| Content | • 18 Input channels, 6 buses
• 8 Mic inputs - 2 of which are combo jacks
• 10 Line inputs, 2 of them with Hi-Z
• 6 Balanced 6.3 mm jack outputs
• Stereo main out XLR
• 19 Simultaneously usable effects
• 3 Different EQ types on the input channels
• 11 Integrated realistic amp simulations for guitar and bass (Overloud and Markbass)
• Internal audio player/recorder
• Headphone jack can be used for personal monitoring
• MIDI in/out
• Dual footswitch input
• Integrated Wi-Fi dual-band router (2.4 and 5 GHz) with 2 integrated antennas and an additionally supplied external antenna with WPA2 encryption
• Ethernet port
• USB 2.0 port for recording and playback (WAV, MP3, AIFF)
• MixRemote app available free of charge for iOS and Android
• WLAN remote operation via iPad (not included)
• System requirements: iPad from version 2, iOS version from 8.1, app "MixRemote" (available free of charge from the App Store)
• Corresponding rack mount kit: Article Nr 393409; matching protectors: Article Nr 393435; corresponding bag: Article Nr 393372 (none are not included) |
Features
- 16 acclaimed AnaLOGIQTM recallable preamps
- 16 on-board Mic / Line Inputs (XLR / TRS)
- Expandable up to 38 inputs via dSNAKETM
- 3 Stereo Inputs (TRS)
- 32 Mono + 3 Stereo Input Channels
- 12 on-board Mix Outputs (XLR)
- 4 Stereo Groups
- 2 Stereo Matrix Outs
- AES Digital Out
- 4 DCA Groups
- 4 Mute Groups
- Qu-Pad iPad App for all live mixing controls
- Qu-You iPhone App for personal monitoring
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 15 Soft Keys
- 16 Custom Select keys
- Qu-Control custom screen to suit application
- 4 FX Engines
- 4 FX Sends / Returns
- 32×32 USB Audio Interface
- 5” Touchscreen
- iLive FX Library
- Compatible with ME Personal Mixing System
- Trim, polarity, HPF, gate, insert / ducker, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
| Ever since the "dawn of digital" audio engineers the world over have had a love-hate relationship with their consoles. The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers. X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small.
Ready for your input
Use any combination of the local 32 console mic inputs or the networked digital snake inputs on stage-their audiophile quality programmable preamps always ensure full control, purity and impeccable dynamics. The dedicated channel strip section puts 17 backlit buttons and 13 rotary controls with LED-collars right at your fingertips for nuanced adjustment of each channel's compressor, 4-band parametric EQ and much more. Each input and output channel strip features its own color backlit 128x64 graphic LCD, which provides vital channel information at-a-glance.
Virtual FX Rack
The onboard virtual FX Rack provides access to eight true-stereo, multi-effects processors (16 mono) including delay, chorus, dynamics-and it can run 4 production quality true-stereo reverbs concurrently with 8 channels of 31-band graphic equalization, all without the need for expensive, space-consuming external hardware.
High-count I/O options
X32's extensive connectivity includes 32 high-end programmable mic preamps, 6 balanced Line Ins and Outs on 1/4" TRS, 16 balanced XLR Outs, plus dual Phones and balanced Control Room outputs on both XLR and 1/4" TRS connectors. Additionally, a single AES50 CAT5 cable from FOH to the stage can transfer up to 48 channels of bi-directional audio, collecting all input signals and delivering all bus outputs, along with 16 individual monitor feeds for BEHRINGER's brand new P16 personal monitoring system-all on just one line! The two AES50 ports provide connectivity for up to 6 BEHRINGER S16 stage boxes, or for sharing signals between multiple consoles-all with its ultra-low latency and high reliability the SuperMAC technology is known for.
Vital information is just a click away
Thanks to the netbook-resolution, 800x480 high-contrast color TFT display, you are never more than one or two button presses away from any of X32's eight highly intuitive control screens. Once you select the desired function, dedicated rotary/push encoders allow you to set parameters and source I/O assignment, without the need to "drill down" through multiple layers of menus or page through a complex owner's manual.
Versatile signal and scene management
Signals can be assigned to eight DCA groups (Digitally Controlled Amplifier), which provides simultaneous group level control via dedicated 100 mm motorized faders. The audio engineer can communicate with the talent by means of the Talkback section's onboard mic or an external mic of their choosing. X32's scene management allows snapshots of high-level production mixes to be captured and recalled for future use (you can even save them to a USB stick). X32 even has a dedicated custom control section with user-definable knobs and buttons where you can create your own set of controls, making it easy to access frequently used functions "on-the-fly."
