Digitech JamMan Solo XT Features: Stereo Looping Linkable to Sync With Other JamMan Solo XT Metronome with Multiple Rhythm Sounds Multiple Time Signatures USB Port Micro SD Interface Dial-In BPM Auto-Record Auto-Quantize Three Stop Modes JamManager XT Software
Digitech JamMan Solo XT Features: Stereo Looping Linkable to Sync With Other JamMan Solo XT Metronome with Multiple Rhythm Sounds Multiple Time Signatures USB Port Micro SD Interface Dial-In BPM Auto-Record Auto-Quantize Three Stop Modes JamManager XT Software
Weight
0.30 kg
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Digitech JamMan Solo XT Features: Stereo Looping Linkable to Sync With Other JamMan Solo XT Metronome with Multiple Rhythm Sounds Multiple Time Signatures USB Port Micro SD Interface Dial-In BPM Auto-Record Auto-Quantize Three Stop Modes JamManager XT Software
The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.
Produces extreme, low-end distortion for modern metal and hard rock
Gain Boost circuit creates huge distortion and sustain regardless of level
New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
Tone control adjusts balance between high and low frequencies
BOSS 5-year warranty
Experience true analog delay and vintage slap-back echo that rivals any tape delay
This BEHRINGER product has been designed to compete head to head with leading products on the market
Vintage BBDs produce up to 300 ms of delay and advanced noise reduction circuit keeps your signal clean
Dedicated Intensity, Echo and Repeat Rate controls for awesome sound shaping
Blue status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for highest signal integrity in bypass mode
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Analog at its Finest
Though digital sound technology constantly evolves, nothing sounds quite like the "old-school” analog Bucket Brigade-style delay you get when you step on the VD400. With its dedicated REPEAT RATE, INTENSITY and ECHO dials, this amazing little stomp box evokes the spirits of some of rock and rollʼs most legendary heroes, and provides up to 300 milliseconds of true analog delay. Every type of classic delay, from a deep-space whisper, to an interplanetary battle cry—is at your command.
Easy to Operate
The bright blue LED tells you when the Vintage Delay is activated (and serves as a beacon for other time travelers), and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the VD400 with either a 9 V battery or our PSU-SB DC power supply (not included).
Like a Trip Back in Time… The VINTAGE DELAY VD400 is like a snapshot pulled right out of time—and its low, low price tag will have you reminiscing about how much you miss those "good-old” days. Visit your BEHRINGER dealer without delay, delay, delay...
Produces everything from mild, natural chorusing to the penetrating stereo chorus popular in contemporary music. Covers a wide frequency range and includes both high- and low-cut filters.
Input Impedance
1 M ohms
Output Impedance
1 k ohms
Recommended Load Impedance
10 k ohms or greater
Residual Noise Level
-93 dBu (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack A (mono)/ B, AC Adaptor Jack (DC 9 V)
Power Supply
DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw
22 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Option
AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
410 g
0 lbs. 15 oz.
The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.
The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.
The main features of the Marshall EH-1 ECHOHEAD include:
6 different, high quality delay effects for you to explore
Multi-mode selector switch
Delay time control
Feedback control
Level control
Solid metal casing
Passive bypass
Tap tempo pedal input
Power: 9V DC Centre Negative Regulated PSU or PP3 battery
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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