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The DNRP-WRC provides two button record control and visual status indication of a connected Denon® DN-F450R/F650R recorder.
The mouse sized unit, once connecte to the recorder using its integral 5 metre lead, can be placed in a convenient location on a board/ meeting room table to allow the recording of conferences and discussions. Visual indication of recorder status is provided by high brightness red and green indicators located around the RECORD button, which show STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE. The two button control allows the recorder to be placed into record mode, create a new record mark and stop the recording process.
The DNRP-WRC is primarily for the simple control of audio recording in areas where conversations, discussions or conferences are taking place. The unit allows the DNF450R/F650R recorder to be placed out of sight to prevent media tampering or access to all the recorder controls.
- Simple unobtrusive controller for the recording of audio in board/meeting rooms
- Easy connection to Denon DN-F450R/F650R recorder serial (RS232) port
- Provides bright visual indication of STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE
- RECORD and STOP buttons allow simple control without the need to access the recorder
- Ergonomic visually pleasing design with internal weight to prevent table slip
- Ultra low power consumption, no need for additional power adaptor
- Fully sealed label provides protection against drink spills
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Specifications | General | | Recording media | | CompactFlash (CF) card | | File system | | FAT32 | | Recording format | | BWF (Monophonic, Polyphonic) | | Number of channels | | 8 channels (44.1/48/88.2/96 kHz)
8 channels + stereo mix (44.1/48 kHz)
4 channels (176.4/192 kHz) | | Quantization bit rate | | 16/24 bit | | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | Reference clock | | Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN) | | Type of timecode frame | | 23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF | | Limiter | | Attack time: 3 ms
Release time: 300 ms
Threshold: –5 dBFS
Ratio: 32:1 | | Analogue audio inputs and outputs | | The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack. | | ANALOG INPUT (1-8) | | D-sub 25-pin | | Input impedance | | 10 kOhm | | Nominal input level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG INPUT (L/A, R/B) | | XLR-3-31 (1: GND, 2: HOT, 3: COLD) | | Input impedance | | 10 kOhm | | Nominal input level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum input level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG OUTPUT (1-8) | | D-sub, 25-pin | | Output impedance | | 100 Ohm | | Nominal output level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | ANALOG OUTPUT (A/B) | | XLR-3-32 (1: GND, 2: HOT, 3: COLD) | | Output impedance | | 100 Ohm | | Nominal output level | | When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms) | | Maximum output level (selectable) | | +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms) | | PHONES connector | | 6.3-mm standard stereo jack | | Maximum output power | | 45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm) | | Digital audio inputs and outputs | | DIGITAL IN/OUT (AES/EBU) | | D-sub, 25-pin | | Minimum input voltage | | 2 Vpp | | Maximum input voltage | | 7 Vpp | | Output voltage | | 2–5 Vpp | | Format | | AES3-2003/IEC 60958-4 (AES/EBU) | | DIGITAL I/O (ADAT) | | ADAT optical | | Format | | ADAT | | DIGITAL INPUT A-B | | XLR-3-31 | | Input voltage | | 2–7 Vpp at 110 Ohm | | Format | | AES3-2003 (AES/EBU) | | DIGITAL OUTPUT L-R | | XLR-3-32 | | Output voltage | | 2–5 Vpp at 110 Ohm | | Format | | AES3-2003 (AES/EBU) | | Other inputs and outputs | | RS-422 | | D-sub, 9-pin | | RS-232C | | D-sub, 9-pin | | PARALLEL | | D-sub, 25-pin | | CASCADE IN | | BNC | | Input voltage | | TTL equivalent (5 V) | | Input impedance | | 75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm | | CASCADE OUT | | BNC | | Output voltage | | TTL equivalent (5 V) | | Output impedance | | 75 Ohm ±10 % | | Sampling frequency | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | TIME CODE IN | | BNC | | Input voltage | | 0.5–5 Vpp | | Input impedance | | 20 kOhm | | TIME CODE OUT | | BNC | | Output voltage | | 2–5 Vpp | | Output impedance | | 600 Ohm ±10 | | WORD/VIDEO IN | | BNC | | Input voltage | | TTL equivalent (5 V) | | Input impedance | | 75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm | | WORD/VIDEO THRU/OUT | | BNC
OUT/THRU switch included (OUT is for WORD OUT only) | | Output voltage | | TTL equivalent (5 V) | | Output impedance | | 75 Ohm ±10 % | | Sampling frequency (when using WORD) | | 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) | | ETHERNET | | RJ45 | | Keyboard | | Mini-DIN (PS/2) | | USB | | USB A-type, 4-pin | | Protocol | | USB2.0 HIGH SPEED (480 Mbit/s) | | Audio performance (analogue input to analogue outp | | Frequency response | | | | 20 Hz - 20 kHz | | ±0,5 dB (all sampling rates) | | at 40 kHz | | +0,5 dB/–2 dB (Fs = 88.2/96 kHz) | | at 80 kHz | | +0,5 dB/–5 dB (Fs = 176.4/192 kHz) | | Distortion | | ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF) | | S/N ratio | | ≥100 dB(A) (22 kHz LPF) | | Power requirements and other specifications | | Power requirements | | 100–240 V AC, 50–60 Hz | | Power consumption | | 26 W | | Dimensions (W x H x D) | | 483 mm x 88 mm x 288 mm | | Weight | | 4.8 kg | | Operating temperature range | | 5–35 °C |
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Main Features
* Colour TFT touch screen interface
* 20 illuminated flash start keys
* Up to 100 tracks available for flash start through touch screen
* Transport and Online buttons recessed to prevent accidental operation
* 100-mm fader with fader start capability and 0-dB lock
* Monitor speaker and headphones output for monitoring
* CAT6 connection to HS-2 and HS-8
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The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.
Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
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The Apogee X-VID-SYC-GEN Video Expansion Card is designed to fit in the X-Series card slot located in the rear panel of the Apogee Big Ben Master Digital Clock (sold separately). Allows all functions to be controlled from the Big Ben user interface and generates video and provides genlocking function. In genlocking mode the source video-signal will be re-clocked and regenerated, maintaining the same
field and colorburst phase information, but stripped of its line information and replaced by video-black. In slave mode the board will auto-detect the incoming video-standard and configure itself accordingly. The video input is of very high tolerance and will even lock to unstable sources like VCR's.
The Apogee X-VID-SYC-GEN Video Expansion Board has three modes of operation.
•Master mode: The user selects the video format on the frontpanel of the Big Ben. The Big Ben will slave to the generated video signal
•Attended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben will slave to the incoming video signal
•Unattended Slave mode: The video board will be configured to autodetect and genlock to the incoming video. The Big Ben is not clocking to the Video board and therefore both will function independently
Features - Support for PAL, NTSC and 60 Hz B&W standards
- One composite video input and three composite video outputs
- Can operate as a master black-burst generator
- Can operate as genlocking slave device
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Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD
Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.
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