DRAWMER 1973 – Three Band FET Stereo Compressor

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The award winning 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price. Expanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate – the […]

 

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The award winning 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price.

Expanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate – the 1973. The culmination of 30 years of development and experience, the 1973 combines the functionality and control of the world class Drawmer S3 with the familiarity and quality of the illustrious 1960 and 1968, providing three bands of transparent, intuitive compression for the price of a conventional single full band compressor.

How does the 1973 differ from a full band compressor? In essence, the 1973 comprises a set of crossover filters that splits the audio signal into three frequency bands, each split signal then passes through its own compressor and is independently adjusted, after which the signals are recombined and the final Wet/Dry mix and levels can be adjusted. The advantage is that one band’s compression has no affect on the others.

What’s so good about a three band compressor anyway? The 1973 can pull off amazing feats that a single-band compressor could never accomplish. For example, it can easily prevent an acoustic guitar, cello, or double bass from sounding boomy on low notes without thinning the highs.

Are you recording a vocal track that sounds too shrill? The timbre can easily be altered without eliminating detail and clarity. Adding heavier compression in the bass band can add to the thickness and richness of the voice, in the mid band raspiness is controlled, whilst compression to the high band can give sizzle and definition to an otherwise bland voice. In addition, sibilance can easily be tamed.

In a mastering situation, having independent control over each band can resolve a problem mix, pulling out individual instruments, brightening the brilliance/air or making the bottom end of a mix sound huge while simultaneously avoiding “pumping” or “breathing” artifacts and increasing headroom.

Features:

  • Standard intuitive controls such as Threshold, Gain, Switched Attack & Release with Gain Reduction Metering on Each Band.
  • Fast Reacting Soft Knee F.E.T. Design with excellent Left/Right Tracking across the Full Range of compression.
  • Variable Wet/Dry Mix plus Output Gain Knobs give a ‘Parallel Compression’ function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.
  • Variable Band Split Filters at a 6dB Per Octave slope with Switch-able Mute and Bypass on Each Band make ‘Tuning In’ to a Frequency Simple.
  • ‘Big’ and ‘Air’ Modes Help to preserve the Very Deep Lows and Enhance the Sparkling Highs.
  • Two Analogue V.U. Meters with Switchable +10dB Meter Rescale Modes and a Switchable ‘Peak’ mode to Display Fast Transients Not Normally Seen on Conventional V.U.s.
  • Dedicated Gain Reduction Meters On Each Band.
  • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
Weight 4.00 kg

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DRAWMER 1973 - Three Band FET Stereo Compressor removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeDBX 266XS COMPRESSOR/GATE 2CH removeTOA L-1102 2 CHANNEL LIMITER-LEVELLER removeAVALON VT-737SP DIRECT SIGNAL PATH remove
NameDRAWMER 1973 - Three Band FET Stereo Compressor removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeDBX 266XS COMPRESSOR/GATE 2CH removeTOA L-1102 2 CHANNEL LIMITER-LEVELLER removeAVALON VT-737SP DIRECT SIGNAL PATH remove
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SKUUA29251E005280E005263DBX 266XSL-1102H05AV00000
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Price1,484.99 incl. GR VAT 95.00 incl. GR VAT 437.00 incl. GR VAT 162.00 incl. GR VAT 564.32 incl. GR VAT3,439.00 incl. GR VAT
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Description
ContentThe award winning 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price. Expanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate - the 1973. The culmination of 30 years of development and experience, the 1973 combines the functionality and control of the world class Drawmer S3 with the familiarity and quality of the illustrious 1960 and 1968, providing three bands of transparent, intuitive compression for the price of a conventional single full band compressor. How does the 1973 differ from a full band compressor? In essence, the 1973 comprises a set of crossover filters that splits the audio signal into three frequency bands, each split signal then passes through its own compressor and is independently adjusted, after which the signals are recombined and the final Wet/Dry mix and levels can be adjusted. The advantage is that one band's compression has no affect on the others. What's so good about a three band compressor anyway? The 1973 can pull off amazing feats that a single-band compressor could never accomplish. For example, it can easily prevent an acoustic guitar, cello, or double bass from sounding boomy on low notes without thinning the highs. Are you recording a vocal track that sounds too shrill? The timbre can easily be altered without eliminating detail and clarity. Adding heavier compression in the bass band can add to the thickness and richness of the voice, in the mid band raspiness is controlled, whilst compression to the high band can give sizzle and definition to an otherwise bland voice. In addition, sibilance can easily be tamed. In a mastering situation, having independent control over each band can resolve a problem mix, pulling out individual instruments, brightening the brilliance/air or making the bottom end of a mix sound huge while simultaneously avoiding "pumping" or "breathing" artifacts and increasing headroom. Features:
  • Standard intuitive controls such as Threshold, Gain, Switched Attack & Release with Gain Reduction Metering on Each Band.
  • Fast Reacting Soft Knee F.E.T. Design with excellent Left/Right Tracking across the Full Range of compression.
  • Variable Wet/Dry Mix plus Output Gain Knobs give a 'Parallel Compression' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.
  • Variable Band Split Filters at a 6dB Per Octave slope with Switch-able Mute and Bypass on Each Band make 'Tuning In' to a Frequency Simple.
  • ‘Big’ and 'Air' Modes Help to preserve the Very Deep Lows and Enhance the Sparkling Highs.
  • Two Analogue V.U. Meters with Switchable +10dB Meter Rescale Modes and a Switchable ‘Peak’ mode to Display Fast Transients Not Normally Seen on Conventional V.U.s.
  • Dedicated Gain Reduction Meters On Each Band.
  • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
SHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and "intelligently" locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality Ultra-low noise Mic/Line input with Gain control and +48 V phantom power Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec Noise gate with automatic and manual parameter settings Automatic compressor with variable density Subsonic filter with adjustable cut-off frequency Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

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  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
  • Specifications
    Input Connectors 1/4" TRS and female XLR (pin 2 hot)
    Input Type Electronically balanced/unbalanced, RF filtered
    Input Impedance 40kΩ balanced/unbalanced
    Max Input >+22dBu Balanced or Unbalanced
    Output Connectors 1/4" TRS, female XLR (pin 2 hot)
    Output Type Impedance-balanced/unbalanced, RF filtered
    Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
    Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
    Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
    Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
    Sidechain Max Input Level Tip = >+22dBu (Input)
    Sidechain Max Output Level Ring = >+20dBu (Output)
    Compressor Threshold Range -40dBu to +20dBu
    Compressor Threshold Characteristic Selectable OverEasy® or hard knee
    Compressor Ratio 1:1 to Infinity:1
    Compressor Attack Time Scalable Program-Dependent AutoDynamic™
    Compressor Release Time Scalable Program-Dependent AutoDynamic™
    Expander/Gate Threshold Range -60dBu to +15dBu
    Expander/Gate Ratio 1:1 to 4:1
    Expander/Gate Attack Time
    L-1102 Leveler/Limiter * Program dependent attack and release for transparent operation. * Noise gate to cut off system background noise when there is no signal. * In limiter mode sense signal is from the amplifier output. * Limits 4 ohm, 8 ohm, 25 V, 70 V and 100 V amplifier outputs. * 20 dB gain in signal leveler mode. * Security cover and rack-mount ears included. * Five year warranty.

    The Avalon VT-737SP features a combination of TUBE preamplifiers,
    opto-compressor,sweep equalizer, output level and VU metering in a
    2U space.
    PREAMPLIFIER
    The VT-737SP has three input selections: 1. The VT-737SP features a
    higher-performance microphone input transformer with +48v phantom
    selection. 2. Instrument DI high source input with jack located on front
    panel. 3. Balanced line input, discrete high-level Class A. The Class A
    preamplifier utilizes two cascaded, dual vacuum tube triodes configured
    with minimum negative feedback. A high gain switch boosts the overall
    gain of the preamplifier. The four high quality tubes are configured as
    singled ended anode coupled followers. A passive-variable high pass filter
    and hard-wire relay bypass completes the input signal conditioning. The
    phase reverse relay is available on all three inputs.
    OPTO-COMPRESSOR
    The opto-compressor features a minimum signal path design with twin Class
    A vacuum tube triodes for gain matching. The optical attenuator acts as a
    simple passive level controller. Full dynamic control from soft compression to
    hard- knee limiting can be achieved with threshold, ratio-compression, attack
    and release controls plus gain reduction selection on the large VU meter. Special
    spectral control including de-ess is available with the dual sweep mid EQ to side-
    chain switch. The EQ section can be flipped pre or post the opto-compressor
    via a front panel switch for alternate effects and tone shaping. Two VT-737SPs
    can be linked via a rear panel link cable for stereo tracking. The compressor
    bypass is a sealed silver relay for the most direct signal path.
    SWEEP-EQUALIZER AND OUTPUT LEVEL
    The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors
    for optimum sonic performance. The high and low frequency bands provide the
    smooth characteristics of an all passive design, while the dual mid bands include
    variable frequency and switched Q-width selection. The enhanced range of the mid
    bands is extended into the high and low bands by the use of X10 frequency multipliers.
    The bypass switch incorporates a sealed silver relay for the most direct signal path.
    When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for
    "tone enhancement“. The output level control provides a variable control of the overall
    signal path. The output amplifier utilizes another dual triode vacuum tube driving a
    100% discrete, Class A, high-current, balanced and DC coupled low noise output
    amplifier.

    AVALON VT-737SP FEATURES
    Vacuum tube triode signal path, transformer balanced microphone input, high-voltage
    circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power
    supply with toroidal transformer, soft-start tube life extender, stereo link for compressors,
    all discrete Class A equalizer with musical passive filter design, sealed silver relays for
    signal routing, large control knobs with professional conductive plastic potentiometers,
    VU meter for output level monitoring and compressor gain reduction.

    VT-737SP SPECIFICATIONS
    Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete
    Class A
    Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument:
    Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB
    Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced
    XLR Instrument+30dB unbalanced front panel jack socket
    Line +36dB balanced XLR
    Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A
    Output type and gain XLR connector, output trim gain -45dB to20dB
    Noise 20kHz unweighted -92dB
    Noise microphone EIN -116dB, 22Hz to 22kHz unweighted
    Distortion THD, IMD 0.5%
    Frequency response -/2.5dB 10Hz to 120kHz input filter included
    Frequency response -3dB 1Hz to 200kHz line in-out
    VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB
    High cut filter Variable 6dB per octave 30Hz to 140Hz
    Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link
    Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1
    Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds
    Equalizer type Discrete Class A, variable active and switched passive design
    Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf
    High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid -
    variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz,
    30Hz, 60Hz, 150Hz, +/- 24dB range, shelf
    AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum
    Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm)
    Weight 22lbs (10kg)
    Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm)
    Weight-packed 26lbs (11.8kg)

    Weight4.00 kg0.38 kg3.50 kg3.00 kg4.00 kg11.80 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 4.00 kg
    Weight 0.38 kg
    Weight 3.50 kg
    Weight 3.00 kg
    Weight 4.00 kg
    Weight 11.80 kg