SPL Creon Black Audio Interface

USB Audio-Interface & Monitor Controller

• 2 discrete SPL microphone preamplifiers
• Instrument preamplifier (Hi-Z, +22 dBu)
• 2 Line inputs
• 2 Channel USB-Interface with 24Bit/192kHz converter
• USB Class 2.0 compliant for iOS device recording/monitoring
• Powerful headphone amplifier
• Stereo speaker output
• Play-along and monitoring also without DAW (stand-alone)
• Real-time analog monitoring
• One knob monitor mix
• 34V operational voltage for professional levels up to +22.8dB
• Pro level boost for consumer electronics
• Very low jitter due to FMCTM (Fixed-Master-Clock)
• No sample rate conversion or clock recovery for true 1:1 audio
• Hi-Speed USB 2.0 (480MBit/s)
• Windows XP/7/8/10, Mac OS X 10.6 or higher, iOS 6 and higher
• HxWxD: 67x260x175 cm, 2.64x10.2x6.9 inch
• Made in Germany

Input Sockets

• Mic Inputs 1, 2: XLR
• Line Inputs 1, 2: 6.3mm TRS
• Instrument Input: 6.3mm TS
• Source 1 Input: 6.3mm TRS
• Source 2 Input: RCA

Output Sockets

• Speaker Out | Main Out: XLR
• Headphone Output: 6.3mm TRS

Input Impedances

• Microphone Input: 10kOhm
• Line Inputs: 10kOhm unbalanced, 20kOhm balanced
• Instrument Input: 1.1MOhm
• Source 1 Input: 10kOhm unbalanced, 20kOhm balanced
• Source 2 Input: 10kOhm

Output Impedances

• Speaker Out | Main Out: 75Ohm unbalanced, 150Ohm balanced
• Headphone Output: 33Ohm

Maximum Input Levels

• Mic Inputs: +14.5dBu (Gain fully left)
• Line Inputs: +22.5dBu
• Instrument Input: +22dBu (Gain fully left)
• Source 1 Input: +22.5dBu
• Source 2 Input: +22.5dBu

Maximum Output Levels

• Speaker Out | Main Out: +22.5dBu

Microphone Preamplifiers (balanced, XLR)

• Gain Control: +7dB - +60dB
• Frequency Response: 10Hz - >200kHz
• Noise (unweighted, 30dB gain, input termination 150Ohm): -90dBu
• Equivalent Input Noise: -128dBu
• Common Mode Rejection Ratio:
• THD+N Ratio@1kHz (30dB gain, input termination 150Ohm): 0.003%
• High Pass Filter: fg = 80Hz, 6dB/Oct.
• Phantom Power: 48Volt

Instrument Input (Unbalanced, 6.3mm TS)

• Gain Control: -6dB - +31dB
• Frequency Response: 10Hz - >200kHz
• Noise (unweighted, unity gain, input termination 100kOhm): -85dBu
• THD+N Ratio@1kHz (unity gain, input termination 100kOhm): 0.005%

Line Input (balanced, 6.3mm TRS)

• Frequency Response: 10Hz - >200kHz
• Noise (unweighted, unity gain, input termination 600Ohm): -95dBu
• Common Mode Rejection ratio:
• THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.002%

Source 1 Input (balanced, 6.3mm TRS)

• Frequency Response: 10Hz - >200kHz
• Noise (unweighted, unity gain, input termination 600Ohm): -95dBu
• Common Mode Rejection ratio:
• THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.002%

Source 2 Input (unbalanced, RCA)

• Frequency Response: 10Hz - >200kHz
• Noise (unweighted, unity gain, input termination 600Ohm): -90dBu
• Noise (unweighted, -10dBV, input termination 600Ohm): -85dBu
• THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.003%
• THD+N Ratio@1kHz (-10dBV, input termination 600Ohm): 0.003%

Headphone Outputs (stereo, 6.3mm TRS)

• Frequency Response: 10Hz - >200kHz
• Power@0dBu: 47Ohm load: 13mW/300Ohm load: 1,7mW/600Ohm load: 1.0mW
• Power max: 47Ohm load: 670mW/300Ohm load: 265mW/600Ohm load: 150mW
• THD+N Ratio@1kHz (Power@0dBu): 47Ohm: 0.0026%/300Ohm: 0.002%/600Ohm: 0.002%

AD Conversion (ASIO direct)

Noisefloor (A-weighted)

• 44.1/48kHz: -113dB
• 88.2/96kHz: -108dB 

Dynamic range

• 44.1/48kHz: 128dB
• 88.2/96kHz: 123dB

THD+N ratio @ 1kHz (-1dBFS):

• 44.1/48kHz: 0.002%
• 88.2/96kHz: 0.0025%

0dBFS = +15dBu

DA Conversion (ASIO to Speaker Output)

Noisefloor (A-weighted)

• 44.1/48kHz: -93dB
• 88.2/96kHz: -92dB 

Dynamic range

• 44.1/48kHz: 108dB
• 88.2/96kHz: 107dB

THD+N ratio @ 1kHz (-1dBFS):

• 44.1/48kHz: 0.003%
• 88.2/96kHz: 0.004%

Power Supply 

• External Power Supply, Input 100–240V AC/50–60 Hz; Output 12V DC/1,5A
• Internal Power Supplies: Audio: +/-17V, Digital: +5V and +3,3V
• Power Consumption: 16.8 Watt

Dimensions and Weight

• H x W x D in mm: 67x260x175 cm, 2.64x10.2x6.9 inch

• Weight: 2,0 kg, 4.41lbs

0dBu = 0.775V. Subject to change without notice.

he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.

As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.

The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.

A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.

U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.

Behringer UFO202 USB Audio Interface

Features

Compact and Versatile

48kHz Precision

Audacity Audio Editor Software

Specifications

• Input Connector: RCA, Unbalanced
• Input Impedance: Approx. 27kΩ
• Maximum Input Level: 2dBV
• Output Connector: RCA, Unbalanced
• Output Impedance: Approx. 400Ω
• Maximum Output Level: 2dBV
• Digital Output: Toslink, Optical
• Digital Output Format: S/PDIF
• USB: Type A
• Converter: 16-Bit
• Sample Rate: 32kHz, 44.1kHz, 48kHz
• Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
  • 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
• Crosstalk: -77dB @ 0dBV, 1kHz
• Power Supply: USB, 5V 100mA Maximum
• Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
• Weight: 0.10kg

Yamaha GO46 FireWire Interface

The GO46 FireWire interface from Yamaha provides a means to stream
high-quality 24-bit/192kHz digital audio and MIDI into a computer. Connect
it to a laptop, and you've got a rugged and portable interface that can go
anywhere you go, hence the name "GO46." This box is the ideal interface
for great-sounding audio on the "GO."

Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI

Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
 on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.

FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.

Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.

Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE

The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

Features:

USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out

Technical Specifications

Microphone Inputs:    Female XLR Pin 2 Hot
Input Impedance:    3kΩ balanced
Phantom Power:    +48 Volts
Maximum gain:    +58 dB
E.I.N. (at max gain):    -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level:    +21 dBu at minimum gain
Frequency Response:    +0/-1 dB, 20Hz - 20kHz
THD+N:    +18 dBu maximum
Impedance:    32Ω Balanced, 16Ω Unbalanced
Headphone Output:    1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface:    5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate:    44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range:    A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements:    12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU