off, youʼre using the solid-state preamp for quiet, transparent amplification; when itʼs engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.

    2 input channels, each with:
        High-headroom Class A XMAX™ mic preamplifier with 80 dB gain range
        12AX7 vacuum tube gain stage
        Tube Drive tube-saturation control
        48V phantom power
        80 Hz high-pass filter
        -20 dB pad to reduce hot input levels
        Polarity-reverse switch
        Illuminated analog VU input-level meter

    Input/Output
        2 balanced combo mic/unbalanced instrument inputs
        2 balanced XLR main (L/R) line outputs
        2 unbalanced ¼” main (L/R) line outputs

    Physical
        Compact 1/2U chassis
        External 12 VDC, 1A power supply

Mic Inputs
• Frequency response at minimum gain (0dB): -0.35dB at 20Hz and –3dB at 122kHz
• Frequency response at maximum gain (60dB): –2.5dB at 20Hz and –3dB 103kHz
• Gain range: 0dB to +60dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +7.4dBu
• THD+N: 0.0009% (measured at 1kHz -20dBu input signal, at 30dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise EIN: -126dB (measured at 60dB of gain with 150Ω termination and 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -98dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 123dB (relative to max output 25dBu)
• SNR: 120dB (relative to 0dBFS (+22dBu)
• CMRR: 88dB.
• Input Impedance, variable: 600Ω, 1400Ω, 2400Ω, 6800Ω

Line Inputs
• Frequency Response at unity gain (0dB): -0.3dB at 20Hz and –3dB at 94kHz
• Gain range: -20dB to +10dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +25.4dBu
• THD+N: 0.002% (measured with +4dBu input signal, 0dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -91dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 116dB (relative to max output 25dBu)
• SNR: 113dB (relative to 0dBFS +22dBu). Input Impedance: 10kΩ

Instrument Inputs
• Frequency Response at +10dB gain: -0.2dB at 20Hz and 0dB at 200kHz
• Frequency Response at +40dB gain: -3dB at 20Hz and –3dB at 38.4kHz
• Gain range: +10dB to +40dB continuously variable
• Maximum headroom: +11.5dBu
• THD+N: 0.006% (measured with –20dBu input signal, at minimum gain (+10dB), with a 20Hz/22kHz bandpass filter)
• Noise at main output with minimum gain (+10dB): -95dBu (measured with a 20Hz/22kHz bandpass filter)
• Input Impedance = >1MΩ

High Pass Filter
• Roll off = 18dB per octave 3 pole filter
• Frequency range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)

Meters
• 6 LED meter is calibrated 0dBFS = +22dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:

Meter panel calibration value in dBFS / Equivalent dBu value
0dBFS / +22dBu
-2dBFS / +20dBu
-6dBFS / +16dBu
-12dBFS / +10dBu
-18dBFS / +4dBu
-42dBFS / -20dBu



Front and rear connectivity

Analogue Channel Inputs (Inputs 1-4)
• 4 instrument 1⁄4” TS jack inputs on front panel
• 4 microphone XLR inputs on rear panel
• 4 line 1⁄4” TRS jacks on rear panel
• 4 insert return 1⁄4” TRS jacks on rear panel
• 4 ADC XLR inputs on rear panel

Analogue Audio Outputs (Outputs 1-4)
• 4 line XLR outputs on rear panel
• 4 insert send 1⁄4” TRS jacks on rear panel

Other I/O
• IEC power input connector 100Vac – 240Vac

Front Panel Indicators
• 8 output meters, 6 segment
• 4 30-60 mic gain range selection indicator
• 4 +48V phantom power indicator
• 4 Phase indicator
• 4 Insert In indicator
• 4 Filter In indicator
• 4 Input selection indicators (Mic, Line, Inst)
• 4 Z In microphone input impedance selection indicators (Low, ISA110, Med, High) Clock select indicators (44.1, 48, 88.2, 96, 176.4, 192)
• Ext clock indicators (Lock, Word clock, 256X)

Weight
5.5kg
12.2lbs

Dimensions (W x H x D)
480mm (W) x 88mm (H) x 280mm (D)
19" (W) x 3.5" (H) x 11" (D)


Weight1.00 kg3.70 kg0.50 kg1.00 kg2.00 kg5.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 3.70 kg
Weight 0.50 kg
Weight 1.00 kg
Weight 2.00 kg
Weight 5.50 kg