COMREX VH2 two-line VoIP hybrid for individual broadcast or flawless conferencing

Hybrid phone two VoIP telephone lines. Supports telephone lines G.711 & G.722. Has ability checks the phone lines via VoIP devices phone. Easy installation via web based environment. In the area of I / O features two analog inputs and two outputs to XLR form configurable and AES / EBU. audio input "on-hold" in order to provide music on hold, AGC and network port 10/100/1000.

Any studio that processes phone calls needs hardware to interface with phone lines. This device, traditionally called a Hybrid, filters, separates and provides gain adjustment and call control to more easily allow for recording or broadcasting "phoners”.

As telephone companies are shifting from traditional phone lines to Voice-over-IP (VoIP) systems, the devices that performed this job in the past are becoming outmoded. Broadcasters need a VoIP hybrid to ensure on-air and recorded phone calls sound as good as possible.

A dual-line hybrid, VH2 connects two VoIP lines to a studio for individual broadcast or flawless conferencing. VH2 prevents echo and distortion, and automatically adjusts caller audio to a uniform level, leaving you with a result that’s clean and clear. Plus, VH2 uses only VoIP phone lines, saving you money and increasing functionality. VH2 can even connect to many VoIP PBX systems

• Prevents echo and other artifacts
• Supports normal phone calls (G.711) and wideband phone calls (G.722)
• Allows for caller ID, outgoing calls, screening, and post-air management using companion VoIP phone set
• Set up via easy-to-use web based configuration page

VH2 can be configured in several ways to be compatible in environments where the studio has different telephone connection arrangements. Dual or single input and outputs can be selected, and AES3* or analog audio I/O can be chosen. VH2 can be configured for callers to hear each other, or be isolated depending on the needs of the studio. *Supports 48 KHz sampling rate only for AES3.

VH2 offers a pair of audio inputs for callers "on-hold”. This allows for listeners to hear your programming while they are waiting to be put "on-air”.

Selectable automatic gain control (AGC) maintains a uniform audio output, even when the caller signal varies widely. Also, selectable caller ducking lowers incoming caller audio, so local talent remains in control.

When configured with its companion phone (the Polycom VVX 201 IP phone), VH2 does even more. Calls can be answered on the handset and easily transferred back and forth to VH2, just like a traditional telephone hybrid. And the companion phone supports caller ID and outbound calling.

VH2 is outfitted with front panel controls and status indicators so it can be used out-of-the-box. Front panel buttons can also be remoted via the rear panel connector, so your console buttons can trigger its functions.

• Caller audio out on balanced XLR-M output
• Send audio in on balanced XLR-F input (clip +20dBu). Switchable to AES3 I/O (48KHz sampling rate only for AES3).
• On-hold audio in on ¼” TRS jack input (clip +20dBu)

• 10/1000 Ethernet port
• Contact closures
• 9 pin mini DIN
• Serial port on 8 pin mini DIN
• Power in on 4 pin mini DIN
• Universal external power supply +24VDC
• Compliant with worldwide regulations, including FCC, CSA, and CE

When you want to present, broadcast, or record a telephone conversation, you need a device to process the phone call and present it to the console, as well as to separate "send” audio from the "receive” audio on the call. If send and receive audio aren’t isolated, it will result in an echoey, muddy sound - not to mention, annoyed listeners.

As many major markets are shifting from traditional phone lines to Voice-over-IP (VoIP) systems, the digital hybrids that could have performed this job in the past are becoming outmoded. Radio stations need a VoIP hybrid to ensure on-air and recorded phone calls sound beautiful.

A dual-line hybrid, VH2 connects two VoIP lines for individual broadcast or flawless conferencing. VH2 prevents echo and distortion, and automatically adjusts caller audio to a uniform level, leaving you with a result that’s clean and clear. Plus, VH2 uses VoIP phone lines, saving you money and increasing functionality. VH2 can even connect to many VoIP PBX systems.

Main Features:
Audio Processing and Performance:
• Prevents echo and other artifacts
• G.722 codec support for wideband calls. Also supports G.711
• Receive filter reduces telephone line noise
• Selectable automatic gain control (AGC) maintains a consistent audio output, even when the caller signal varies widely
• Selectable caller ducking lowers incoming caller audio so local talent remains in control of the conversation
• Can be configured to automatically answer and disconnect incoming calls

Operation:
• Easily segue from caller-to-caller
• Separately selectable single-ring auto-answer function for assisted or unattended operation
• Handy front panel controls and status indication
• When used with companion VoIP telephone, calls can be answered on handset and easily transferred back and forth to VH2
• Hybrid on/off controls and status remotable via web or contact closures
• Send and caller level indication
• Easy call conferencing
• Dual "On-Hold” audio inputs to send program to callers on hold
• Auto-Switching External Power Supply
• Compliant with worldwide regulations, including FCC, CSA and CE

