COMREX VH2 two-line VoIP hybrid for individual broadcast or flawless conferencing

2,765.00 incl. GR VAT

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Hybrid phone two VoIP telephone lines. Supports telephone lines G.711 & G.722. Has ability checks the phone lines via VoIP devices phone. Easy installation via web based environment. In the area of I / O features two analog inputs and two outputs to XLR form configurable and AES / EBU. audio input “on-hold” in order […]

 

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Hybrid phone two VoIP telephone lines. Supports telephone lines G.711 & G.722. Has ability checks the phone lines via VoIP devices phone. Easy installation via web based environment. In the area of I / O features two analog inputs and two outputs to XLR form configurable and AES / EBU. audio input “on-hold” in order to provide music on hold, AGC and network port 10/100/1000.

Any studio that processes phone calls needs hardware to interface with phone lines. This device, traditionally called a Hybrid, filters, separates and provides gain adjustment and call control to more easily allow for recording or broadcasting “phoners”.

As telephone companies are shifting from traditional phone lines to Voice-over-IP (VoIP) systems, the devices that performed this job in the past are becoming outmoded. Broadcasters need a VoIP hybrid to ensure on-air and recorded phone calls sound as good as possible.

A dual-line hybrid, VH2 connects two VoIP lines to a studio for individual broadcast or flawless conferencing. VH2 prevents echo and distortion, and automatically adjusts caller audio to a uniform level, leaving you with a result that’s clean and clear. Plus, VH2 uses only VoIP phone lines, saving you money and increasing functionality. VH2 can even connect to many VoIP PBX systems

  • Prevents echo and other artifacts
  • Supports normal phone calls (G.711) and wideband phone calls (G.722)
  • Allows for caller ID, outgoing calls, screening, and post-air management using companion VoIP phone set
  • Set up via easy-to-use web based configuration page

Easy Hookup

VH2 can be configured in several ways to be compatible in environments where the studio has different telephone connection arrangements. Dual or single input and outputs can be selected, and AES3* or analog audio I/O can be chosen. VH2 can be configured for callers to hear each other, or be isolated depending on the needs of the studio. *Supports 48 KHz sampling rate only for AES3.

On-Hold Inputs

VH2 offers a pair of audio inputs for callers “on-hold”. This allows for listeners to hear your programming while they are waiting to be put “on-air”.

Consistent Audio Levels

Selectable automatic gain control (AGC) maintains a uniform audio output, even when the caller signal varies widely. Also, selectable caller ducking lowers incoming caller audio, so local talent remains in control.

Companion Phone

When configured with its companion phone (the Polycom VVX 201 IP phone), VH2 does even more. Calls can be answered on the handset and easily transferred back and forth to VH2, just like a traditional telephone hybrid. And the companion phone supports caller ID and outbound calling.

Status Indication

VH2 is outfitted with front panel controls and status indicators so it can be used out-of-the-box. Front panel buttons can also be remoted via the rear panel connector, so your console buttons can trigger its functions.

Audio Connections

  • Caller audio out on balanced XLR-M output
  • Send audio in on balanced XLR-F input (clip +20dBu). Switchable to AES3 I/O (48KHz sampling rate only for AES3).
  • On-hold audio in on ¼” TRS jack input (clip +20dBu)

Other Connections

  • 10/1000 Ethernet port
  • Contact closures
  • 9 pin mini DIN
  • Serial port on 8 pin mini DIN
  • Power in on 4 pin mini DIN
  • Universal external power supply +24VDC
  • Compliant with worldwide regulations, including FCC, CSA, and CE

When you want to present, broadcast, or record a telephone conversation, you need a device to process the phone call and present it to the console, as well as to separate “send” audio from the “receive” audio on the call. If send and receive audio aren’t isolated, it will result in an echoey, muddy sound – not to mention, annoyed listeners.

As many major markets are shifting from traditional phone lines to Voice-over-IP (VoIP) systems, the digital hybrids that could have performed this job in the past are becoming outmoded. Radio stations need a VoIP hybrid to ensure on-air and recorded phone calls sound beautiful.

A dual-line hybrid, VH2 connects two VoIP lines for individual broadcast or flawless conferencing. VH2 prevents echo and distortion, and automatically adjusts caller audio to a uniform level, leaving you with a result that’s clean and clear. Plus, VH2 uses VoIP phone lines, saving you money and increasing functionality. VH2 can even connect to many VoIP PBX systems.

