SPL Creon Black Audio Interface

446.60 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: Creon Black Categories:
USB Audio-Interface & Monitor Controller 2 discrete SPL microphone preamplifiers Instrument preamplifier (Hi-Z, +22 dBu) 2 Line inputs 2 Channel USB-Interface with 24Bit/192kHz converter USB Class 2.0 compliant for iOS device recording/monitoring Powerful headphone amplifier Stereo speaker output Play-along and monitoring also without DAW (stand-alone) Real-time analog monitoring One knob monitor mix 34V operational voltage […]

 

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USB Audio-Interface & Monitor Controller

  • 2 discrete SPL microphone preamplifiers
  • Instrument preamplifier (Hi-Z, +22 dBu)
  • 2 Line inputs
  • 2 Channel USB-Interface with 24Bit/192kHz converter
  • USB Class 2.0 compliant for iOS device recording/monitoring
  • Powerful headphone amplifier
  • Stereo speaker output
  • Play-along and monitoring also without DAW (stand-alone)
  • Real-time analog monitoring
  • One knob monitor mix
  • 34V operational voltage for professional levels up to +22.8dB
  • Pro level boost for consumer electronics
  • Very low jitter due to FMCTM (Fixed-Master-Clock)
  • No sample rate conversion or clock recovery for true 1:1 audio
  • Hi-Speed USB 2.0 (480MBit/s)
  • Windows XP/7/8/10, Mac OS X 10.6 or higher, iOS 6 and higher
  • HxWxD: 67x260x175 cm, 2.64×10.2×6.9 inch
  • Made in Germany

Input Sockets

  • Mic Inputs 1, 2: XLR
  • Line Inputs 1, 2: 6.3mm TRS
  • Instrument Input: 6.3mm TS
  • Source 1 Input: 6.3mm TRS
  • Source 2 Input: RCA

 

Output Sockets

  • Speaker Out | Main Out: XLR
  • Headphone Output: 6.3mm TRS

 

Input Impedances

  • Microphone Input: 10kOhm
  • Line Inputs: 10kOhm unbalanced, 20kOhm balanced
  • Instrument Input: 1.1MOhm
  • Source 1 Input: 10kOhm unbalanced, 20kOhm balanced
  • Source 2 Input: 10kOhm

 

Output Impedances

  • Speaker Out | Main Out: 75Ohm unbalanced, 150Ohm balanced
  • Headphone Output: 33Ohm

 

Maximum Input Levels

  • Mic Inputs: +14.5dBu (Gain fully left)
  • Line Inputs: +22.5dBu
  • Instrument Input: +22dBu (Gain fully left)
  • Source 1 Input: +22.5dBu
  • Source 2 Input: +22.5dBu

 

Maximum Output Levels

  • Speaker Out | Main Out: +22.5dBu

 

Microphone Preamplifiers (balanced, XLR)

  • Gain Control: +7dB – +60dB
  • Frequency Response: 10Hz – >200kHz
  • Noise (unweighted, 30dB gain, input termination 150Ohm): -90dBu
  • Equivalent Input Noise: -128dBu
  • Common Mode Rejection Ratio:
  • THD+N Ratio@1kHz (30dB gain, input termination 150Ohm): 0.003%
  • High Pass Filter: fg = 80Hz, 6dB/Oct.
  • Phantom Power: 48Volt

 

Instrument Input (Unbalanced, 6.3mm TS)

  • Gain Control: -6dB – +31dB
  • Frequency Response: 10Hz – >200kHz
  • Noise (unweighted, unity gain, input termination 100kOhm): -85dBu
  • THD+N Ratio@1kHz (unity gain, input termination 100kOhm): 0.005%

 

Line Input (balanced, 6.3mm TRS)

  • Frequency Response: 10Hz – >200kHz
  • Noise (unweighted, unity gain, input termination 600Ohm): -95dBu
  • Common Mode Rejection ratio:
  • THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.002%

 

Source 1 Input (balanced, 6.3mm TRS)