Audio Configuration:
• Configure for separate caller outs of single caller mix
• Configure for separate send feeds or single
• Pro level, balanced audio I/O in XLR
• Selectable AES3 I/O

IP Features:
• Web-based configuration for the VoIP phone line setup, making it easy to adjust settings remotely from a browser
• Transfer calls back and forth to many PBXs, or use optional companion extension VoIP phone
• Ability to engage or drop or dial calls via web page
• Companion phone - easy to move calls between handset and hybrid with the touch of a button

• Professional 31-band stereo graphic equalizer for live and studio applications
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
• Ultra-low noise 4580 operational amplifiers for highest signal integrity
• Dedicated mono subwoofer output with adjustable crossover frequency
• Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
• Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting

• Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
• Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
• “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• 3-Year Warranty Program*
• Conceived and designed by BEHRINGER Germany

GENERAL DATA
Power Supply 220 / 110V 25 VA
Dimension 434x351x44mm (1 rack unit)
Weight » 4 Kg
MEETING INTERFACE IN / OUT
Connector DB 9 female
Nominal in / out audio level 0 dBm
Input impedance 600 W / 10 KW (selectable)
Output impedance 100 W
* nominal line level: - 6 dBm
** it can vary depending on characteristics of telephone line
All measurements are intended at 1 kHz.
AUDIO PROGRAM IN / OUT
Connectors XLR, electr. balanced
Input impedance 600 W / 10K W (selectable)
Output level * - ¥ ¸ + 16 dBm
Output impedance 100 W
Noise on Receive output 2-Wire separation £ 25 dB**
4-Wire separation £ 70 dB
2-WIRE SECTION
Connector RJ11
Nominal input level - 6 dBm
Nominal output level - 6 dBm
Compensation mode Electronic, transf. decoupled
Impedance 600 W
4-WIRE SECTION
Connector Terminal block
Impedance 600 W
Nominal TX level 0 dBm
Nominal RX level 0 dBm

Features
Unique High Density design puts SIX gates in
minimum rack space
Intuitive, 'user friendly' layout
Balanced Inputs and Outputs
Fast, low noise opto-coupler circuitry
Sidechain/Key Input points on each channel
Hardwire Bypass switch on each gate
Flawless performance in any audio environment

The sheer amount of effects and signal processors required for today's
standards of audio production puts a great strain on the available space
in equipment racks, both in the studio and on the road.
So, in order to give engineers more control in less space, we've created
the ARX Sixgate; Six full function noise gates neatly housed in a compact,
all steel 1 RU package, without sacrificing features or quality.
Why Six gates?
Research shows that the majority of noise gates get used on drum kits,
which means using typically 5 to 6 gate channels. Compare this to the
two or maybe 4 channels that most other units have, and you'll see the
reason for the Sixgate's success.And, by using a minimalist approach to
drum gates, the ARX Sixgate has enough gates left over for backing vocals
and other instruments.
Industry Standard controls
Front panel controls for each gate consist of the 'Industry Standard' controls
for Release, Depth and Threshold, plus Red and Green LED displays to indicate
Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
In addition to this, each gate has a blank panel to write on for easy confirmation
of gate assigns. No more pieces of masking tape stuck everywhere!
Ultra Low Noise
Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
circuitry with program dependent Attack time, which tracks the incoming signal to
automatically determine optimum gate response.
Balanced Inputs and Outputs
The rear panel features true differential Balanced Inputs and Outputs for each gate,
on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
Sidechain access insert points which can be used either for gate control by an external
signal, or for frequency sensitive gating (when used in conjuction with an external
equalizer such as the ARX EQ260).
Universal AC Power
AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
switch.
The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
and clean uncluttered layout make it a truly useful audio tool for all applications.

T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance
Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise Ratio
Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
'A' weighted
Distortion 0 .01% THD @ 0dB,1KHz
Dynamic Range 125 dB
Attack Time Program dependent using high-speed
opto-couplers
Release Time User variable
Input and Output Connector type Balanced Jack
Sidechain Insert Connector TipRingSleeve Jack
Sidechain Insert Impedance 10 Kohm
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm

Front Panel Controls
Individual Release, Depth and Threshold controls
Hardwire bypass IN/OUT switch
Open/Closed gate status LED
Marker panel for labelling gate assigns
Rear Panel
Balanced Inputs and Outputs, on Balanced jack
connectors
Sidechain Insert/Key Input TipRingSleeve jack on
each channel
AC input connector, with voltage switch and fuse 

VIRTUALIZER 3D FX2000
High-Performance 3D Multi-Engine Effects Processor
71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
Awesome modulation, dynamic, psychoacoustic and EQ algorithms
Authentic amp simulation, distortion and special effects
11 effect combinations with selectable serial / parallel configuration
Up to 7 adjustable parameters plus 2-band EQ per effect
24-bit A/D and D/A converters with 64/128-times oversampling
True stereo processing for realistic channel separation in stereo image
100 factory presets plus 100 user memory locations
Extensive MIDI implementation
Accurate LED level meters for perfect level setting and optimum performance
Servo-balanced XLR and ¼'' TRS inputs and outputs
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

 Reverbs & Delays

Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.

Reverbs include:

    CATHEDRAL
    GOLD PLATE
    SMALL HALL
    ROOM
    STUDIO
    CONCERT
    STUDIO
    STAGE
    SPRING REVERB
    AMBIENCE
    EARLY REFLECTIONS

Specialty reverbs include:

    REVERB – reverb is synthetically turned off after a predetermined amount of time
    REVERSE REVERB – reverb envelope is reversed—it slowly gets louder

Delays include:

    STEREO DELAY – delay is processed across the entire stereo image
    TAPE ECHO – simulates classic tape echo devices, pre-dating the advent of digital delays
    PING PONG – delay signal is "bounced” from left to right at an adjustable tempo

Much More than Just Reverb and Delay

The FX2000 has some of the best-sounding reverb and delay programs, but thatʼs not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation.

Modulation and Pitch Shifter FX:

    STEREO FLANGER (originally generated by playing back two synchronized "reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels)
    VINTAGE FLANGER simulates a guitar fl anger stomp box
    JET STREAM FLANGER sounds like a classic analog flanger
    STEREO CHORUS (combines a slightly detuned signal with the original)
    ANALOG CHORUS simulates a guitar chorus stomp box
    VINTAGE CHORUS imitates a classic analog studio chorus
    ULTRA CHORUS creates the sound of an eight person chorus
    STEREO PHASER (combines a second, phaseshifted signal to the original)
    VINTAGE PHASER represents a guitar phaser stomp box
    DUAL PHASER processes the left and right channels separately
    ROTARY (simulation of the rotating speakers typically used on an organ) – Slow or Fast
    PITCH SHIFTER (changes the pitch of the original signal) – can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
    VIBRATO – the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
    TREMOLO (common vintage guitar amplifier effect) – a fast or slow periodic variation in volume
    AUTO PANNING – signal is automatically sent from one side of the stereo image to the other, either once or multiple times

Dynamic FX:

    COMPRESSOR – reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
    EXPANDER – effectively broadens the dynamic range of source signals while reducing background noise
    GATED REVERB – helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals
    ANA. KOMPR/LIM. — similar to COMPRESSOR but with Limiting functionality
    ULTRAMIZER – analyses incoming signal and automatically applies compression across two independent frequency bands
    DENOISER – eliminates or reduces noise and other interference
    DE-ESSER – reduces or removes sibilance (Ssss sound) from signal
    WAVE DESIGNER – allows you to influence the envelope by adjusting Attack and Release of the signal

Psychoacoustic FX:

    EXCITER – adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
    ENHANCER – functions much like a dynamic pitch equalizer
    ULTRA BASS – sub-harmonic processor combined with bass exciter and limiter
    STEREO IMAGER – divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image
    ULTRA WIDE – creates a broader stereo image
    BINAURALIZER – also creates a broader stereo image and compensates for crosstalk between both speakers

Filter/EQ FX:

    AUTO FILTER – influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite
    LFO FILTER - Controls the rate of oscillation effects
    PARAMETRIC EQ – allows you to control the bandwidth, frequency and amplitude of a signal
    GRAPHIC EQ – the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined

Distortion FX and Amp Simulations

The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.

Special FX:

    VINYLIZER – adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
    SAMPLER – allows you to record and playback up to five (5) seconds of program material
    VOCODER – allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar "talking synthesizer” effect
    VOICE CANCELER – removes mono vocal parts from stereo recordings for "instant Karaoke”
    RESONATOR – simulates and oscillating system that amplifies a specific frequency

Our FX Combinations Go to 11

Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.

FX Combinations include:

    Chorus & Reverb
    Flanger & Reverb
    Leslie & Reverb
    Pitch & Reverb
    Delay & Reverb
    Tremolo & Reverb
    Phaser & Reverb
    Chorus & Delay
    Flanger & Delay
    Pitch & Delay
    Tremolo & Delay

Enhanced User Editability
Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
Value
With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor— both in the studio and on the road.