Main Features:
Audio Processing and Performance:
• Prevents echo and other artifacts
• G.722 codec support for wideband calls. Also supports G.711
• Receive filter reduces telephone line noise
• Selectable automatic gain control (AGC) maintains a consistent audio output, even when the caller signal varies widely
• Selectable caller ducking lowers incoming caller audio so local talent remains in control of the conversation
• Can be configured to automatically answer and disconnect incoming calls

Operation:
• Easily segue from caller-to-caller
• Separately selectable single-ring auto-answer function for assisted or unattended operation
• Handy front panel controls and status indication
• When used with companion VoIP telephone, calls can be answered on handset and easily transferred back and forth to VH2
• Hybrid on/off controls and status remotable via web or contact closures
• Send and caller level indication
• Easy call conferencing
• Dual “On-Hold” audio inputs to send program to callers on hold
• Auto-Switching External Power Supply
• Compliant with worldwide regulations, including FCC, CSA and CE

Audio Configuration:
• Configure for separate caller outs of single caller mix
• Configure for separate send feeds or single
• Pro level, balanced audio I/O in XLR
• Selectable AES3 I/O

IP Features:
• Web-based configuration for the VoIP phone line setup, making it easy to adjust settings remotely from a browser
• Transfer calls back and forth to many PBXs, or use optional companion extension VoIP phone
• Ability to engage or drop or dial calls via web page
• Companion phone – easy to move calls between handset and hybrid with the touch of a button

Weight 1.00 kg

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COMREX VH2 two-line VoIP hybrid for individual broadcast or flawless conferencing removeARX QUADCOMP 4CHANNEL COMPRESSOR-LIMITER removeDBX 266XS COMPRESSOR/GATE 2CH removeDBX 166XS COMPRESSOR-LIMITER-GATE-EXPANDER removeALPHATON FC-100 FEEDBACK CONTROLLER removeBEHRINGER FX2000 3D EFFECTS VIRTUALIZER remove
NameCOMREX VH2 two-line VoIP hybrid for individual broadcast or flawless conferencing removeARX QUADCOMP 4CHANNEL COMPRESSOR-LIMITER removeDBX 266XS COMPRESSOR/GATE 2CH removeDBX 166XS COMPRESSOR-LIMITER-GATE-EXPANDER removeALPHATON FC-100 FEEDBACK CONTROLLER removeBEHRINGER FX2000 3D EFFECTS VIRTUALIZER remove
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Description
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Content


Hybrid phone two VoIP telephone lines. Supports telephone lines G.711 & G.722. Has ability checks the phone lines via VoIP devices phone. Easy installation via web based environment. In the area of I / O features two analog inputs and two outputs to XLR form configurable and AES / EBU. audio input "on-hold" in order to provide music on hold, AGC and network port 10/100/1000.

Any studio that processes phone calls needs hardware to interface with phone lines. This device, traditionally called a Hybrid, filters, separates and provides gain adjustment and call control to more easily allow for recording or broadcasting "phoners”.

As telephone companies are shifting from traditional phone lines to Voice-over-IP (VoIP) systems, the devices that performed this job in the past are becoming outmoded. Broadcasters need a VoIP hybrid to ensure on-air and recorded phone calls sound as good as possible.

A dual-line hybrid, VH2 connects two VoIP lines to a studio for individual broadcast or flawless conferencing. VH2 prevents echo and distortion, and automatically adjusts caller audio to a uniform level, leaving you with a result that’s clean and clear. Plus, VH2 uses only VoIP phone lines, saving you money and increasing functionality. VH2 can even connect to many VoIP PBX systems

  • Prevents echo and other artifacts
  • Supports normal phone calls (G.711) and wideband phone calls (G.722)
  • Allows for caller ID, outgoing calls, screening, and post-air management using companion VoIP phone set
  • Set up via easy-to-use web based configuration page

Easy Hookup

VH2 can be configured in several ways to be compatible in environments where the studio has different telephone connection arrangements. Dual or single input and outputs can be selected, and AES3* or analog audio I/O can be chosen. VH2 can be configured for callers to hear each other, or be isolated depending on the needs of the studio. *Supports 48 KHz sampling rate only for AES3.

On-Hold Inputs

VH2 offers a pair of audio inputs for callers "on-hold”. This allows for listeners to hear your programming while they are waiting to be put "on-air”.

Consistent Audio Levels

Selectable automatic gain control (AGC) maintains a uniform audio output, even when the caller signal varies widely. Also, selectable caller ducking lowers incoming caller audio, so local talent remains in control.

Companion Phone

When configured with its companion phone (the Polycom VVX 201 IP phone), VH2 does even more. Calls can be answered on the handset and easily transferred back and forth to VH2, just like a traditional telephone hybrid. And the companion phone supports caller ID and outbound calling.

Status Indication

VH2 is outfitted with front panel controls and status indicators so it can be used out-of-the-box. Front panel buttons can also be remoted via the rear panel connector, so your console buttons can trigger its functions.

Audio Connections
  • Caller audio out on balanced XLR-M output
  • Send audio in on balanced XLR-F input (clip +20dBu). Switchable to AES3 I/O (48KHz sampling rate only for AES3).
  • On-hold audio in on ¼” TRS jack input (clip +20dBu)

Other Connections
  • 10/1000 Ethernet port
  • Contact closures
  • 9 pin mini DIN
  • Serial port on 8 pin mini DIN
  • Power in on 4 pin mini DIN
  • Universal external power supply +24VDC
  • Compliant with worldwide regulations, including FCC, CSA, and CE

When you want to present, broadcast, or record a telephone conversation, you need a device to process the phone call and present it to the console, as well as to separate "send” audio from the "receive” audio on the call. If send and receive audio aren’t isolated, it will result in an echoey, muddy sound - not to mention, annoyed listeners.

As many major markets are shifting from traditional phone lines to Voice-over-IP (VoIP) systems, the digital hybrids that could have performed this job in the past are becoming outmoded. Radio stations need a VoIP hybrid to ensure on-air and recorded phone calls sound beautiful.

A dual-line hybrid, VH2 connects two VoIP lines for individual broadcast or flawless conferencing. VH2 prevents echo and distortion, and automatically adjusts caller audio to a uniform level, leaving you with a result that’s clean and clear. Plus, VH2 uses VoIP phone lines, saving you money and increasing functionality. VH2 can even connect to many VoIP PBX systems.

Main Features:
Audio Processing and Performance:
• Prevents echo and other artifacts
• G.722 codec support for wideband calls. Also supports G.711
• Receive filter reduces telephone line noise
• Selectable automatic gain control (AGC) maintains a consistent audio output, even when the caller signal varies widely
• Selectable caller ducking lowers incoming caller audio so local talent remains in control of the conversation
• Can be configured to automatically answer and disconnect incoming calls

Operation:
• Easily segue from caller-to-caller
• Separately selectable single-ring auto-answer function for assisted or unattended operation
• Handy front panel controls and status indication
• When used with companion VoIP telephone, calls can be answered on handset and easily transferred back and forth to VH2
• Hybrid on/off controls and status remotable via web or contact closures
• Send and caller level indication
• Easy call conferencing
• Dual "On-Hold” audio inputs to send program to callers on hold
• Auto-Switching External Power Supply
• Compliant with worldwide regulations, including FCC, CSA and CE

Audio Configuration:
• Configure for separate caller outs of single caller mix
• Configure for separate send feeds or single
• Pro level, balanced audio I/O in XLR
• Selectable AES3 I/O

IP Features:
• Web-based configuration for the VoIP phone line setup, making it easy to adjust settings remotely from a browser
• Transfer calls back and forth to many PBXs, or use optional companion extension VoIP phone
• Ability to engage or drop or dial calls via web page
• Companion phone - easy to move calls between handset and hybrid with the touch of a button

Features
Four Independent Compressor Channels
Channels 1 and 2, 3 and 4 are stereo linkable
7 LED Gain Reduction metering
Balanced XLR Inputs and Outputs
Sidechain Insert points
Intuitive, user friendly layout
Flawless performance
 