Powered by MIDAS & KLARK TEKNIK
When we began development on the X32, we called on our sister companies, MIDAS and KLARK TEKNIK, recognized the world over for their digital consoles and EQ/FX processing, for implementation support. The programmable, high-grade mic preamps found in the X32 are based on a genuine MIDAS design, all the way down to their A/D converters. The resulting design ensures superior common mode rejection (CMRR) and extremely low harmonic distortion (THD). The X32 is an amazingly clean amalgam of high technology merged with superb user-friendly features.
We received brilliant support from MIDAS and KLARK TEKNIK in designing X32's GUI (graphical user interface), a major advancement in digital mixing made easy, productive, and well... fun! They also drew on their extensive experience in FPGA (Field Programmable Gate Array) coding for rock-solid, ultra-low latency digital channel patching-giving the X32 the capacity to handle up to 168 sources on 168 destinations, including the two AES50 ports. You can expect to see more collaboration between BEHRINGER and MIDAS in the very near future.
Bus and Rear Panel Flexibility
X32 provides 25 fully featured mix buses that can be configured for many different applications; Main LCR (Left, Center, Right) buses; 16 mix buses (individually configurable as pre/post EQ, pre/post Fader or Subgroup) with Inserts, 6-band parametric EQ and dynamics processing; plus six independent Matrix Mixes with Inserts, also with 6-band parametric EQ and dynamics processing.
The X32 abounds with a total of 168 accessible sources and destinations-and managing this much I/O has never been easier! Next to all the analog ins and outs, the rear panel also sports two AES50* ports, each with KLARK TEKNIK's rock-solid SuperMAC networking capability (addressing a total of 96 concurrent inputs and outputs) for dependable communication between the X32 and digital snakes, remote stage boxes or even other consoles. Stereo AES/EBU output, ULTRANET P16 and MIDI are also supported, plus a convenient top panel USB port is provided for recording an uncompressed two-channel "board mix" straight to any standard USB thumb drive or for playing background music. The Ethernet socket allows complete remote control via LAN or WiFi, and the expansion slot suggests there is even more to come...
The Future is Here-Now!
X32 ships with the insanely powerful XUF FireWire/USB audio interface card pre-installed in the expansion slot right out-of-the-box! XUF provides lowlatency 24-bit audio interfacing with Mac or PC host computers in the form of 32 In x 32 Out channels and MIDI. It even transmits HUI and Mackie Control data along with the audio I/O, which provides convenient remote control of your DAW via the X32 group fader section controls. XUF is compatible with CoreAudio on Mac OS 10.5 and above, and high-performance ASIO drivers for Windows PC are downloadable from behringer.com.
Digital Mixing-Analog Price
The BEHRINGER X32 digital mixing console sets a new benchmark for live sound mixing along with unprecedented value. Behringer is proud to offer the full-featured X32 digital mixing console with it's large input and output channel count, comprehensive processing, flexible expansion options and intuitive user interface-all at a price point that anyone can afford!
Compose. Record. Mix. Share.
TRACKTION 4 puts the fun back into the creative process, so we're including it free of charge with select BEHRINGER products. This powerful, yet easy-to-use music production software is unlike anything you've seen before, putting everything you'll need on your desktop, on a single-screen - without the sea of drop down and hidden menus common to most other DAWs. And TRACKTION doesn't limit the number of tracks you can record, or the number of effects you can use. In fact, the only limitation is your Mac or PC computer's processing power. Recording and editing couldn't be easier; simply drag, drop, cut, copy or paste. Once your magnum opus is finished, share it with other "Tracktioneers" so they can listen, collaborate and edit.
