DBX 580 Microphone Preamp

419.00 incl. GR VAT

Available on backorder

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The dbx 580 Microphone Preamp is the perfect partner to your microphones, providing sonically-transparent gain that will reveal the detail and audio signature of even the most esoteric microphones. It will transform their low level output signal to a high level, high current output for direct connection to the line level inputs of your mixer, […]

 

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The dbx 580 Microphone Preamp is the perfect partner to your microphones, providing sonically-transparent gain that will reveal the detail and audio signature of even the most esoteric microphones. It will transform their low level output signal to a high level, high current output for direct connection to the line level inputs of your mixer, sampler or any other recording medium that accepts line level, analog input.

Weight 1.00 kg

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Quick Comparison

DBX 580 Microphone Preamp removeRCF MS 520: 40 W, 7 IN, MULTI-ZONE MUSIC AND PAGING SYSTEM removeDBX PMC16 Personal monitor controller removeBSS Z-BLU101 Signal Processor removeDBX 560A COMPRESSOR/LIMITED MODULE PROCESSOR removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb remove
NameDBX 580 Microphone Preamp removeRCF MS 520: 40 W, 7 IN, MULTI-ZONE MUSIC AND PAGING SYSTEM removeDBX PMC16 Personal monitor controller removeBSS Z-BLU101 Signal Processor removeDBX 560A COMPRESSOR/LIMITED MODULE PROCESSOR removeBSS BLUCARD-IN 4 analog input mic/line card for Soundweb remove
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SKUDBX 580MS520DBX PMC16Z-BLU101DBX 560AZ-BLUCARD-IN
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Price 419.00 incl. GR VAT 1,013.70 incl. GR VAT 882.00 incl. GR VAT 3,609.32 incl. GR VAT 335.00 incl. GR VAT 384.39 incl. GR VAT
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Description
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The dbx 580 Microphone Preamp is the perfect partner to your microphones, providing sonically-transparent gain that will reveal the detail and audio signature of even the most esoteric microphones. It will transform their low level output signal to a high level, high current output for direct connection to the line level inputs of your mixer, sampler or any other recording medium that accepts line level, analog input.

An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.

Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.

Features
3 Music Source Inputs individually selectable to each output
One Input Source with Override facility (Jukebox or Auto Announcer)
5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones
Can be expanded interlink of two or more MS520 units
Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option)
Direct Inputs and Outputs on each zone
Paging or Alarm Input Override System
Full Digital Matrix control of functions to all 5 zones
Up to 10 remote control panels RC 62 can be connected to each MS 520
AMPLIFIER SPECIFICATIONS
Power output:5 x 20Watt rms
Frequency Response (Music):30 ÷ 45Hz ÷ kHz
Frequency Response (Direct):30 ÷ 45Hz ÷ kHz
Frequency Response (Paging):200 ÷ 18Hz ÷ kHz
Distortion:0.5%
Signal / noise ratio (Music):-78dB
Signal / noise ratio (Direct):-78dB
Signal / noise ratio (Paging):-60dB
INPUT SECTION
Input sensitivity (Music):-16dBu
Input sensitivity (Direct):-16dBu
Input sensitivity (Paging - Line):- 43 ÷ -27dBu
Input sensitivity (Paging - Mic):- 58 ÷ -41dBu
Bass Tone:(100 kHz) ± 8dB
Treble Tone:(12.5 kHz) ± 8dB
OUTPUT SECTION
Out level:-6 / -10dB
Protections:Short ciurcuit, thermal, AC / DC fuses 
Power supply:16V dc
POWER REQUIREMENT
Operating voltage:220÷240 / 110÷120 V ~ 50 / 60 HzV ~ Hz
Power (consumption):370W
Max. Available power:100W
PHISICAL SPECIFICATION
Width:438 / 17.24mm/inch
Height:44 / 1.73mm/inch
Depth:253 / 9.96mm/inch
Net Weight:3.66 / 8.06Kg/Lbs
SHIPPING INFORMATION
Package height:75 / 2.95mm/inch
Package width:520 / 20.47mm/inch
Package depth:280 / 11.02mm/inch
Shipping Weight:4.18 / 9.21Kg/Lbs

 

Overview Dial in YOUR mix exactly as YOU want it, in Real Time.

The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.

Recommended for: Portable, Tour.

Features
  • 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
  • 16 Preset Locations for Mix & Configuration Recall
  • LCD Display with 16 Channel Metering
  • Built-In Lexicon© Reverb
  • dbx PeakStopPlus™ Limiting
  • Global High & Low EQ
  • Global Master Level Control
  • Global Stereo Width Control
  • BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
  • XLR & 1/4” Stereo or Mono Outputs
  • 1/8” & 1/4” Headphone Outputs
  • Setup Wizard for Easy Configuration
  • Supports 48 kHz & 96 kHz Sampling Rates
  • Channel Linking, Grouping, & Multi-Select Capabilities
  • Supports up to 60 PMC16s on a Single BLU Link Ring
  • Built-In Sturdy Mic Stand Mount
  • USB Port for Firmware Updates

The Soundweb London BLU-101 offers a fixed configuration of 12 analog inputs and 8 analog outputs, configurable signal processing, AEC processing, and a high bandwidth, fault tolerant digital audio bus.

The BLU-101 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.

The BLU-101 contains dedicated AEC processing for up to 12 independent AEC algorithms. The AEC algorithm can be applied to signals coming from the local analog inputs or from the digital audio bus. 12 individual AEC references (one per algorithm) allow the user to provide a solution for multiple conferencing spaces using a single device.

Automatic Gain Control (AGC) and Noise Cancellation (NC) are also provided per AEC algorithm. AGC ensures that microphone levels remain at an optimum level, and NC removes steady state noise (such as from a projector fan or air conditioning device) from the signal path.

This processor features a low latency, fault tolerant digital audio bus of 48 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.

The BLU-101 is compatible with the entire Soundweb London family and its 48 channel digital audio bus represents channels 1-48 of the larger 256 channel digital audio bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices.

Analog Inputs provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel.

Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.

12 Control Inputs and 6 Logic Outputs allow the BLU-101 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.

The BLU-101 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

Key Features:
• 12 Analog Inputs (with 48v Phantom Power per Channel)
• 8 Analog Outputs
• Configurable Signal Processing
• 12 Channels of AEC Processing with Auto Gain Control and Noise Cancellation
• Rich Palette of Processing and Logic Objects
• 48 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect

The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.

Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting.

mic/line for the BLU-80, BLU-32, BLU-16.

Weight1.00 kg4.18 kg2.00 kg4.10 kg1.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 4.18 kg
Weight 2.00 kg
Weight 4.10 kg
Weight 1.00 kg
Weight 1.00 kg