The sheer amount of effects and signal processors necessary for today's standards
of audio production puts a great strain on the available space in equipment racks,
both in the studio and on the road.So, ARX would like to introduce the ARX Quadcomp.
An all-new upgrade of the classic award-winning ARX Quadcomp?, the very first four
channel 1 RU compressor.You?ll notice that we haven?t strayed very far from our
original design concept. The Quadcomp  is still four variable ratio Compressor/ Limiters
neatly housed in a compact all steel 1 RU package. However, all new low noise/low
distortion circuitry, better metering plus XLR inputs and outputs put the Quadcomp
in a class of its own.
More Control, Less Space
On the front panel, each channel has the 'industry standard' individual controls for Threshold,
Compression Ratio and Output, plus a new 7 LED Gain Reduction display for accurate visual
indication of the amount of gain reduction being applied to the program, and an IN/OUT
hardwire bypass switch.In addition to this, each channel has a blank numbered panel to write
on for easy confirmation of compressor assigns.
Precision Circuitry
Internally, each compressor uses Class A VCAs and true 2 pole averaging RMS/DC converters
for low distortion and accuracy, plus program dependent attack and release time, which
automatically determines optimum compressor response.
Balanced Inputs and Outputs
The rear panel has true differential Balanced XLR Inputs and Outputs for each compressor.
Each compressor has a TRS jack Sidechain access insert point, for frequency sensitive
compression, De-essing, etc. in conjunction with an external equalizer (such as the ARX EQ260).
Compressor pairs 1 and 2, 3 and 4 also have rear panel mounted Stereo Link switches for accurate
stereo tracking. When switched IN, the first channel becomes the master and controls all the functions
of the second except Output gain.
Universal AC Power
AC power range is switchable 100 to 120V, or 220 to 240V, and is connected to the unit via
a standard IEC connector, with built-in fuse and voltage switch.
Whatever the application ? Channel insert, Bus insert, Master Outputs, Monitor outputs,
Crossover outputs, the Quadcomp II?s unique High Density design, precision Low Noise circuitry
and clean uncluttered layout make it a truly useful audio tool for all applications.

T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 20dB
CMRR >50dB, 20 Hz?20 KHz
Output Impedance
Balanced 300 ohms Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz-20KHz ±0.5dB
Signal to Noise ratio
-93 dB Unweighted, -98 dB ?A? weighted
Distortion .015% THD @ 0dB,1KHz
Dynamic Range 108 dB
Attack and Release Times Program dependent
Metering
7 LED display: ?1, 2, 3, 6, 12, 18, ?24 dB
Sidechain Insert Impedance 10 Kohm
Power Requirements
100/120 V AC or 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input Connector type Balanced XLR
Output Connector type Balanced XLR
Sidechain Insert Connector TRS Jack

Front Panel Controls
Hardwire bypass IN/OUT switch
Threshold, Ratio and Output Gain controls
7 LED Gain Reduction display
Marker panel for labelling compressor assigns
Stereo link status LEDs
Rear Panel Connectors
Input and Output balanced XLR connectors
TipRingSleeve Sidechain insert connectors
Channels 1 and 2, 3 and 4 Stereo link switches
IEC AC mains connector with inbuilt fuse and
voltage change

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time
Compressos Expander Gate Kimiter DBX 166XS Stereo Overview Bring a more professional sound to your mix Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Specifications
Input Connectors 1/4" TRS, female XLR (pin 2 hot)
Input Impedance >50kΩ balanced, >25kΩ unbalanced
Max Input >+24dBu, Balanced or Unbalanced
Input Type Electronically balanced/unbalanced, RF filtered
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level >+20dBu (tip/input); >+20dBu (ring/output)
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Impedance 120Ω balanced, >60Ω unbalanced
Max Output +21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω)
Frequency Response 20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain
Noise

Description

The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone
application including wireless types. It can provide effective feedback control to any sound
reinforcement situation. It can also eliminated string feedback in guitars and bass instruments
which are equipped with piezo or condenser pickups.
The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal,
detecting the presence of feedback and then notching out the feedback frequency.
The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a
feedback signal before it can grow into a peak. Internally a discriminator circuit detects the
presence of regenerative feedback and triggers the automatic equaliser to insert a notch where
the feedback peak is coming up. This normally prevents other peaks from developing but if they
do, the process is repeated at high speed, thus keeping feedback under control.

Technical Data
In- and Outputs transformer balanced
max. Inputlevel + 3 dB
Gain (RS=200 Ohm, RL=2kOhm) 0 dB
Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB
Feeback Cancellation  6 ... 10 dB
Power Requirement  30 ... 48 V Phantom
Current drain ca. 8 mA
External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip +
Housing Aluminium Diecast
Weight  285 grams
Dimensions  112 x 60 x 32 mm

VIRTUALIZER 3D FX2000
High-Performance 3D Multi-Engine Effects Processor
71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
Awesome modulation, dynamic, psychoacoustic and EQ algorithms
Authentic amp simulation, distortion and special effects
11 effect combinations with selectable serial / parallel configuration
Up to 7 adjustable parameters plus 2-band EQ per effect
24-bit A/D and D/A converters with 64/128-times oversampling
True stereo processing for realistic channel separation in stereo image
100 factory presets plus 100 user memory locations
Extensive MIDI implementation
Accurate LED level meters for perfect level setting and optimum performance
Servo-balanced XLR and ¼'' TRS inputs and outputs
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

 Reverbs & Delays

Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.

Reverbs include:

    CATHEDRAL
    GOLD PLATE
    SMALL HALL
    ROOM
    STUDIO
    CONCERT
    STUDIO
    STAGE
    SPRING REVERB
    AMBIENCE
    EARLY REFLECTIONS

Specialty reverbs include:

    REVERB – reverb is synthetically turned off after a predetermined amount of time
    REVERSE REVERB – reverb envelope is reversed—it slowly gets louder

Delays include:

    STEREO DELAY – delay is processed across the entire stereo image
    TAPE ECHO – simulates classic tape echo devices, pre-dating the advent of digital delays
    PING PONG – delay signal is "bounced” from left to right at an adjustable tempo

Much More than Just Reverb and Delay

The FX2000 has some of the best-sounding reverb and delay programs, but thatʼs not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation.

Modulation and Pitch Shifter FX:

    STEREO FLANGER (originally generated by playing back two synchronized "reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels)
    VINTAGE FLANGER simulates a guitar fl anger stomp box
    JET STREAM FLANGER sounds like a classic analog flanger
    STEREO CHORUS (combines a slightly detuned signal with the original)
    ANALOG CHORUS simulates a guitar chorus stomp box
    VINTAGE CHORUS imitates a classic analog studio chorus
    ULTRA CHORUS creates the sound of an eight person chorus
    STEREO PHASER (combines a second, phaseshifted signal to the original)
    VINTAGE PHASER represents a guitar phaser stomp box
    DUAL PHASER processes the left and right channels separately
    ROTARY (simulation of the rotating speakers typically used on an organ) – Slow or Fast
    PITCH SHIFTER (changes the pitch of the original signal) – can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
    VIBRATO – the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
    TREMOLO (common vintage guitar amplifier effect) – a fast or slow periodic variation in volume
    AUTO PANNING – signal is automatically sent from one side of the stereo image to the other, either once or multiple times

Dynamic FX:

    COMPRESSOR – reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
    EXPANDER – effectively broadens the dynamic range of source signals while reducing background noise
    GATED REVERB – helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals
    ANA. KOMPR/LIM. — similar to COMPRESSOR but with Limiting functionality
    ULTRAMIZER – analyses incoming signal and automatically applies compression across two independent frequency bands
    DENOISER – eliminates or reduces noise and other interference
    DE-ESSER – reduces or removes sibilance (Ssss sound) from signal
    WAVE DESIGNER – allows you to influence the envelope by adjusting Attack and Release of the signal

Psychoacoustic FX:

    EXCITER – adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
    ENHANCER – functions much like a dynamic pitch equalizer
    ULTRA BASS – sub-harmonic processor combined with bass exciter and limiter
    STEREO IMAGER – divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image
    ULTRA WIDE – creates a broader stereo image
    BINAURALIZER – also creates a broader stereo image and compensates for crosstalk between both speakers

Filter/EQ FX:

    AUTO FILTER – influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite
    LFO FILTER - Controls the rate of oscillation effects
    PARAMETRIC EQ – allows you to control the bandwidth, frequency and amplitude of a signal
    GRAPHIC EQ – the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined

Distortion FX and Amp Simulations

The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.

Special FX:

    VINYLIZER – adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
    SAMPLER – allows you to record and playback up to five (5) seconds of program material
    VOCODER – allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar "talking synthesizer” effect
    VOICE CANCELER – removes mono vocal parts from stereo recordings for "instant Karaoke”
    RESONATOR – simulates and oscillating system that amplifies a specific frequency

Our FX Combinations Go to 11

Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.

FX Combinations include:

    Chorus & Reverb
    Flanger & Reverb
    Leslie & Reverb
    Pitch & Reverb
    Delay & Reverb
    Tremolo & Reverb
    Phaser & Reverb
    Chorus & Delay
    Flanger & Delay
    Pitch & Delay
    Tremolo & Delay

Enhanced User Editability
Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
Value
With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor— both in the studio and on the road.

Weight1.00 kg5.20 kg3.00 kg2.00 kg0.30 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 5.20 kg
Weight 3.00 kg
Weight 2.00 kg
Weight 0.30 kg
Weight 3.00 kg