Here are just a few of TRACKTION 4's outstanding features:
- Native FX plug-ins ranging from dynamics to modulation, reverb and more
- Support for available third party AU, VST and VSTi plug-ins
- Mix Automation
- Safe Record
- Loop Recording
- 64-bit, 192 kHz Mix Engine
- Audio Clip manipulation
- MIDI Editor
- Filters - Volume / Pan, Level Meter, 4-Band EQ, Aux Send & Return and FX
- Export to a variety of formats such as .wav, .aif, and .mp3
Product Features:
- 40-input channel, 25-bus digital mixing console for Studio and Live application
- 32 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- 25 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control
- 16 XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic
- Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction
- 32 x 32 channel USB 2.0 audio interface, with DAW remote control emulating HUI* and Mackie Control*
- iPad* and iPhone* apps for professional remote operation available free of charge-no host PC required
- High-resolution 7" day-viewable Color TFT for easy viewing of workflow components and parameters
- Main LCR, 6 matrix buses and 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
- Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
- 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency (0.8 msec)
- Powerful scene management for convenient handling of complex productions
- 48-channel Digital Snake ready** via AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
- USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
- Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
- Additional user-definable control section allows for on-the-fly adjustments of your favorite parameters
- ULTRANET connectivity for BEHRINGER's P-16 Personal Monitoring System** plus AES/EBU stereo digital output and MIDI
- Networked remote control for show setups with on-screen software editor via Ethernet
- Built-in expansion port for audio interface cards or digital networking bridges
- Future firmware updates, incl. new FX "Plug Ins“, downloadable from behringer.com free of charge
- Conceived and designed by BEHRINGER Germany
|
Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.
Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.
Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.
- 16 Mono Inputs (TRS + XLR)
- 3 Stereo Inputs (TRS)
- 4 Stereo FX Returns
- 16 Busses
- 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
- 4 FX Engines
- AES Digital Out
- 19" Rack Mountable
- Moving Faders
- Recallable AnaLOGIQ Preamps
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 800×480 Touchscreen
- iLive FX Library
- dSNAKE Remote Audio Port
- Compatible with ME Personal Mixing System
- Qu-Pad iPad App
- USB Audio Streaming
- DAW MIDI Control
- 4 Mute Groups
- Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
|
Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.
- Input channels: 48 mono, 8 stereo.
- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
- Meter bridge optional.
General specifications
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | | Dimensions | W | 648mm (25 5/8in) | | H | 299mm (11 3/4in) | | D | 667mm (26 1/4in) | | Net weight | 24kg (52.9lb) | | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
|
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Technical Specifications
| Internal processing | 32bit (Accumulator=58bit) | | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | | Power requirements | 110V-240V, 50/60Hz | | Power consumption | LS9-32: 170W, LS9-16: 95W | | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Analog Input Characteristics
|
Input terminal
|
Actual load impedance
|
For use with nominal
|
Input level
|
Connector
|
|
GAIN
|
Sensitivity
|
Nominal
|
Max. before clip
| |
INPUT 1-n
|
-62dB
+10dB
|
3kohms
|
50-600 ohm Mics & 600ohm Lines
|
-82dBu
|
-62dBu
|
-42dBu
|
XLR3-31 type
| |
-10dBu
|
+10dBu
|
+30dBu
|
Analog Output Characteristics
|
Output terminal
|
Actual source impedance
|
For use with nominal
|
GAIN SW
|
Output level
|
Connector
| |
Nominal
|
Max. before clip
| |
OMNI OUT 1-n
|
75ohms
|
600ohm Lines
|
+24dB
+18dB
|
+4dBu
-2dBu
|
+24dBu
+18dBu
|
XLR-3-32 type
| |
PHONES OUT
|
15ohms
|
8ohm Phones
|
-
|
75mW
|
150mW
|
ST Phone jack
| |
40ohm Phones
|
-
|
65mW
|
150mW
|
Digital Output Characteristics
| Terminal | Format | Data length | Level | Connector | | 2TR IN DIGITAL | COAXIAL | IEC60958 | 24bit | 0.5Vpp/
75ohms | RCA pin jack | | 2TR OUT DIGITAL | COAXIAL | IEC60958
(Consumer Use) | 24bit | 0.5Vpp/
75ohms | RCA pin jack |
Control I / O Characteristics
|
Terminal
|
Format
|
Level
|
Connector
| |
NETWORK (Ethernet)
|
100Base-T
|
-
|
RJ45
| |
MIDI
|
IN
|
MIDI
|
-
|
DIN-5pin
| |
OUT
|
MIDI
|
-
|
DIN-5pin
| |
WORD CLOCK
|
IN
|
-
|
TTL/75ohms, Terminated
|
BNC
| |
OUT
|
-
|
TTL/75ohms
|
BNC
| |
REMOTE
|
-
|
RS422
|
D-sub 9pin(male)
| |
LAMP
|
-
|
0V-12V
|
XLR-4-31 type
| |
USB HOST
|
USB1.1
|
USB
|
A type USB Connector
| |
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