JTS CX-506 Condenser Drum & Percussion Microphone

72.59 incl. GR VAT

In stock

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
Type     Electret Condenser Frequency Response     60~18,000 Hz Polar Pattern     Cardioid,rotationally symmetrical about microphone axis, uniform with frequency Sensitivity(at 1,000Hz)     -70dB*(0.32mV)*0dB=1V/μbar Output Impedance     400Ω Phasing     Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Connector     Three-pin professional audio connector (male XLR type) Case. […]

 

Read more

Type     Electret Condenser
Frequency Response     60~18,000 Hz
Polar Pattern     Cardioid,rotationally symmetrical about
microphone axis, uniform with frequency
Sensitivity(at 1,000Hz)     -70dB*(0.32mV)*0dB=1V/μbar
Output Impedance     400Ω
Phasing     Positive pressure on diaphragm produces
positive voltage on pin 2 with respect to pin 3
Connector     Three-pin professional audio connector
(male XLR type)
Case.     Metallic enamel-painted die cast metal body
with hardened, matte-finished steel grille
Net Weight     230 grams (8.1 oz)
Touch Noise     Super low
Power Supply     9-52V phantom power or battery 1.5V AA 

Weight 0.50 kg

Reviews

There are no reviews yet.

Be the first to review “JTS CX-506 Condenser Drum & Percussion Microphone”

Your email address will not be published. Required fields are marked *

Quick Comparison

JTS CX-506 Condenser Drum & Percussion Microphone removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeAKG D 40 Dynamic Instrument Microphone remove
NameJTS CX-506 Condenser Drum & Percussion Microphone removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeAKG D 40 Dynamic Instrument Microphone remove
Image
SKUCX-506KSM141SLBETA 56AH10SE00105001808D 40
Rating
Price72.59 incl. GR VAT 515.99 incl. GR VAT 196.80 incl. GR VAT 189.00 incl. GR VAT 110.00 incl. GR VAT117.89 incl. GR VAT
Stock

In stock

In stock

Only 1 left in stock (can be backordered)

In stock

Available on backorder

Available on backorder

AvailabilityIn stockIn stockOnly 1 left in stock (can be backordered)In stockAvailable on backorderAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

Type     Electret Condenser
Frequency Response     60~18,000 Hz
Polar Pattern     Cardioid,rotationally symmetrical about
microphone axis, uniform with frequency
Sensitivity(at 1,000Hz)     -70dB*(0.32mV)*0dB=1V/μbar
Output Impedance     400Ω
Phasing     Positive pressure on diaphragm produces
positive voltage on pin 2 with respect to pin 3
Connector     Three-pin professional audio connector
(male XLR type)
Case.     Metallic enamel-painted die cast metal body
with hardened, matte-finished steel grille
Net Weight     230 grams (8.1 oz)
Touch Noise     Super low
Power Supply     9-52V phantom power or battery 1.5V AA 

The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g 

Audio Frequency Response    20 Hz - 10,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    150 Ω
Mic Type    Instrumental
Open Circuit Voltage    0.63 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Shipping Weight    23.7 oz (672 g)
Wired/Wireless    Wired
Weight Net    12.84 oz (364 g)

The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage

Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
 

Weight0.50 kg0.50 kg0.80 kg0.32 kg0.35 kg0.24 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.50 kg
Weight 0.80 kg
Weight 0.32 kg
Weight 0.35 kg
Weight 0.24 kg