  • Frequency Response: 10Hz – >200kHz
  • Noise (unweighted, unity gain, input termination 600Ohm): -95dBu
  • Common Mode Rejection ratio:
  • THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.002%

 

Source 2 Input (unbalanced, RCA)

  • Frequency Response: 10Hz – >200kHz
  • Noise (unweighted, unity gain, input termination 600Ohm): -90dBu
  • Noise (unweighted, -10dBV, input termination 600Ohm): -85dBu
  • THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.003%
  • THD+N Ratio@1kHz (-10dBV, input termination 600Ohm): 0.003%

 

Headphone Outputs (stereo, 6.3mm TRS)

  • Frequency Response: 10Hz – >200kHz
  • Power@0dBu: 47Ohm load: 13mW/300Ohm load: 1,7mW/600Ohm load: 1.0mW
  • Power max: 47Ohm load: 670mW/300Ohm load: 265mW/600Ohm load: 150mW
  • THD+N Ratio@1kHz (Power@0dBu): 47Ohm: 0.0026%/300Ohm: 0.002%/600Ohm: 0.002%

 

AD Conversion (ASIO direct)

Noisefloor (A-weighted)

  • 44.1/48kHz: -113dB
  • 88.2/96kHz: -108dB 

Dynamic range

  • 44.1/48kHz: 128dB
  • 88.2/96kHz: 123dB

THD+N ratio @ 1kHz (-1dBFS):

  • 44.1/48kHz: 0.002%
  • 88.2/96kHz: 0.0025%

0dBFS = +15dBu

 

DA Conversion (ASIO to Speaker Output)

Noisefloor (A-weighted)

  • 44.1/48kHz: -93dB
  • 88.2/96kHz: -92dB 

Dynamic range

  • 44.1/48kHz: 108dB
  • 88.2/96kHz: 107dB

THD+N ratio @ 1kHz (-1dBFS):

  • 44.1/48kHz: 0.003%
  • 88.2/96kHz: 0.004%

 

Power Supply 

  • External Power Supply, Input 100–240V AC/50–60 Hz; Output 12V DC/1,5A
  • Internal Power Supplies: Audio: +/-17V, Digital: +5V and +3,3V
  • Power Consumption: 16.8 Watt

 

Dimensions and Weight

  • H x W x D in mm: 67x260x175 cm, 2.64×10.2×6.9 inch

  • Weight: 2,0 kg, 4.41lbs

 

0dBu = 0.775V. Subject to change without notice.

Weight 2.00 kg

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Description
Content

USB Audio-Interface & Monitor Controller

  • 2 discrete SPL microphone preamplifiers
  • Instrument preamplifier (Hi-Z, +22 dBu)
  • 2 Line inputs
  • 2 Channel USB-Interface with 24Bit/192kHz converter
  • USB Class 2.0 compliant for iOS device recording/monitoring
  • Powerful headphone amplifier
  • Stereo speaker output
  • Play-along and monitoring also without DAW (stand-alone)
  • Real-time analog monitoring
  • One knob monitor mix
  • 34V operational voltage for professional levels up to +22.8dB
  • Pro level boost for consumer electronics
  • Very low jitter due to FMCTM (Fixed-Master-Clock)
  • No sample rate conversion or clock recovery for true 1:1 audio
  • Hi-Speed USB 2.0 (480MBit/s)
  • Windows XP/7/8/10, Mac OS X 10.6 or higher, iOS 6 and higher
  • HxWxD: 67x260x175 cm, 2.64x10.2x6.9 inch
  • Made in Germany

Input Sockets

  • Mic Inputs 1, 2: XLR
  • Line Inputs 1, 2: 6.3mm TRS
  • Instrument Input: 6.3mm TS
  • Source 1 Input: 6.3mm TRS
  • Source 2 Input: RCA

 

Output Sockets

  • Speaker Out | Main Out: XLR
  • Headphone Output: 6.3mm TRS

 

Input Impedances

  • Microphone Input: 10kOhm
  • Line Inputs: 10kOhm unbalanced, 20kOhm balanced
  • Instrument Input: 1.1MOhm
  • Source 1 Input: 10kOhm unbalanced, 20kOhm balanced
  • Source 2 Input: 10kOhm

 

Output Impedances

  • Speaker Out | Main Out: 75Ohm unbalanced, 150Ohm balanced
  • Headphone Output: 33Ohm

 

Maximum Input Levels

  • Mic Inputs: +14.5dBu (Gain fully left)
  • Line Inputs: +22.5dBu
  • Instrument Input: +22dBu (Gain fully left)
  • Source 1 Input: +22.5dBu
  • Source 2 Input: +22.5dBu

 

Maximum Output Levels

  • Speaker Out | Main Out: +22.5dBu

 

Microphone Preamplifiers (balanced, XLR)

  • Gain Control: +7dB - +60dB
  • Frequency Response: 10Hz - >200kHz
  • Noise (unweighted, 30dB gain, input termination 150Ohm): -90dBu
  • Equivalent Input Noise: -128dBu
  • Common Mode Rejection Ratio:
  • THD+N Ratio@1kHz (30dB gain, input termination 150Ohm): 0.003%
  • High Pass Filter: fg = 80Hz, 6dB/Oct.
  • Phantom Power: 48Volt

 

Instrument Input (Unbalanced, 6.3mm TS)

  • Gain Control: -6dB - +31dB
  • Frequency Response: 10Hz - >200kHz
  • Noise (unweighted, unity gain, input termination 100kOhm): -85dBu
  • THD+N Ratio@1kHz (unity gain, input termination 100kOhm): 0.005%

 

Line Input (balanced, 6.3mm TRS)

  • Frequency Response: 10Hz - >200kHz
  • Noise (unweighted, unity gain, input termination 600Ohm): -95dBu
  • Common Mode Rejection ratio:
  • THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.002%

 

Source 1 Input (balanced, 6.3mm TRS)

  • Frequency Response: 10Hz - >200kHz
  • Noise (unweighted, unity gain, input termination 600Ohm): -95dBu
  • Common Mode Rejection ratio:
  • THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.002%

 

Source 2 Input (unbalanced, RCA)

  • Frequency Response: 10Hz - >200kHz
  • Noise (unweighted, unity gain, input termination 600Ohm): -90dBu
  • Noise (unweighted, -10dBV, input termination 600Ohm): -85dBu
  • THD+N Ratio@1kHz (unity gain, input termination 600Ohm): 0.003%
  • THD+N Ratio@1kHz (-10dBV, input termination 600Ohm): 0.003%

 

Headphone Outputs (stereo, 6.3mm TRS)

  • Frequency Response: 10Hz - >200kHz
  • Power@0dBu: 47Ohm load: 13mW/300Ohm load: 1,7mW/600Ohm load: 1.0mW
  • Power max: 47Ohm load: 670mW/300Ohm load: 265mW/600Ohm load: 150mW
  • THD+N Ratio@1kHz (Power@0dBu): 47Ohm: 0.0026%/300Ohm: 0.002%/600Ohm: 0.002%

 

AD Conversion (ASIO direct)

Noisefloor (A-weighted)

  • 44.1/48kHz: -113dB
  • 88.2/96kHz: -108dB 

Dynamic range

  • 44.1/48kHz: 128dB
  • 88.2/96kHz: 123dB

THD+N ratio @ 1kHz (-1dBFS):

  • 44.1/48kHz: 0.002%
  • 88.2/96kHz: 0.0025%

0dBFS = +15dBu

 

DA Conversion (ASIO to Speaker Output)

Noisefloor (A-weighted)

  • 44.1/48kHz: -93dB
  • 88.2/96kHz: -92dB 

Dynamic range

  • 44.1/48kHz: 108dB
  • 88.2/96kHz: 107dB

THD+N ratio @ 1kHz (-1dBFS):

  • 44.1/48kHz: 0.003%
  • 88.2/96kHz: 0.004%

 

Power Supply 

  • External Power Supply, Input 100–240V AC/50–60 Hz; Output 12V DC/1,5A
  • Internal Power Supplies: Audio: +/-17V, Digital: +5V and +3,3V
  • Power Consumption: 16.8 Watt

 

Dimensions and Weight

  • H x W x D in mm: 67x260x175 cm, 2.64x10.2x6.9 inch

  • Weight: 2,0 kg, 4.41lbs

 

0dBu = 0.775V. Subject to change without notice.

The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:

* SONAR 8 Producer
* REAC Driver Kit
* Cakewalk Approved Hardware Monitoring Device
* SONAR Templates
* Users Guides

The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.

SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.

With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.

SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.

SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.

Recommended System Requirements:

* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit)
* Processor Speed: Intel Core 2 Duo 2GHz or higher
* RAM: 3 GB for 40 Channel Recording
* Ethernet Port Speed: Gigabit Ethernet/CAT5e Only
* Graphics: 1280 x 960, 24-bit color or higher
* Audio Hard Drive Size: 30 GB
* Audio Hard Disk Type: RAID 0 with (2) SATA drives
* Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R
* Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW
* Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional)
* Other Software: Adobe Acrobat


nio 2 | 4 is a 2 In / 4 Out mobile USB interface for the modern music maker. Nio 2 | 4 features Novationʼs unique ʽDirect FXʼ technology, placing a powerful multi-effects engine within nio 2 | 4ʼs custom drivers. These effects rest close to the core of your computer, working independently of other software and providing powerful ultra-low latency effects for hassle-free, real time jamming and recording. This same unique environment ensures rock-solid, lightning-fast performance, making it the ideal interface solution for home recording, live performing and DJʼing alike; one size fits all. With two headphones outputs, itʼs also an ideal solution for the classroom environment.

Specifications Audio Interfacing



Inputs:
  • 1 XLR (with phantom power)
  • 1 TS Jack
  • 2 RCA Phono
  • Two inputs simultaneously only - either stereo RCA phono or the XLR and Jack


Outputs:
  • 4 RCA Phono
  • 2 stereo 1/4" Headphones Jacks


Digital Audio:
  • 44.1/48kHz sample rate
  • 24-bit resolution


Other interfacing
  • Data ports: 1 x USB 1.1
  • MIDI i/o


System requirements
  • Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
  • Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)

    Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended


Weights and Dimensions
  • 633g
  • 45.4mm (H) x 144mm (W) x 149mm (D)

 

8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro

Features:

USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out

Technical Specifications

Microphone Inputs:    Female XLR Pin 2 Hot
Input Impedance:    3kΩ balanced
Phantom Power:    +48 Volts
Maximum gain:    +58 dB
E.I.N. (at max gain):    -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level:    +21 dBu at minimum gain
Frequency Response:    +0/-1 dB, 20Hz - 20kHz
THD+N:    +18 dBu maximum
Impedance:    32Ω Balanced, 16Ω Unbalanced
Headphone Output:    1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface:    5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate:    44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range:    A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements:    12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU

The Yamaha GO44 is a mobile audio solution that features high quality line
inputs/outputs and worldclass MIDI and audio recording software enabling
professional quality recording to a computer in a very compact package that
can be carried and used virtually anyway.
The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
quality makes the Yamaha GO44 perfect for any type of recording, and allows
you to capture the full details and nuances of the original source - from the
breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.

The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
jack terminals for both input and output, and special S/P DIF coaxial terminals for
two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
recording capability - perfect not only for those who want to create music, but also
for those who want an audio playback system for their computer that delivers
outstanding sound quality.

The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
surround sound formats. Simply connect a surround compatible amplifier/speaker
setup, and enjoy the powerful sonic experience of surround sound.

Yamaha GO44 Features:
FireWire audio interface
Durable aluminum die cast body
Simple, small and light weight
2 x Balanced Line inputs / outputs
Headphones output on Front Panel
1 MIDI In /1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible

Weight2.00 kg1.00 kg0.63 kg3.00 kg2.00 kg1.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 1.00 kg
Weight 0.63 kg
Weight 3.00 kg
Weight 2.00 kg
Weight 1.50 kg